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ART WIKI

Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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Chapter VII, "Stretch'd for a work of eternity..." (Plate 19), William Blake, 1794William BlakeChapter VII, "Stretch'd for a work of eternity..." (Plate 19)1794Yale Center for British Art
'That touch, with charm celestial heals the soul' (Page 90), William Blake, 1797William Blake'That touch, with charm celestial heals the soul' (Page 90)1797Yale Center for British Art
'Where sense runs savage broke from reason's chain' (Page 46), William Blake, ca. 1797William Blake'Where sense runs savage broke from reason's chain' (Page 46)ca. 1797Yale Center for British Art
The Little Black Boy (Plate 6), William Blake, 1789William BlakeThe Little Black Boy (Plate 6)1789Yale Center for British Art
The Book of Thel, Title Page (Plate 2), William Blake, 1789William BlakeThe Book of Thel, Title Page (Plate 2)1789Yale Center for British Art
Urizen Swims through Dark Waters  (Plate 5), William Blake, 1794William BlakeUrizen Swims through Dark Waters (Plate 5)1794Yale Center for British Art
'The present moment terminates our sight' (Page 13), William Blake, 1797William Blake'The present moment terminates our sight' (Page 13)1797Yale Center for British Art
Aristophanes Clouds. Scene I, William Blake, 1795William BlakeAristophanes Clouds. Scene I1795Yale Center for British Art
My Son! My Son! (Plate 10), William Blake, 1793William BlakeMy Son! My Son! (Plate 10)1793Yale Center for British Art
'Ungrateful, shall we grieve their hovering shades' (Page 55), William Blake, 1797William Blake'Ungrateful, shall we grieve their hovering shades' (Page 55)1797Yale Center for British Art
Love Songs, Class I. Headpiece, William Blake, 1783William BlakeLove Songs, Class I. Headpiece1783Yale Center for British Art
Fable XXII. The Goat Without a Beard, William Blake, 1793William BlakeFable XXII. The Goat Without a Beard1793Yale Center for British Art
'The present moment terminates our sight' (Page 13), William Blake, 1797William Blake'The present moment terminates our sight' (Page 13)1797Yale Center for British Art
The Abduction of Proserpine on a Unicorn, Albrecht Durer, 1516Albrecht DürerThe Abduction of Proserpine on a Unicorn1516Yale University Art Gallery
The Sudarium Held by One Angel, Albrecht Durer, 1516Albrecht DürerThe Sudarium Held by One Angel1516Yale University Art Gallery
Christ on the Mount of Olives, Albrecht Durer, 1515Albrecht DürerChrist on the Mount of Olives1515Yale University Art Gallery
Sudarium Held by One Angel, Albrecht Durer, 1516Albrecht DürerSudarium Held by One Angel1516Yale University Art Gallery
The Desperate Man, Albrecht Durer, ca. 1514Albrecht DürerThe Desperate Manca. 1514Yale University Art Gallery
The Abduction of Proserpine on a Unicorn, Albrecht Durer, 1516Albrecht DürerThe Abduction of Proserpine on a Unicorn1516Yale University Art Gallery
Christ on the Mount of Olives, Albrecht Durer, 1515Albrecht DürerChrist on the Mount of Olives1515Yale University Art Gallery
Alas! (Plate 9), William Blake, 1793William BlakeAlas! (Plate 9)1793Yale Center for British Art
Cupid & Psyche, William Blake, 1794William BlakeCupid & Psyche1794Yale Center for British Art
"Does thy God O Priest take such vengeance as this?" (Plate 14), William Blake, 1826William Blake"Does thy God O Priest take such vengeance as this?" (Plate 14)1826Yale Center for British Art
'Angels should paint it, angels ever there' (Page 40), William Blake, 1797William Blake'Angels should paint it, angels ever there' (Page 40)1797Yale Center for British Art
II. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5), William Blake, 1789William BlakeII. "O little Cloud the virgin said, I charge thee tell to me..." (Plate 5)1789Yale Center for British Art
