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ART WIKI

Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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Jo, James McNeill Whistler, 1861James Abbott McNeill WhistlerJo1861Yale Center for British Art
Bibi L'alouette, James McNeill Whistler, 1859James Abbott McNeill WhistlerBibi L'alouette1859Yale Center for British Art
Black Lion Wharf, James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf1859Yale Center for British Art
The Adam and Eve Tavern, Old Chelsea, James McNeill Whistler, 1878James Abbott McNeill WhistlerThe Adam and Eve Tavern, Old Chelsea1878Yale Center for British Art
Monitors, James McNeill Whistler, 1887James Abbott McNeill WhistlerMonitors1887Yale Center for British Art
Old Westminster Bridge, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerOld Westminster Bridge, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
The Dyer, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Dyer1879–80Yale University Art Gallery
Doorway and Vine, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerDoorway and Vine, from the Second Venice Set1879–80Yale University Art Gallery
Drouet, Sculpteur, James McNeill Whistler, 1859James Abbott McNeill WhistlerDrouet, Sculpteur1859Yale University Art Gallery
The Turret Ship, from the Jubilee Set, James McNeill Whistler, 1887James Abbott McNeill WhistlerThe Turret Ship, from the Jubilee Set1887Yale University Art Gallery
The Riva, no. 1, from the First Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Riva, no. 1, from the First Venice Set1879–80Yale University Art Gallery
La Marchande de Moutarde (The Mustard Seller), from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerLa Marchande de Moutarde (The Mustard Seller), from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Yale University Art Gallery
Troop Ships, James McNeill Whistler, 1887James Abbott McNeill WhistlerTroop Ships1887Yale Center for British Art
Bunting, James McNeill Whistler, 1887James Abbott McNeill WhistlerBunting1887Yale Center for British Art
The "Adam and Eve," Old Chelsea, James McNeill Whistler, 1879James Abbott McNeill WhistlerThe "Adam and Eve," Old Chelsea1879Yale Center for British Art
Bibi L'alouette, James McNeill Whistler, 1859James Abbott McNeill WhistlerBibi L'alouette1859Yale Center for British Art
The Open Book, James McNeill Whistler, 1861James Abbott McNeill WhistlerThe Open Book1861Yale Center for British Art
Ross Winans from an album of impressions of cancelled plates by Whistler, James McNeill Whistler, ca. 1897James Abbott McNeill WhistlerRoss Winans from an album of impressions of cancelled plates by Whistlerca. 1897Yale University Art Gallery
The Two Doorways, from the First Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Two Doorways, from the First Venice Set1879–80Yale University Art Gallery
Black Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerBlack Lion Wharf, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
The Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerThe Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
The Palaces, from the First Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Palaces, from the First Venice Set1879–80Yale University Art Gallery
Old Hungerford Bridge, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1861James Abbott McNeill WhistlerOld Hungerford Bridge, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1861Yale University Art Gallery
Upright Venice, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerUpright Venice, from the Second Venice Set1879–80Yale University Art Gallery
Old Hungerford Bridge, James McNeill Whistler, 1861James Abbott McNeill WhistlerOld Hungerford Bridge1861Yale Center for British Art
Chelsea, James McNeill Whistler, ca. 1882James Abbott McNeill WhistlerChelseaca. 1882Yale Center for British Art
Soupe à trois sous, James McNeill Whistler, 1859James Abbott McNeill WhistlerSoupe à trois sous1859Yale Center for British Art
Dipping the Flag, James McNeill Whistler, 1887James Abbott McNeill WhistlerDipping the Flag1887Yale Center for British Art
Portsmouth Children, James McNeill Whistler, 1887James Abbott McNeill WhistlerPortsmouth Children1887Yale Center for British Art
Little Annie Seated, James McNeill Whistler, undatedJames Abbott McNeill WhistlerLittle Annie SeatedundatedYale Center for British Art
The Garden, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Garden, from the Second Venice Set1879–80Yale University Art Gallery
The Long Lagoon, from the Second Venice Set (A Set of Twenty-six Etchings), James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Long Lagoon, from the Second Venice Set (A Set of Twenty-six Etchings)1879–80Yale University Art Gallery
The Little Hat, James McNeill Whistler, 1887James Abbott McNeill WhistlerThe Little Hat1887Yale University Art Gallery
The Balcony, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Balcony, from the Second Venice Set1879–80Yale University Art Gallery
Annie, seated, James McNeill Whistler, 1858–59James Abbott McNeill WhistlerAnnie, seated1858–59Yale University Art Gallery
Fruit Stall, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerFruit Stall, from the Second Venice Set1879–80Yale University Art Gallery
Bibi Valentin, James McNeill Whistler, 1859James Abbott McNeill WhistlerBibi Valentin1859Yale Center for British Art
Tilbury, James McNeill Whistler, 1887James Abbott McNeill WhistlerTilbury1887Yale Center for British Art
Battersea Reach, James McNeill Whistler, 1863James Abbott McNeill WhistlerBattersea Reach1863Yale Center for British Art
Visitors' Boat, James McNeill Whistler, 1887James Abbott McNeill WhistlerVisitors' Boat1887Yale Center for British Art
Return to Tilbury, James McNeill Whistler, 1887James Abbott McNeill WhistlerReturn to Tilbury1887Yale Center for British Art
The Turret-Ship, James McNeill Whistler, 1887James Abbott McNeill WhistlerThe Turret-Ship1887Yale Center for British Art
Chelsea Bridge and Church, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1871James Abbott McNeill WhistlerChelsea Bridge and Church, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1871Yale University Art Gallery
Rotherhithe (Wapping), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1860James Abbott McNeill WhistlerRotherhithe (Wapping), from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1860Yale University Art Gallery
The Bridge, Santa Marta, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerThe Bridge, Santa Marta, from the Second Venice Set1879–80Yale University Art Gallery
Long Venice, from the Second Venice Set, James McNeill Whistler, 1879–80James Abbott McNeill WhistlerLong Venice, from the Second Venice Set1879–80Yale University Art Gallery
The Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects), James McNeill Whistler, 1859James Abbott McNeill WhistlerThe Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects)1859Yale University Art Gallery
The Unsafe Tenement, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature), James McNeill Whistler, 1858James Abbott McNeill WhistlerThe Unsafe Tenement, from the French Set (Douze Eaux-Fortes d'après Nature or Twelve Etchings from Nature)1858Yale University Art Gallery
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