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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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880.909 opere da 254 musei639 esposte ora Azzera

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Tutte
Acquaforte130.252
Litografia89.179
Bulino63.364
Xilografia56.703
Puntasecca9308
Serigrafia8459
Acquatinta7452
Stampa fotomeccanica6933
Mezzatinta6751
Linoleografia2658

Disparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate femenino (Feminine Folly), plate 1 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery

Modo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaModo con que los antiguos españoles cazaban los toros á caballo en el campo (The Way in which the Ancient Spaniards Hunted Bulls on Horseback in the Open Country), Plate 1 from La tauromaquia1816Yale University Art Gallery

Ni por esas. (Neither Do These.), pl. 11 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNi por esas. (Neither Do These.), pl. 11 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Tampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaTampoco (Not [in This Case] Either), Plate 36 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Las mugeres [sic] dan valor (The Women Give Courage), pl. 4 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLas mugeres [sic] dan valor (The Women Give Courage), pl. 4 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Y son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaY son fieras (And They Are Like Wild Beasts), pl. 5 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery

Muertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaMuertos recogidos (Harvest of the Dead), Plate 63 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Y esto tambien. (And This Too.), pl. 45 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaY esto tambien. (And This Too.), pl. 45 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Disparate general (General Folly), pl. 9 from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–1823, published 1864

Francisco de GoyaDisparate general (General Folly), pl. 9 from the series Los disparates (The Follies/Irrationalities)ca. 1816–1823, published 1864Yale University Art Gallery

El animoso moro Gazul es el primero que lanceó toros en regla (The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl animoso moro Gazul es el primero que lanceó toros en regla (The Spirited Moor Gazul Is the First to Spear Bulls According to the Rules), Plate 5 from La tauromaquia1816Yale University Art Gallery

Cruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaCruel lástima! (Cruel Tale of Woe!), Plate 48 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Nada. Ello dirá. (Nothing. The Event Will Tell.), pl. 69 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNada. Ello dirá. (Nothing. The Event Will Tell.), pl. 69 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1876Yale University Art Gallery

Al cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaAl cementerio (To the Cemetery), Plate 56 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Sopla (Blow), pl. 69 from the series Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaSopla (Blow), pl. 69 from the series Los caprichos1797–98Yale University Art Gallery

Que valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue valor! (What Courage!), pl. 7 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

El célebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl célebre Fernando del Toro, barilarguero, obligando a la fiera con su garrocha (The Celebrated Picador, Fernando del Toro, Draws the Fierce Beast on with his Pique), Plate 27 from La tauromaquia1816Yale University Art Gallery

Curarlos, y á otra. (Get Them Well, and on to the Next.), pl. 20 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCurarlos, y á otra. (Get Them Well, and on to the Next.), pl. 20 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Duendecitos (Hobgoblins), Plate 49 from Los Caprichos, Francisco Goya, 1797–98, later printing

Francisco de GoyaDuendecitos (Hobgoblins), Plate 49 from Los Caprichos1797–98, later printingYale University Art Gallery

Dios los cria y ellos se juntan (God Creates Them and They Join Up Together), plate18 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDios los cria y ellos se juntan (God Creates Them and They Join Up Together), plate18 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery

Enterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), Plate 18 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Un enano (A Dwarf), Francisco Goya, 1778

Francisco de GoyaUn enano (A Dwarf)1778Yale University Art Gallery

Aesopus, Francisco Goya, 1778

Francisco de GoyaAesopus1778Yale University Art Gallery

Para eso habeis nacido (This Is What You Were Born For), pl. 12 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaPara eso habeis nacido (This Is What You Were Born For), pl. 12 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

El Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl Cid Campeador lanceando otro toro (The Cid Campeador Spearing Another Bull), Plate 11 from La tauromaquia1816Yale University Art Gallery

Caida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia1816Yale University Art Gallery

Qué alboroto es este? (What Is This Hubbub?), pl. 65 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQué alboroto es este? (What Is This Hubbub?), pl. 65 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Lo mismo en otras partes. (The Same Elsewhere.), pl. 23 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo mismo en otras partes. (The Same Elsewhere.), pl. 23 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaLos desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Disparate pobre (Poor Folly), also known as Two Heads Are Better Than One, from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate pobre (Poor Folly), also known as Two Heads Are Better Than One, from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery

Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1816Yale University Art Gallery

Tal para qual (Two of a Kind), pl. 5 from Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaTal para qual (Two of a Kind), pl. 5 from Los caprichos1797–98Yale University Art Gallery

Se defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSe defiende bien (He Defends Himself Well), Plate 78 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

No hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo hay que dar voces (It’s No Use Crying Out), Plate 58 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Esto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsto es lo peor! (That Is the Worst of It!), Plate 74 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V. Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1876Yale University Art Gallery

Disparate de miedo (The Folly of Fear), plate 2 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate de miedo (The Folly of Fear), plate 2 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery

Clamores en vano. (Appeals Are in Vain.), pl. 54 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaClamores en vano. (Appeals Are in Vain.), pl. 54 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Echan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEchan perros al toro (They Loose Dogs on the Bull), Plate 25 from La tauromaquia1876Yale University Art Gallery

Disparate volante (Flying Folly), plate 5 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate volante (Flying Folly), plate 5 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery

Estragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEstragos de la guerra (Ravages of War), Plate 30 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

El mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl mismo Ceballos montado sobre otro toro quiebra rejones en la plaza de Madrid (The Same Ceballos Mounted on Another Bull Breaks Short Spears in the Ring at Madrid), Plate 24 from La tauromaquia1816Yale University Art Gallery

Ligereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaLigereza y atrevimiento de Juanito Apiñani en la de Madrid (The Agility and Audacity of Juanito Apinani in [the Ring] at Madrid), Plate 20 from La tauromaquia1876Yale University Art Gallery

Y esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaY esto tambien (And This Too), Plate 45 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Para eso habeis nacido (This Is What You Were Born For), pl. 12 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaPara eso habeis nacido (This Is What You Were Born For), pl. 12 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery

Si resucitará? (Will She Rise Again?), pl. 80 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSi resucitará? (Will She Rise Again?), pl. 80 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Temeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaTemeridad de Martincho en la plaza de Zaragoza (The Daring of Martincho in the Ring at Saragossa), Plate 18 from La tauromaquia1876Yale University Art Gallery

Cheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition), Francisco Goya, 1876

Francisco de GoyaCheval renverse par un taureau (Horse Thrown by a Bull), Plate B from La tauromaquia (third edition)1876Yale University Art Gallery

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