Bather with Raised Arms, Aristide Maillol, model c. 1890/1899, cast date unknown
Aristide Maillolの肖像Aristide Maillolフランス, 1861–1944

Bather with Raised Arms

model c. 1890/1899, cast date unknown · Sculpture

見られますか?

現在は展示されていません

『Bather with Raised Arms』は今どこに? 所蔵: ナショナル・ギャラリー, ワシントンD.C. 現在は展示されていません. 確認 2026年9月29日.

ナショナル・ギャラリー

ワシントンD.C., アメリカ合衆国

コレクションに属していますが、現在は展示されていません。

確認
この状態になった日
出典
美術館

作品データ

収蔵番号
2005.116.1

描かれているもの

カタログ収録

出典

その頃、Aristide Maillolの人生では

生涯をすべて見る
  1. 1889

    Friendship with Bourdelle

    Poorly received in Gérôme's class, Maillol moved to Adolphe Yvon's life-drawing class, where he met Achille Laugé, who, as he put it, turned him onto the right path. He then got to know Antoine Bourdelle, who helped him in 1889 when he fell into financial difficulty.

  2. 1892

    Meets Paul Gauguin

    Maillol's early painting showed the influence of Puvis de Chavannes; he joined the Nabis and mixed with Bonnard, Vuillard and Maurice Denis. His meeting with Paul Gauguin in 1892 proved decisive.

  3. 1893

    A tapestry workshop in Banyuls

    Gauguin encouraged his growing interest in decorative art, and in 1893 Maillol opened a tapestry workshop in Banyuls, whose technical and artistic quality earned him recognition for renewing the art in France. The medieval tapestries of The Lady and the Unicorn at the Musée de Cluny provided the spark.

  4. 1895

    First terracottas: the turn to sculpture

    In 1895 Maillol began making small terracotta sculptures, and within a few years sculpture had displaced his tapestry work. It was failing eyesight that drove him to sculpture, and by some accounts he first showed his works to the public in 1894.

  5. July 1896

    Marries Clotilde Narcis

    In July 1896 Maillol married Clotilde Narcis, one of the employees of his tapestry workshop.

  6. October 1896

    Birth of his son Lucien

    In October 1896 Maillol and Clotilde's only son, Lucien, was born.

すべての作品

ナショナル・ギャラリーの他の展示作品

美術館のページ