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Text, Folio 100 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 100 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 32 (recto), from a Kalpa-sutra, c. 1475–1500Text, Folio 32 (recto), from a Kalpa-sutrac. 1475–1500Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Triptych of the Virgin and Child with Scenes from the Life of Christ, Venetian, c. 1320VenetianTriptych of the Virgin and Child with Scenes from the Life of Christc. 1320Sala 237Art Institute of Chicago
Virgin and Child with an Angel, Sandro Botticelli, 1475/85Sandro BotticelliVirgin and Child with an Angel1475/85Sala 205Art Institute of Chicago
Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquin, c. 1760Maharao Chattar Sal (reigned 1758–64) of Kota in a Palanquinc. 1760Cleveland Museum of Art
The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Night, c. 1560The young man of Baghdad reveals his true identity to the Hashimi, from a Tuti-nama (Tales of a Parrot: Forty-eighth Nightc. 1560Cleveland Museum of Art
The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Night, c. 1560The prince, with the help of Mukhlis who changes into a frog, recovers the ring lost in the sea, and returns it to the king, from a Tuti-nama (Tales of a Parrot): Eighteenth Nightc. 1560Cleveland Museum of Art
Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayana, c. 1700–25Hanuman spies Sita in the Ashoka Grove, from the “Shangri” Ramayanac. 1700–25Cleveland Museum of Art
Goddess Mangala, from a Devi Series, c. 1660Goddess Mangala, from a Devi Seriesc. 1660Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Sanehi Ragini, from the “Second Basohli" Ragamala, c. 1690–95Sanehi Ragini, from the “Second Basohli" Ragamalac. 1690–95Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): blank page, c. 1560Page from Tales of a Parrot (Tuti-nama): blank pagec. 1560Cleveland Museum of Art
Text, Folio 145 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 145 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Triptych of the Crucifixion with Saints Anthony, Christopher, James and George, Netherlandish, c. 1400NetherlandishTriptych of the Crucifixion with Saints Anthony, Christopher, James and Georgec. 1400Sala 237Art Institute of Chicago
Shore Leave, Paul Cadmus, 1933Paul CadmusShore Leave1933Whitney Museum of American Art
Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier, 1602–4Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome Xavier1602–4Cleveland Museum of Art
The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot), c. 1560The Parrot Addresses Khujasta at the Beginning of the Twenty-second Night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Noblewoman at a Jharokha Window Holding a Rose, from a Portraits of Women series, c. 1730Noblewoman at a Jharokha Window Holding a Rose, from a Portraits of Women seriesc. 1730Cleveland Museum of Art
Portrait of Gadadhar Prasad, 1881Portrait of Gadadhar Prasad1881Cleveland Museum of Art
Krishna Receives a Flower Garland, Sitaram, c. 1750–60SitaramKrishna Receives a Flower Garlandc. 1750–60Cleveland Museum of Art
Text, Folio 118 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 118 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 119 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 119 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 47 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Text, folio 159 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, folio 159 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Negroes on Rockaway Beach, Reginald Marsh, 1934Reginald MarshNegroes on Rockaway Beach1934Whitney Museum of American Art
Madonna and Child, Lippo Memmi, c. 1350Lippo MemmiMadonna and Childc. 1350110A Italian GothicCleveland Museum of Art
A Princess on a Terrace with Attendants at Night (recto), c. 1760A Princess on a Terrace with Attendants at Night (recto)c. 1760Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the forty-fourth night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the forty-fourth night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot), c. 1560The parrot addresses Khujasta at the beginning of the thirty-fourth night, from a Tuti-nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutra, c. 1500Parshva Undergoes Physical Trials, Folio 46 (recto), from a Kalpa-sutrac. 1500Cleveland Museum of Art
Portrait of Raja Bikramajit, Lal Chand, c. 1620Lal ChandPortrait of Raja Bikramajitc. 1620Cleveland Museum of Art
Text, Folio 35 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 35 (recto), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Text, Folio 22 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra), Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Text, Folio 22 (verso), from a Manuscript of the Perfection of Wisdom in Eight Thousand Lines (Ashtasahasrika Prajnaparamita-sutra)Sunday, September 14, 1119 (year 239 of the Newar Samvat in the month of Ashvina)Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Page from Tales of a Parrot (Tuti-nama): text page, c. 1560Page from Tales of a Parrot (Tuti-nama): text pagec. 1560Cleveland Museum of Art
Tuti-Nama (Tales of a Parrot), c. 1560Tuti-Nama (Tales of a Parrot)c. 1560Cleveland Museum of Art
The Assumption of the Virgin with Saints from an Augustinian altarpiece, Venetian, 1450/75VenetianThe Assumption of the Virgin with Saints from an Augustinian altarpiece1450/75Sala 237Art Institute of Chicago
The creatures of the sea are asked by the king of the Ocean to take a message to the Brahman, from a Tuti-nama (Tales of a Parrot): Eleventh Night, c. 1560The creatures of the sea are asked by the king of the Ocean to take a message to the Brahman, from a Tuti-nama (Tales of a Parrot): Eleventh Nightc. 1560Cleveland Museum of Art
The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Night, c. 1560The parrot addresses Khujasta at the beginning of the forty-seventh night, from a Tuti-nama (Tales of a Parrot): Forty-seventh Nightc. 1560Cleveland Museum of Art
The young man, who has magically taken on the appearance of Mansur the merchant, arrives at his home, from a Tuti-nama (Tales of a Parrot): Seventeenth Night, c. 1560The young man, who has magically taken on the appearance of Mansur the merchant, arrives at his home, from a Tuti-nama (Tales of a Parrot): Seventeenth Nightc. 1560Cleveland Museum of Art
Leaf from Gratian's Decretum: Table of Affinity, c. 1270–1300Leaf from Gratian's Decretum: Table of Affinityc. 1270–1300Cleveland Museum of Art
Gosain Narottam Das, c. 1720–30Gosain Narottam Dasc. 1720–30Cleveland Museum of Art
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