Brighton Beach, with a Horse Turning a Capstan, John Constable, 1824
John Constableの肖像John Constableイギリス, 1776–1837

Brighton Beach, with a Horse Turning a Capstan

1824 · Drawing

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『Brighton Beach, with a Horse Turning a Capstan』は今どこに? ハーバード美術館群, Gallery 3500, floor 3, Special Exhibitions Gallery, ケンブリッジ. はい、現在展示中. 確認 2026年9月29日.

ハーバード美術館群

ケンブリッジ, アメリカ合衆国

展示室3500, floor 3, Special Exhibitions Gallery

一般公開されています。

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出典
美術館

作品データ

収蔵番号
1943.687

カタログ収録

出典

その頃、John Constableの人生では

生涯をすべて見る
  1. 1822/1823

    Daughter born: Isabel Constable

  2. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  3. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  4. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  5. 1825

    A quarrel with Arrowsmith: the French market is lost

    In 1825 Constable quarrelled with Arrowsmith and lost his French outlet, perhaps partly from worry over his wife’s health, the uncongenial life at Brighton and the pressure of outstanding commissions. In a few years he had sold more than twenty pictures in France, more than he sold at home.

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