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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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52.001 opere da 131 musei44 esposte oraAzzera tutto

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Tecnica
  • Tutte
  • Grafite135.028
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Study for a book of verse(?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for a book of verse(?)n.d.Yale University Art Gallery
Preliminary study for Love's Labour's Lost, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyPreliminary study for Love's Labour's Lostca. 1891Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Enter Mistress Anne Page with wine - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyEnter Mistress Anne Page with wine - Act I, Scene I, Merry Wives of Windsor1889Yale University Art Gallery
"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1884Edwin Austin Abbey"I believe they are in actual consultation," illustration for Oliver Goldsmith's She Stoops to Conquerca. 1884Yale University Art Gallery
Sheet of sketches of country figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of country figuresn.d.Yale University Art Gallery
Angelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyAngelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measuren.d.Yale University Art Gallery
People in medieval dress, outside - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPeople in medieval dress, outside - unidentified illustrationn.d.Yale University Art Gallery
Oliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It, Edwin Austin Abbey, 1891Edwin Austin AbbeyOliver: "Wilt thou lay hands on me, villain?", illustration for Act I, Scene i, As You Like It1891Yale University Art Gallery
Armado and Moth, from Act III, Scene i, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyArmado and Moth, from Act III, Scene i, Love's Labour's Lost1891Yale University Art Gallery
"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin Abbey"Charles, Charles, how has thou deceived me?," illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Katherine and Alice - Act III, Scene V, King Henry V, Edwin Austin Abbey, 1908Edwin Austin AbbeyKatherine and Alice - Act III, Scene V, King Henry V1908Yale University Art Gallery
Edgar Armed - Act V, Scene III, King Lear, Edwin Austin Abbey, 1902Edwin Austin AbbeyEdgar Armed - Act V, Scene III, King Lear1902Yale University Art Gallery
Studies of heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of headsn.d.Yale University Art Gallery
Lafeu: "Nay, come your ways," from Act II, Scene i, All's Well That Ends Well, Edwin Austin Abbey, 1891Edwin Austin AbbeyLafeu: "Nay, come your ways," from Act II, Scene i, All's Well That Ends Well1891Yale University Art Gallery
"Each Joins the Dance", sketch for "With Jockey to the Fair," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin Abbey"Each Joins the Dance", sketch for "With Jockey to the Fair," from Old Songs1887Yale University Art Gallery
Woman seated, sketch for an unidentified Shakespeare play, Edwin Austin Abbey, n.d.Edwin Austin AbbeyWoman seated, sketch for an unidentified Shakespeare playn.d.Yale University Art Gallery
Illustration inside a factory, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration inside a factoryn.d.Yale University Art Gallery
Illustration for "Love Song," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "Love Song," from Old Songs1887Yale University Art Gallery
"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99ca. 1890sYale University Art Gallery
"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The sad historian of the pensive plain," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 43ca. 1890sYale University Art Gallery
Study for a "Matrimonial Speculation", Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for a "Matrimonial Speculation"n.d.Yale University Art Gallery
Olivia and Malvolio, illustration for Act III, Scene iv, Twelfth Night, Edwin Austin Abbey, 1891Edwin Austin AbbeyOlivia and Malvolio, illustration for Act III, Scene iv, Twelfth Night1891Yale University Art Gallery
Unidentified illustration- Study of person in prison, Edwin Austin Abbey, n.d.Edwin Austin AbbeyUnidentified illustration- Study of person in prisonn.d.Yale University Art Gallery
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Sketch for a greeting card: All Good WIshes for the New Year from M.G. and E.A. Abbey, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a greeting card: All Good WIshes for the New Year from M.G. and E.A. Abbeyn.d.Yale University Art Gallery
Study of Two Figures, from Love's Labour's Lost, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Two Figures, from Love's Labour's Lostn.d.Yale University Art Gallery
Figure study - two men carrying a stretcher, Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigure study - two men carrying a stretchern.d.Yale University Art Gallery
Studies of bottle and heads, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of bottle and headsn.d.Yale University Art Gallery
Don John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDon John: "Only to despite them, I will endeavor anything," illustration for Act II, Scene ii, Much Ado About Nothing1890Yale University Art Gallery
Sketch for "Sweet Nelly,...My Heart's Delight" from Old Songs, Edwin Austin Abbey, 1889Edwin Austin AbbeySketch for "Sweet Nelly,...My Heart's Delight" from Old Songs1889Yale University Art Gallery
Rosalind in boys clothing, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind in boys clothingca. 1890Yale University Art Gallery
Unidentified illustration, Edwin Austin Abbey, 1878Edwin Austin AbbeyUnidentified illustration1878Yale University Art Gallery
Sketch for "The Leather Bottel," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "The Leather Bottel," from Old Songs1887Yale University Art Gallery
Shallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyShallow: "The Council shall hear it" - Act I, Scene I, Merry Wives of Windsor1889Yale University Art Gallery
Sheet of studies of cricket players, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies of cricket playersn.d.Yale University Art Gallery
Iachimo Steals from the Trunk - Act II, Scene II, Cymbeline, Edwin Austin Abbey, 1907–8Edwin Austin AbbeyIachimo Steals from the Trunk - Act II, Scene II, Cymbeline1907–8Yale University Art Gallery
Study for: Exeunt Salarino and Salanio - Act I , Scene I, Merchant of Venice, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for: Exeunt Salarino and Salanio - Act I , Scene I, Merchant of Venicen.d.Yale University Art Gallery
Galahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad and the Captive Virtues, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1887Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life1887Yale University Art Gallery
Sketch for a mural over a door jamb - unidentified, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch for a mural over a door jamb - unidentifiedn.d.Yale University Art Gallery
Preliminary sketch of Helena and Lafeu for Act IV, Scene III, All's Well That Ends Well, Edwin Austin Abbey, ca. 1892Edwin Austin AbbeyPreliminary sketch of Helena and Lafeu for Act IV, Scene III, All's Well That Ends Wellca. 1892Yale University Art Gallery
"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"The parlour splendors of that festive place," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57ca. 1890sYale University Art Gallery
First Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus, Edwin Austin Abbey, 1909Edwin Austin AbbeyFirst Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus1909Yale University Art Gallery
Dull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyDull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost1891Yale University Art Gallery
Beatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyBeatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing1891Yale University Art Gallery
Prologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 1889, Edwin Austin Abbey, 1889Edwin Austin AbbeyPrologue: "Of wains that jolt and rumble by," study for illustration to The Quiet Life, 18891889Yale University Art Gallery
Galahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad Departs, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
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