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ART WIKI

Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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"To the Public. After my three years slumber..." (Plate 3), William Blake, 1804 to 1820William Blake"To the Public. After my three years slumber..." (Plate 3)1804 to 1820Yale Center for British Art
Fable XII. Pan and Fortune, William Blake, 1793William BlakeFable XII. Pan and Fortune1793Yale Center for British Art
'Behold him, when past by; what then is seen' (Page 25), William Blake, 1797William Blake'Behold him, when past by; what then is seen' (Page 25)1797Yale Center for British Art
"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72), William Blake, 1804 to 1820William Blake"And the Thirty-two Counties of the Four Provinces of Ireland..." (Plate 72)1804 to 1820Yale Center for British Art
Jerusalem, Frontispiece (Plate 1), William Blake, 1804 to 1820William BlakeJerusalem, Frontispiece (Plate 1)1804 to 1820Yale Center for British Art
"When those who disregard all Mortal Things..." (Plate 55), William Blake, 1804 to 1820William Blake"When those who disregard all Mortal Things..." (Plate 55)1804 to 1820Yale Center for British Art
'And vapid; sense and reason shew the door' (Page 72), William Blake, 1797William Blake'And vapid; sense and reason shew the door' (Page 72)1797Yale Center for British Art
"At length for hatching ripe he breaks the shell" (Plate 8), William Blake, 1826William Blake"At length for hatching ripe he breaks the shell" (Plate 8)1826Yale Center for British Art
The Ecchoing Green (Plate 10), William Blake, 1789William BlakeThe Ecchoing Green (Plate 10)1789Yale Center for British Art
Urizen (Plate 21), William Blake, 1794William BlakeUrizen (Plate 21)1794Yale Center for British Art
Preludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2), William Blake, 1794William BlakePreludium to the First Book of Urizen, "Of the primeval Priests assum'd power..." (Plate 2)1794Yale Center for British Art
The Christian Triumph; Title Page, William Blake, 1797William BlakeThe Christian Triumph; Title Page1797Yale Center for British Art
Chapter IX, "They lived a period of years..." (Plate 25), William Blake, 1794William BlakeChapter IX, "They lived a period of years..." (Plate 25)1794Yale Center for British Art
There Is No Natural Religion; Frontispiece (Plate 1), William Blake, ca. 1788William BlakeThere Is No Natural Religion; Frontispiece (Plate 1)ca. 1788Yale Center for British Art
Chapter VIII, "Of life on his forsaken mountains..." (Plate 20), William Blake, 1794William BlakeChapter VIII, "Of life on his forsaken mountains..." (Plate 20)1794Yale Center for British Art
The Tyger (Plate 42), William Blake, 1794William BlakeThe Tyger (Plate 42)1794Yale Center for British Art
'When faith is virtue, reason makes it so' (Page 92), William Blake, ca. 1797William Blake'When faith is virtue, reason makes it so' (Page 92)ca. 1797Yale Center for British Art
'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73), William Blake, 1797William Blake'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)1797Yale Center for British Art
Love Songs, Class V. Headpiece, William Blake, 1783William BlakeLove Songs, Class V. Headpiece1783Yale Center for British Art
Chaucer's Canterbury Pilgrims, William Blake, 1810 to 1820William BlakeChaucer's Canterbury Pilgrims1810 to 1820Yale Center for British Art
Visions of the Daughters of Albion; Frontispiece (Plate 1), William Blake, 1793William BlakeVisions of the Daughters of Albion; Frontispiece (Plate 1)1793Yale Center for British Art
"By Satan's Watch-fiends tho' they search..." (Plate 39), William Blake, 1804 to 1820William Blake"By Satan's Watch-fiends tho' they search..." (Plate 39)1804 to 1820Yale Center for British Art
The Angel (Plate 40), William Blake, 1794William BlakeThe Angel (Plate 40)1794Yale Center for British Art
"What is Man!"; Frontispiece (Plate 2), William Blake, 1826William Blake"What is Man!"; Frontispiece (Plate 2)1826Yale Center for British Art