Songs of Innocence, Title Page (Plate 2), William Blake, 1789William BlakeSongs of Innocence, Title Page (Plate 2)1789Yale Center for British Art
Fettered Urizen Weeping (Plate 12), William Blake, 1794William BlakeFettered Urizen Weeping (Plate 12)1794Yale Center for British Art
"Why wilt thou give to her a Body..." (Plate 12), William Blake, 1804 to 1820William Blake"Why wilt thou give to her a Body..." (Plate 12)1804 to 1820Yale Center for British Art
"By those who drink their blood & the blood of their Covenant..." (Plate 67), William Blake, 1804 to 1820William Blake"By those who drink their blood & the blood of their Covenant..." (Plate 67)1804 to 1820Yale Center for British Art
'O treacherous conscience! while she seems to sleep" (Page 27), William Blake, ca. 1797William Blake'O treacherous conscience! while she seems to sleep" (Page 27)ca. 1797Yale Center for British Art
I Found Him Beneath a Tree (Plate 3), William Blake, 1793William BlakeI Found Him Beneath a Tree (Plate 3)1793Yale Center for British Art
Introduction to the Fables, The Shepherd and the Philosopher, William Blake, 1793William BlakeIntroduction to the Fables, The Shepherd and the Philosopher1793Yale Center for British Art
'His hand the good man fastens on the skies' (Page 86), William Blake, 1797William Blake'His hand the good man fastens on the skies' (Page 86)1797Yale Center for British Art
Running & Leap-frog, William Blake, 1800William BlakeRunning & Leap-frog1800Yale Center for British Art
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73), William Blake, 1797William Blake'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)1797Yale Center for British Art
'Like that, the dial speaks; and points to thee' (Page 33), William Blake, 1797William Blake'Like that, the dial speaks; and points to thee' (Page 33)1797Yale Center for British Art
Landscape with the Cannon, Albrecht Durer, 1518Albrecht DürerLandscape with the Cannon1518Yale University Art Gallery
"Her voice pierc'd Albions clay cold ear..." (Plate 95), William Blake, 1804 to 1820William Blake"Her voice pierc'd Albions clay cold ear..." (Plate 95)1804 to 1820Yale Center for British Art
"Turning his back to the Divine Vision..." (Plate 33), William Blake, 1804 to 1820William Blake"Turning his back to the Divine Vision..." (Plate 33)1804 to 1820Yale Center for British Art
"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93), William Blake, 1804 to 1820William Blake"Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)1804 to 1820Yale Center for British Art
Los with the child Orc and Enitharmon (Plate 18), William Blake, 1794William BlakeLos with the child Orc and Enitharmon (Plate 18)1794Yale Center for British Art
'What, though my soul fantastick measures trod' (Page 4), William Blake, ca. 1797William Blake'What, though my soul fantastick measures trod' (Page 4)ca. 1797Yale Center for British Art
Praying Child and Howling Dog (Plate 24), William Blake, 1794William BlakePraying Child and Howling Dog (Plate 24)1794Yale Center for British Art
'The longest night though longer far, would fail' (Page 15), William Blake, 1797William Blake'The longest night though longer far, would fail' (Page 15)1797Yale Center for British Art
'This King of Terrors is the Prince of Peace' (Page 63), William Blake, 1797William Blake'This King of Terrors is the Prince of Peace' (Page 63)1797Yale Center for British Art
What is Man!, Frontispiece (Plate 1), William Blake, 1793William BlakeWhat is Man!, Frontispiece (Plate 1)1793Yale Center for British Art
The Leap in Length, with & without a Pole, William Blake, 1800William BlakeThe Leap in Length, with & without a Pole1800Yale Center for British Art
Canto III. Verse 201, William Blake, 1803William BlakeCanto III. Verse 2011803Yale Center for British Art
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