Nicolas Poussinフランス, 1594–1665A Bacchanalian Revel Before a Term
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『A Bacchanalian Revel Before a Term』は今どこに？ 所蔵: ナショナル・ギャラリー, ロンドン. 不明.
ロンドン, イギリス
所蔵者は判明していますが、現在展示中かどうかは不明です。
- この状態になった日
- 出典
- 美術館
この絵画について
『境界標の前のバッカナーレ』（きょうかいひょうのまえのバッカナーレ、英: Bacchanalalian Revel before a Term）、または『牧神パンの彫像の前のバッカナーレ』（ぼくしんパンのちょうぞうのまえのバッカナーレ、仏: Bacchanale devant une statue de Pan、英: Bacchanal before a Statue of Pan）は、17世紀フランスの巨匠ニコラ・プッサンが1632-1633年ごろ、キャンバス上に油彩で制作した絵画である。画家が何点も描いたニンフとサテュロスによるバッカス祭を描いた作品の1つで、1826年以来、ロンドン・ナショナル・ギャラリーに所蔵されている。
作品データ
- 収蔵番号
- NG62
カタログ収録
出典
- ウィキデータ
- 画像： ナショナル・ギャラリー — Nicolas Poussin · Public domain · Wikimedia Commons
その頃、Nicolas Poussinの人生では
生涯をすべて見る1620s
The Cavaliere Marino takes the painter under his wing
Poussin’s work caught the attention of the Italian poet Cavaliere Marino, then living in France; his patronage let the thirty-year-old painter work in peace. According to Bellori the poet took him into his house and helped him with the invention of subjects and the rendering of emotion, and in Marino’s house Poussin gained access to a library with treatises by Alberti and Dürer and manuscripts and drawings by Leonardo.
c. 1629
A grave illness: the Dughet family nurses Poussin
Around 1629 Poussin fell gravely ill and was nursed by the family of the French pastry-cook Dughet; on recovering he became engaged to the eldest daughter, Anne-Marie. The wedding in the church of San Lorenzo in Lucina took place on 1 September 1630.
1630
Gives up monumental commissions
In 1630 the commission headed by Domenichino and d’Arpino gave the decoration of the Chapel of the Immaculate Conception in San Luigi dei Francesi to the Lorrainer Charles Mellin, not to Poussin. After that he firmly renounced the monumental genre and turned to “cabinet painting” for private patrons.
1630年8月9日
Married: Anne-Marie Dughet
1632
Elected to the Academy of St Luke
In 1632 Poussin was elected a member of the Academy of St Luke — two years after he had given up monumental commissions for cabinet painting.
1640
December 1640: Poussin returns to Paris
François Sublet de Noyers, Superintendent of the King’s Buildings, whose invitations Poussin had declined, sent his cousins Roland and Paul Fréart to Rome, offering the title of First Painter to the King and a substantial residence at the Tuileries. Poussin yielded, and in December 1640 he was back in Paris.
