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ART WIKI

Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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Plate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 29 from "The Disasters of War" (Los Desastres de la Guerra): 'He deserved it' (Lo merecia)ca. 1810 (published 1863)Metropolitan Museum of Art
Plate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 66 from "The Disasters of War" (Los Desastres de la Guerra): 'Strange devotion!' (Extraña devocion!)1814–15 (published 1863)Metropolitan Museum of Art
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo), Goya, 1799Francisco de GoyaPlate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)1799Metropolitan Museum of Art
Plate 72 from "Los Caprichos": You will not escape (No te escaparàs), Goya, 1799Francisco de GoyaPlate 72 from "Los Caprichos": You will not escape (No te escaparàs)1799Metropolitan Museum of Art
Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)1811–12 (published 1863)Metropolitan Museum of Art
Portrait of Frederick  Delius, Edvard Munch, 1920Edvard MunchPortrait of Frederick Delius1920National Gallery of Art
The Cat (Katten), Edvard Munch, 1913Edvard MunchThe Cat (Katten)1913National Gallery of Art
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi), Goya, 1810 (published 1863)Francisco de GoyaPlate 44 from "The Disasters of War" (Los Desastres de la Guerra): I saw it (Yo lo vi)1810 (published 1863)Metropolitan Museum of Art
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull, Goya, 1816Francisco de GoyaPlate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull1816Metropolitan Museum of Art
Encounter in Space (Møte i verdensrommet), Edvard Munch, 1902Edvard MunchEncounter in Space (Møte i verdensrommet)1902National Gallery of Art
The Seducer (Forføreren), Edvard Munch, 1913Edvard MunchThe Seducer (Forføreren)1913National Gallery of Art
Plate 57  from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 57 from "The Disasters of War" (Los Desastres de la Guerra): 'The healthy and the sick' (Sanos y enfermos)1811–12 (published 1863)Metropolitan Museum of Art
The cloaked man, Goya, 1859Francisco de GoyaThe cloaked man1859Metropolitan Museum of Art
Recycle, it's the law! from Exit 99, David Byrne, 1999David Byrne, Talking HeadsRecycle, it's the law! from Exit 991999Museum of Modern Art
Count Kessler, Edvard Munch, 1895Edvard MunchCount Kessler1895National Gallery of Art
Plate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse, Goya, 1816Francisco de GoyaPlate 23 from "La Tauromaquia": Mariano Ceballos, alias the Indian, kills the bull from his horse1816Metropolitan Museum of Art
Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra), Goya, 1810–11Francisco de GoyaPlate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)1810–11Metropolitan Museum of Art
Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?), Goya, 1799Francisco de GoyaPlate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)1799Metropolitan Museum of Art
Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas), Goya, 1810Francisco de GoyaPlate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)1810Metropolitan Museum of Art
Plate 80 from "Los Caprichos": It is time (Ya es hora), Goya, 1799Francisco de GoyaPlate 80 from "Los Caprichos": It is time (Ya es hora)1799Metropolitan Museum of Art
Loyalty, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaLoyalty, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Isabel of Bourbon, Queen of Spain on horseback, after Veláquez, Goya, 1778Francisco de GoyaIsabel of Bourbon, Queen of Spain on horseback, after Veláquez1778Metropolitan Museum of Art
A Way of Flying, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–16 (published 1864)Francisco de GoyaA Way of Flying, from "The Disparates" (Follies / Irrationalities)ca. 1815–16 (published 1864)Metropolitan Museum of Art
Tantalus (Tantalo), plate 9 from "Los Caprichos", Goya, 1799Francisco de GoyaTantalus (Tantalo), plate 9 from "Los Caprichos"1799Metropolitan Museum of Art
Moonlight. Night in Saint-Cloud (Måneskinn. Natt i Saint-Cloud), Edvard Munch, 1895Edvard MunchMoonlight. Night in Saint-Cloud (Måneskinn. Natt i Saint-Cloud)1895National Gallery of Art
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Omega's Flight, Edvard Munch, 1908/1909Edvard MunchOmega's Flight1908/1909National Gallery of Art
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega), Goya, 1799Francisco de GoyaPlate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)1799Metropolitan Museum of Art
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring, Goya, ca. 1816Francisco de GoyaPlate 8 from "Tauromaquia": A moor caught by the bull in the ringca. 1816Metropolitan Museum of Art
Plate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 69 from "The Disasters of War" (Los Desastres de la Guerra): 'Nothing. The event will tell' (Nada. Ello dirá)1814–15 (published 1863)Metropolitan Museum of Art
Plate 29 of  "La Tauromaquia": Pepe Illo making the pass of the 'recorte', Goya, 1816Francisco de GoyaPlate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'1816Metropolitan Museum of Art
Men in Sacks, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaMen in Sacks, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Jens Thiis/Two Old People, Edvard Munch, 1913Edvard MunchJens Thiis/Two Old People1913National Gallery of Art
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)1811–12 (published 1863)Metropolitan Museum of Art
Plate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 28 from "The Disasters of War" (Los Desastres de la Guerra): 'Rabble' (Populacho)ca. 1810 (published 1863)Metropolitan Museum of Art
Blossom of Pain (Smertens blomst), Edvard Munch, 1898Edvard MunchBlossom of Pain (Smertens blomst)1898National Gallery of Art
Plate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 68 from "The Disasters of War" (Los Desastres de la Guerra): 'What madness!' (Que locura!)1814–15 (published 1863)Metropolitan Museum of Art
Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar), Goya, 1810Francisco de GoyaPlate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)1810Metropolitan Museum of Art
Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño), Goya, 1799Francisco de GoyaPlate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)1799Metropolitan Museum of Art
Madonna, Edvard Munch, 1895/1902Edvard MunchMadonna1895/1902National Gallery of Art
Mystical Shore, Edvard Munch, 1897Edvard MunchMystical Shore1897National Gallery of Art
Bullfight in a divided ring, from the 'Bulls of Bordeaux', Goya, 1825Francisco de GoyaBullfight in a divided ring, from the 'Bulls of Bordeaux'1825Metropolitan Museum of Art
Plate 61 from "Los Caprichos": They have flown (Volaverunt), Goya, 1799Francisco de GoyaPlate 61 from "Los Caprichos": They have flown (Volaverunt)1799Metropolitan Museum of Art
Alpha's Death, Edvard Munch, 1908/1909Edvard MunchAlpha's Death1908/1909National Gallery of Art
Menippus, after Velázquez, Goya, 1778Francisco de GoyaMenippus, after Velázquez1778Metropolitan Museum of Art
Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan), Goya, 1799Francisco de GoyaPlate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)1799Metropolitan Museum of Art
'Loyalty' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (private printing ca.1854)Francisco de Goya'Loyalty' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (private printing ca.1854)Metropolitan Museum of Art
Garroted Man, Goya, ca. 1775–78Francisco de GoyaGarroted Manca. 1775–78Metropolitan Museum of Art
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