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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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Catalogo

L’impressionismo, 1860–1905

409.850 opere da 654 musei3481 esposte oraAzzera

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Example: The Seven Deadly Sins (Ejemplo: Los Siete Vicios), José Guadalupe Posada, after 1891José Guadalupe PosadaExample: The Seven Deadly Sins (Ejemplo: Los Siete Vicios)after 1891Museum of Modern Art
Don't Forget Me! (¡Ni acquí te olvidaré!), José Guadalupe Posada, after 1888José Guadalupe PosadaDon't Forget Me! (¡Ni acquí te olvidaré!)after 1888Museum of Modern Art
Calavera of the Cyclists (Calavera las biciletas), José Guadalupe Posada, c. 1889-1895, reprinted laterJosé Guadalupe PosadaCalavera of the Cyclists (Calavera las biciletas)c. 1889-1895, reprinted laterMuseum of Modern Art
El Placer de la Niñez Colección de Monòlogos en la Cocina: Pasión Eterna (The Pleasure of Childhood Kitchen Monologues: Eternal Passion) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets), José Guadalupe Posada, c. 1904, published 1918José Guadalupe PosadaEl Placer de la Niñez Colección de Monòlogos en la Cocina: Pasión Eterna (The Pleasure of Childhood Kitchen Monologues: Eternal Passion) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets)c. 1904, published 1918Museum of Modern Art
¡Horrible y Espantoso Crimen! (Horrific and frightening crime!), José Guadalupe Posada, early 20th centuryJosé Guadalupe Posada¡Horrible y Espantoso Crimen! (Horrific and frightening crime!)early 20th centuryYale University Art Gallery
A skeleton wearing a bishop's mitre reading a book (vignette for the feast of the dead), José Guadalupe Posada, ca. 1892José Guadalupe PosadaA skeleton wearing a bishop's mitre reading a book (vignette for the feast of the dead)ca. 1892Metropolitan Museum of Art
A skeleton dressed as a military figure (vignette for the feast of the dead), José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaA skeleton dressed as a military figure (vignette for the feast of the dead)ca. 1890–1910Metropolitan Museum of Art
Cover for 'La Revoltosa', a woman standing in the middle of a saloon surrounded by people playing games and music, José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaCover for 'La Revoltosa', a woman standing in the middle of a saloon surrounded by people playing games and musicca. 1890–1910Metropolitan Museum of Art
A man on a bicyle running over people, from a broadside entitled 'La Bicicleta', José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA man on a bicyle running over people, from a broadside entitled 'La Bicicleta'ca. 1880–1910Metropolitan Museum of Art
A woman crying with a handkerchief in her hand talking to an old hag, illustration for 'La Niña de las Perlas, published by Antonio Vanegas Arroyo, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA woman crying with a handkerchief in her hand talking to an old hag, illustration for 'La Niña de las Perlas, published by Antonio Vanegas Arroyoca. 1880–1910 (a later impression)Metropolitan Museum of Art
The New Year 1896, José Guadalupe Posada, 1896José Guadalupe PosadaThe New Year 18961896Metropolitan Museum of Art
Cover for 'Las Torres Blancas', a group of people walking and looking up at two white towers, José Guadalupe Posada, ca. 1900José Guadalupe PosadaCover for 'Las Torres Blancas', a group of people walking and looking up at two white towersca. 1900Metropolitan Museum of Art
Clerical Calavera (Calavera Clerical), José Guadalupe Posada, 1889-1895, published laterJosé Guadalupe PosadaClerical Calavera (Calavera Clerical)1889-1895, published laterMuseum of Modern Art
Ballad of The Prisoners at the Castle of San Juan de Ulúa (Corrido los deportados al Castillo de San Juan de Ulua), José Guadalupe Posada, 1870José Guadalupe PosadaBallad of The Prisoners at the Castle of San Juan de Ulúa (Corrido los deportados al Castillo de San Juan de Ulua)1870Museum of Modern Art
A Jig Beyond the Grave (El Jarabe en Ultratumba), José Guadalupe Posada, after 1888José Guadalupe PosadaA Jig Beyond the Grave (El Jarabe en Ultratumba)after 1888Museum of Modern Art
Ballad of A Dispute Between Mothers-in-Law, Godmothers, and Sons-in-Law (Corrido: Pleito de Suegras, Comadres y Yernos), José Guadalupe Posada, after 1891José Guadalupe PosadaBallad of A Dispute Between Mothers-in-Law, Godmothers, and Sons-in-Law (Corrido: Pleito de Suegras, Comadres y Yernos)after 1891Museum of Modern Art
Elegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead), José Guadalupe Posada, ca. 1894José Guadalupe PosadaElegantly dressed male and female skeletons arm in arm (vignette for the feast of the dead)ca. 1894Sala 99Metropolitan Museum of Art
Jesús Bruno Martinez en las Bartolinas de Belen. (Jesus Bruno Martinez in Belen Prison.), José Guadalupe Posada, 1891José Guadalupe PosadaJesús Bruno Martinez en las Bartolinas de Belen. (Jesus Bruno Martinez in Belen Prison.)1891Yale University Art Gallery
Two advertisments printed on the same sheet for materials published by Vanegas Arroyo, the one at left has verses to accompany breaking a piñata and at right, concerning religious pilgrims with an image of the Nativity, José Guadalupe Posada, ca. 1900–1910José Guadalupe PosadaTwo advertisments printed on the same sheet for materials published by Vanegas Arroyo, the one at left has verses to accompany breaking a piñata and at right, concerning religious pilgrims with an image of the Nativityca. 1900–1910Metropolitan Museum of Art
A priest conducting mass from a balcony, an image of the Virgin of Guadalupe set in palm tree, José Guadalupe Posada, ca. 1894José Guadalupe PosadaA priest conducting mass from a balcony, an image of the Virgin of Guadalupe set in palm treeca. 1894Metropolitan Museum of Art
Broadsheet with new and entertaining verses about a 'Brave Man from the Heartland to His Friends' a caricature of a horseman and his horse and a group of men playing billiards, José Guadalupe Posada, 1902José Guadalupe PosadaBroadsheet with new and entertaining verses about a 'Brave Man from the Heartland to His Friends' a caricature of a horseman and his horse and a group of men playing billiards1902Metropolitan Museum of Art
Chaos and fatalities resulting from a broken electric trolley car, from a broadside entitled 'Alegre Inauguracion del Eléctrico Tranvía', José Guadalupe Posada, 1900 (a later impression)José Guadalupe PosadaChaos and fatalities resulting from a broken electric trolley car, from a broadside entitled 'Alegre Inauguracion del Eléctrico Tranvía'1900 (a later impression)Metropolitan Museum of Art
Plate 5: A woman pouring lead into the ear of her sleeping husband, José Guadalupe Posada, ca. 1890–1910José Guadalupe PosadaPlate 5: A woman pouring lead into the ear of her sleeping husbandca. 1890–1910Metropolitan Museum of Art
Broadsheet relating to the capture of Valentin Mancera who is shown playing the guitar and being cornered by men in uniforms carrying weapons, José Guadalupe Posada, ca.1902José Guadalupe PosadaBroadsheet relating to the capture of Valentin Mancera who is shown playing the guitar and being cornered by men in uniforms carrying weaponsca.1902Metropolitan Museum of Art
Ballad of the Supplicants to San Antonio (Corrido: Suplicas a San Antonio), José Guadalupe Posada, 1870José Guadalupe PosadaBallad of the Supplicants to San Antonio (Corrido: Suplicas a San Antonio)1870Museum of Modern Art
The Terrible Night (La Terrible Noche), José Guadalupe Posada, after 1891José Guadalupe PosadaThe Terrible Night (La Terrible Noche)after 1891Museum of Modern Art
Por Finjir Espantos (How to Scare Ghosts) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets), José Guadalupe Posada, 1904, published 1918José Guadalupe PosadaPor Finjir Espantos (How to Scare Ghosts) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets)1904, published 1918Museum of Modern Art
Ballad of Macario Romero (Corrido: Macario Romero), José Guadalupe Posada, 1870, reprinted laterJosé Guadalupe PosadaBallad of Macario Romero (Corrido: Macario Romero)1870, reprinted laterMuseum of Modern Art
Tristísimas Lamentaciones de un Enganchado (The very sad lamentations of a contract laborer), José Guadalupe Posada, 1904José Guadalupe PosadaTristísimas Lamentaciones de un Enganchado (The very sad lamentations of a contract laborer)1904Yale University Art Gallery
A standing female soldier (soldadera), José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA standing female soldier (soldadera)ca. 1880–1910Metropolitan Museum of Art
Four criminals standing in a line flanked by officers, relating to the impending executions of Luis Izaguirre, Bruno Martinez, Francisco Guerrero, and Alberto Fernandez, who were connected with a theft at La Profesa, José Guadalupe Posada, 1892José Guadalupe PosadaFour criminals standing in a line flanked by officers, relating to the impending executions of Luis Izaguirre, Bruno Martinez, Francisco Guerrero, and Alberto Fernandez, who were connected with a theft at La Profesa1892Metropolitan Museum of Art
