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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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880.909 opere da 254 musei639 esposte ora Azzera

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Tutte
Acquaforte130.252
Litografia89.179
Bulino63.364
Xilografia56.703
Puntasecca9308
Serigrafia8459
Acquatinta7452
Stampa fotomeccanica6933
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Linoleografia2658

El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1816Yale University Art Gallery

Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1876Yale University Art Gallery

Caridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCaridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

No llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaNo llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

No quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Esta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaEsta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Que se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaQue se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Lo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaLo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Y son fieras. (And They Are Like Wild Deasts.), pl. 5 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaY son fieras. (And They Are Like Wild Deasts.), pl. 5 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

El mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaEl mismo vuelca un toro en la plaza de Madrid (The Same Man Throws a Bull in the Ring at Madrid), Plate 16 from La tauromaquia1876Yale University Art Gallery

De qué sirve una taza? (What Is the Use of a Cup?), pl. 59 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaDe qué sirve una taza? (What Is the Use of a Cup?), pl. 59 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Escapan entre las llamas. (They Escape through the Flames.), pl. 41 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaEscapan entre las llamas. (They Escape through the Flames.), pl. 41 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Palenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaPalenque de los moros hecho con burros para defenderse del toro embolado (The Moors Use Donkeys as a Barrier to Defend Themselves Against the Bull Whose Horns Have Been Tipped with Balls), Plate 17 from La tauromaquia1816Yale University Art Gallery

Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia1876Yale University Art Gallery

Por una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaPor una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Si resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaSi resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Pedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaPedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia1876Yale University Art Gallery

Madre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaMadre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Hasta la muerte (Until Death), Plate 55 from Los Caprichos, Francisco Goya, 1797–98, later printing

Francisco de GoyaHasta la muerte (Until Death), Plate 55 from Los Caprichos1797–98, later printingYale University Art Gallery

Tambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaTambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Siempre sucede (It Always Happens), pl. 8 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaSiempre sucede (It Always Happens), pl. 8 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Algun partido saca. (He Gets Something out of It.), pl. 40 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaAlgun partido saca. (He Gets Something out of It.), pl. 40 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Enterrar y callar (Bury Them and Keep Quiet), pl. 18 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaEnterrar y callar (Bury Them and Keep Quiet), pl. 18 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Si amanece, nos vamos (When Day Breaks We Will Be Off), pl. 71 from the series Los caprichos, Francisco Goya, 1797–98, published 1799

Francisco de GoyaSi amanece, nos vamos (When Day Breaks We Will Be Off), pl. 71 from the series Los caprichos1797–98, published 1799Yale University Art Gallery

Muertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaMuertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Lo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Será lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSerá lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1876Yale University Art Gallery

Gracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaGracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Ni por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863

Francisco de GoyaNi por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery

Ni asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos, Francisco Goya, 1797–98

Francisco de GoyaNi asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos1797–98Yale University Art Gallery

Las mugeres dan valor. (The Women Give Courage.), pl. 4 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaLas mugeres dan valor. (The Women Give Courage.), pl. 4 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Moenippus, Francisco Goya, 1778–79

Francisco de GoyaMoenippus1778–79Yale University Art Gallery

Desgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Plate 21 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaDesgracias acaecidas en el tendido de la plaza de Madrid, y muerte del alcalde de Torrejon (Dreadful Events in the Front Rows of the Ring at Madrid and Death of the Mayor of Torrejon), Plate 21 from La tauromaquia1816Yale University Art Gallery

Carlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid), Plate 10 from La tauromaquia1816Yale University Art Gallery

No saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaNo saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Disparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery

Si Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaSi Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery

Carretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaCarretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Disparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864

Francisco de GoyaDisparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery

Y no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaY no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery

Por que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863

Francisco de GoyaPor que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery

Si son de otro linage. (Perhaps They Are of Another Breed.), pl. 61 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863

Francisco de GoyaSi son de otro linage. (Perhaps They Are of Another Breed.), pl. 61 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery

Disparate de miedo (Folly of Fear), also known as Por temor no pierdas honor (Do Not Lose Honour Through Fear), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate de miedo (Folly of Fear), also known as Por temor no pierdas honor (Do Not Lose Honour Through Fear), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery

No quiren [sic] (They Don't Like It), pl. 9 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863

Francisco de GoyaNo quiren [sic] (They Don't Like It), pl. 9 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery

El diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia, Francisco Goya, 1816

Francisco de GoyaEl diestrísmo estudiante de Falces, embozado burla al toro con sus quiebros (The Very Skillful Student of Falces, Wrapped in his Cape, Tricks the Bull with the Play of his Body), Plate 14 from La tauromaquia1816Yale University Art Gallery

Disparate de carnabal (Carnival Folly), also known as Alegrias antruejo, que mañana seras ceniza (Rejoice, Carnival, for Tomorrow Thou Will Be Ashes), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)

Francisco de GoyaDisparate de carnabal (Carnival Folly), also known as Alegrias antruejo, que mañana seras ceniza (Rejoice, Carnival, for Tomorrow Thou Will Be Ashes), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery

Desjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia, Francisco Goya, 1876

Francisco de GoyaDesjarrete de la canalla con lanzas, medias-lunas, banderillas y otras armas (The Rabble Hamstring the Bull with Lances, Sickles, Banderillas and Other Arms), Plate 12 from La tauromaquia1876Yale University Art Gallery

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