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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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Home Mappa Catalogo

Catalogo

Arte del dopoguerra, 1945–1975

223.220 opere da 458 musei1980 esposte ora Azzera

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P. Blue, Josef Albers, 1971

Josef AlbersP. Blue1971Museum of Modern Art

Gray Instrumentation Ib from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ib from Gray Instrumentation I1974Museum of Modern Art

Duo B, Josef Albers, 1958

Josef AlbersDuo B1958Museum of Modern Art

Portfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 32 from Formulation: Articulation Portfolio 1, Folder 32 from Formulation: Articulation1972Museum of Modern Art

Portfolio 1, Folder 28 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 28 from Formulation: Articulation1972Museum of Modern Art

WLS XIV from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS XIV from White Line Squares (Series II)1966Museum of Modern Art

Portfolio 2, Folder 31 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 31 from Formulation: Articulation1972Museum of Modern Art

Day + Night I from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night I from Day and Night: Homage to the Square1963Museum of Modern Art

WLS X from White Line Squares (Series II), Josef Albers, 1966

Josef AlbersWLS X from White Line Squares (Series II)1966Museum of Modern Art

ELC 2-B from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 2-B from Embossed Linear Constructions (ELC)1969Museum of Modern Art

Portfolio 2, Folder 14 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 14 from Formulation: Articulation1972Museum of Modern Art

Patina from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersPatina from Homage to the Square: Ten Works by Josef Albers1962Museum of Modern Art

White Line Squares (Series I and II), Josef Albers, 1966

Josef AlbersWhite Line Squares (Series I and II)1966Museum of Modern Art

Portfolio 2, Folder 23 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 23 from Formulation: Articulation1972Museum of Modern Art

Wide Light from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersWide Light from Homage to the Square: Ten Works by Josef Albers1962Museum of Modern Art

Portfolio 1, Folder 8 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 8 from Formulation: Articulation1972Museum of Modern Art

Variant MM, Josef Albers, 1968

Josef AlbersVariant MM1968Museum of Modern Art

Portfolio 1, Folder 17 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 17 from Formulation: Articulation1972Museum of Modern Art

Gray Instrumentation Ii from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ii from Gray Instrumentation I1974Museum of Modern Art

WEG I from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG I from White Embossings on Gray (WEG)1971Museum of Modern Art

WLS IX from White Line Square (Series II), Josef Albers, 1966

Josef AlbersWLS IX from White Line Square (Series II)1966Museum of Modern Art

Portfolio 1, Folder 3 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 3 from Formulation: Articulation1972Museum of Modern Art

Portfolio 1, Folder 2 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 2 from Formulation: Articulation1972Museum of Modern Art

Shielded from Homage to the Square: Ten Works by Josef Albers, Josef Albers, 1962

Josef AlbersShielded from Homage to the Square: Ten Works by Josef Albers1962Museum of Modern Art

Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation I1974Museum of Modern Art

Midnight + Noon VIII from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon VIII from Midnight and Noon1964Museum of Modern Art

Portfolio 1, Folder 31 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 31 from Formulation: Articulation1972Museum of Modern Art

Midnight + Noon III from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon III from Midnight and Noon1964Museum of Modern Art

Gray Instrumentation Id from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Id from Gray Instrumentation I1974Museum of Modern Art

White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWhite Embossings on Gray (WEG)1971Museum of Modern Art

Interlinear N 32 bl, Josef Albers, 1962

Josef AlbersInterlinear N 32 bl1962Museum of Modern Art

Portfolio 2, Folder 26 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 26 from Formulation: Articulation1972Museum of Modern Art

Portfolio 2, Folder 21 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 21 from Formulation: Articulation1972Museum of Modern Art

Portfolio 1, Folder 27 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 27 from Formulation: Articulation1972Museum of Modern Art

Portfolio 2, Folder 9 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 9 from Formulation: Articulation1972Museum of Modern Art

Day + Night VI from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night VI from Day and Night: Homage to the Square1963Museum of Modern Art

I-S LXXIIb Homage to the Square and I-S LXXIIa Homage to the Square, Josef Albers, 1972

Josef AlbersI-S LXXIIb Homage to the Square and I-S LXXIIa Homage to the Square1972Museum of Modern Art

ELC 1-A from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 1-A from Embossed Linear Constructions (ELC)1969Museum of Modern Art

MM 3, Josef Albers, 1961

Josef AlbersMM 31961Museum of Modern Art

Day + Night III from Day and Night: Homage to the Square, Josef Albers, 1963

Josef AlbersDay + Night III from Day and Night: Homage to the Square1963Museum of Modern Art

Midnight + Noon I from Midnight and Noon, Josef Albers, 1964

Josef AlbersMidnight + Noon I from Midnight and Noon1964Museum of Modern Art

ELC 1-D from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 1-D from Embossed Linear Constructions (ELC)1969Museum of Modern Art

WEG IV from White Embossings on Gray (WEG), Josef Albers, 1971

Josef AlbersWEG IV from White Embossings on Gray (WEG)1971Museum of Modern Art

Gray Instrumentation Ia from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ia from Gray Instrumentation I1974Museum of Modern Art

Portfolio 2, Folder 33 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 2, Folder 33 from Formulation: Articulation1972Museum of Modern Art

Gray Instrumentation Ij from Gray Instrumentation I, Josef Albers, 1974

Josef AlbersGray Instrumentation Ij from Gray Instrumentation I1974Museum of Modern Art

ELC 2-D from Embossed Linear Constructions (ELC), Josef Albers, 1969

Josef AlbersELC 2-D from Embossed Linear Constructions (ELC)1969Museum of Modern Art

Portfolio 1, Folder 19 from Formulation: Articulation, Josef Albers, 1972

Josef AlbersPortfolio 1, Folder 19 from Formulation: Articulation1972Museum of Modern Art

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