The brave man from Gaudalajara facing a tiger, José Guadalupe Posada, ca. 1900José Guadalupe PosadaThe brave man from Gaudalajara facing a tigerca. 1900Metropolitan Museum of Art
Ballad of the Snail (Corrido del Caracol), José Guadalupe Posada, ca. 1899José Guadalupe PosadaBallad of the Snail (Corrido del Caracol)ca. 1899Metropolitan Museum of Art
A profile of a man looking to the right with a dark mustache, José Guadalupe Posada, ca. 1880–1910 (a later impression)José Guadalupe PosadaA profile of a man looking to the right with a dark mustacheca. 1880–1910 (a later impression)Metropolitan Museum of Art
A man with a pitcher in his hand tapping the shoulder of another man resting on wooden beam, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA man with a pitcher in his hand tapping the shoulder of another man resting on wooden beamca. 1880–1910 (a later impression)Metropolitan Museum of Art
The American mosquito that just appeared in Mexico, José Guadalupe Posada, ca. 1903José Guadalupe PosadaThe American mosquito that just appeared in Mexicoca. 1903Metropolitan Museum of Art
La Aurora del Nuevo Dia en los Campos de Belen (The Dawn of a New Day in the Fields of Bethlehem) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets), José Guadalupe Posada, c. 1891, published 1918José Guadalupe PosadaLa Aurora del Nuevo Dia en los Campos de Belen (The Dawn of a New Day in the Fields of Bethlehem) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets)c. 1891, published 1918Museum of Modern Art
Alcoholic Calavera (Calavera alcohólica), José Guadalupe Posada, after 1888José Guadalupe PosadaAlcoholic Calavera (Calavera alcohólica)after 1888Museum of Modern Art
Ballad of The Death of General Manuel González (Corrido: La muerte del general Manuel González), José Guadalupe Posada, published 1893José Guadalupe PosadaBallad of The Death of General Manuel González (Corrido: La muerte del general Manuel González)published 1893Museum of Modern Art
El Casamiento Frustrado - Primera Parte (The Frustrated Marriage - Part One) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets), José Guadalupe Posada, c. 1904, published 1918José Guadalupe PosadaEl Casamiento Frustrado - Primera Parte (The Frustrated Marriage - Part One) from Teatro Infantil: colección de comedias para representarse por niños o titeres (Children's Theater: A Collection of Comedies to be Performed by Children or Puppets)c. 1904, published 1918Museum of Modern Art
Las Próximas Ejecuciones de Justicia. Cuatro sentenciados á muerte. (The Next Executions of Justice: Four Sentenced to Death), José Guadalupe Posada, ca.1890–1910José Guadalupe PosadaLas Próximas Ejecuciones de Justicia. Cuatro sentenciados á muerte. (The Next Executions of Justice: Four Sentenced to Death)ca.1890–1910Yale University Art Gallery
A madman having visions of monsters, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaA madman having visions of monstersca. 1880–1910 (a later impression)Metropolitan Museum of Art
A man leaning over the side of a bed vomiting, from a broadside entitled 'Death of  Aurelio Caballero due to yellow fever in Veracruz', José Guadalupe Posada, 1892José Guadalupe PosadaA man leaning over the side of a bed vomiting, from a broadside entitled 'Death of Aurelio Caballero due to yellow fever in Veracruz'1892Metropolitan Museum of Art
Plate 3: miracle that took place in the hacienda of the Lecheria, José Guadalupe Posada, ca. 1894José Guadalupe PosadaPlate 3: miracle that took place in the hacienda of the Lecheriaca. 1894Metropolitan Museum of Art
A profile of a man with a dark mustache looking to the right, José Guadalupe Posada, ca. 1880–1910José Guadalupe PosadaA profile of a man with a dark mustache looking to the rightca. 1880–1910Metropolitan Museum of Art
Cover for 'Coleccion de Cartas Amorosas Cuaderno No. 4', a couple embracing and kissing, José Guadalupe Posada, ca. 1900José Guadalupe PosadaCover for 'Coleccion de Cartas Amorosas Cuaderno No. 4', a couple embracing and kissingca. 1900Metropolitan Museum of Art
Demons dancing with women and bats flying through the sky, José Guadalupe Posada, ca. 1880–1910  (a later impression)José Guadalupe PosadaDemons dancing with women and bats flying through the skyca. 1880–1910 (a later impression)Metropolitan Museum of Art
A vendor of a new collection of songs, José Guadalupe Posada, ca. 1903 (a later impression)José Guadalupe PosadaA vendor of a new collection of songsca. 1903 (a later impression)Metropolitan Museum of Art
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