'If angels tremble, 'tis at such a sight' (Page 93), William Blake, 1797William Blake'If angels tremble, 'tis at such a sight' (Page 93)1797Yale Center for British Art
Help! Help! (Plate 12), William Blake, 1793William BlakeHelp! Help! (Plate 12)1793Yale Center for British Art
'The goddess bursts in thunder and in flame' (Page 95), William Blake, ca. 1797William Blake'The goddess bursts in thunder and in flame' (Page 95)ca. 1797Yale Center for British Art
"Elevate into the Region of Brotherhood..." (Plate 34), William Blake, 1804 to 1820William Blake"Elevate into the Region of Brotherhood..." (Plate 34)1804 to 1820Yale Center for British Art
'Till at Death's toll, whose restless iron tongue' (Page 7), William Blake, 1797William Blake'Till at Death's toll, whose restless iron tongue' (Page 7)1797Yale Center for British Art
"Awake! Awake Jerusalem..." (Plate 97), William Blake, 1804 to 1820William Blake"Awake! Awake Jerusalem..." (Plate 97)1804 to 1820Yale Center for British Art
Night the First. On Life, Death, and Immortality; Title Page, William Blake, 1797William BlakeNight the First. On Life, Death, and Immortality; Title Page1797Yale Center for British Art
Death's Door (Plate 17), William Blake, 1793William BlakeDeath's Door (Plate 17)1793Yale Center for British Art
"Encompass'd by the frozen Net..." (Plate 80), William Blake, 1804 to 1820William Blake"Encompass'd by the frozen Net..." (Plate 80)1804 to 1820Yale Center for British Art
'What, though my soul fantastick measures trod' (Page 4), William Blake, 1797William Blake'What, though my soul fantastick measures trod' (Page 4)1797Yale Center for British Art
Chapter III, "As the stars are apart from the earth..." (Plate 7), William Blake, 1794William BlakeChapter III, "As the stars are apart from the earth..." (Plate 7)1794Yale Center for British Art
Dante Striking against Bocca Degli Abati (Plate 7), William Blake, 1827William BlakeDante Striking against Bocca Degli Abati (Plate 7)1827Yale Center for British Art
'Is lost in love! thou great Philanthropist' (Page 87), William Blake, ca. 1797William Blake'Is lost in love! thou great Philanthropist' (Page 87)ca. 1797Yale Center for British Art
A View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq., William Blake, 1804William BlakeA View of St. Edmund's Chapel, in the Church of East Dereham, Containing the Grave of William Cowper Esq.1804Yale Center for British Art
The Little Boy Lost (Plate 16), William Blake, 1789William BlakeThe Little Boy Lost (Plate 16)1789Yale Center for British Art
Los with the child Orc and Enitharmon (Plate 18), William Blake, 1794William BlakeLos with the child Orc and Enitharmon (Plate 18)1794Yale Center for British Art
'This King of Terrors is the Prince of Peace' (Page 63), William Blake, 1797William Blake'This King of Terrors is the Prince of Peace' (Page 63)1797Yale Center for British Art
III. "From a perception of only 3 senses..." (Plate 5), William Blake, ca. 1788William BlakeIII. "From a perception of only 3 senses..." (Plate 5)ca. 1788Yale Center for British Art
Climbing, William Blake, 1800William BlakeClimbing1800Yale Center for British Art
Night the Third. Narcissa; Title Page, William Blake, 1797William BlakeNight the Third. Narcissa; Title Page1797Yale Center for British Art
"His face and bosom with petrific hardness..." (Plate 38), William Blake, 1804 to 1820William Blake"His face and bosom with petrific hardness..." (Plate 38)1804 to 1820Yale Center for British Art
Night the Second. On Time, Death, and Friendship; Title Page (Page 17), William Blake, ca. 1797William BlakeNight the Second. On Time, Death, and Friendship; Title Page (Page 17)ca. 1797Yale Center for British Art
'Till death, that mighty hunter, earths them all' (Page 70), William Blake, ca. 1797William Blake'Till death, that mighty hunter, earths them all' (Page 70)ca. 1797Yale Center for British Art
Iron Age, William Blake, 1794William BlakeIron Age1794Yale Center for British Art
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