Edwin Austin AbbeyStudies of a man's headEdwin Austin AbbeyStudies of a man's head
Edwin Austin AbbeyMan in Rain, study for illustration to "A Love Song," from Old Songs
Edwin Austin Abbey"But the long pomp, the midnight masquerade...," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 79
Edwin Austin AbbeyStudy of an Angel, for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeyDuke Frederick: "Mistress, despatch you with your safest haste," illustration for Act I, Scene iii, As You Like It
Edwin Austin AbbeyStudy of an angel (for stained glass? for a ceiling?)
Edwin Austin AbbeyStudy of a man in revolutionary dress
Edwin Austin AbbeySheet of studies
Edwin Austin AbbeyFalstaff: "O sir!" Ford: "Believe it, for you know it: -There is money; spend it, spend it, spend more; spend all I have" - Act II, Scene II, Merry Wives of Windsor
Edwin Austin AbbeyStudy for Priest and the Great Lady (watercolor)
Edwin Austin AbbeyStudy of Two Heads, Jaquenetta, from Love's Labour's Lost
Edwin Austin AbbeyCartoon of figure walking at sunrise. study for "The Belated Traveler."
Edwin Austin AbbeyResurrection - Mary at the Tomb with Angels
Edwin Austin Abbey"Oh, Ransome, Ransome, do no hide mine eyes" (preliminary sketch for 1937.1090) - Act IV, Scene I, All's Well That Ends Well
Edwin Austin AbbeyPeasant, sketch for an unidentified Shakespeare play
Edwin Austin Abbey"When every rood of ground maintain'd its man..." - from Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 13
Edwin Austin AbbeyHermione entreats Polixenes (study for .1122) - Act I, Scene II, The Winter's Tale
Edwin Austin Abbey"Relax his ponderous strength and lean to hear," illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 57
Edwin Austin AbbeySheet of figure studies
Edwin Austin AbbeyThe Clown and Malvolio, illustration for Act I, Scene v, Twelfth Night
Edwin Austin AbbeyCrowd Scene
Edwin Austin AbbeySheet of sketches of heads
Edwin Austin AbbeySketch for "Kitty of Coleraine," from Old Songs
Edwin Austin AbbeyEvans: "Come hither, William; hold up your head; come" Act IV, Scene I, Merry Wives of Windsor
Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)
Edwin Austin AbbeySheet of figure studies
Edwin Austin AbbeySir Toby and his Companions, illustration for Act II, Scene iii, Twelfth Night
Edwin Austin AbbeySketch of Headquarters of Sir William Erskine, Present Residence of W.S. Pelletreau, Southampton
Edwin Austin AbbeyTitania, illustration for Act II, Scene ii, A Midsummer Night's Dream
Edwin Austin AbbeySketch of women in an interior - unidentified illustration
Edwin Austin AbbeyDoodles
Edwin Austin AbbeyAudrey, illustration for Act V, Scene i, As You Like It
Edwin Austin Abbey"The Ubiquitous Amy" - unidentified illustration
Edwin Austin Abbey"The Ides of March are come" - Act III, Scene I, Julius Caesar
Edwin Austin AbbeyStreet scene
Edwin Austin AbbeyClaudio and Isabella - Act III, Scene I, Measure for Measure
Edwin Austin AbbeyChrist and Mary Magdalene
Edwin Austin AbbeyTwo cartoons of a figure in hat and tails
Edwin Austin AbbeyLa Pucelle (study for .1181) - Act III, Scene II, King Henry VI (Part I)
Edwin Austin AbbeyThe Vicar, from The Quiet Life
Edwin Austin AbbeyTitle page design, Scribner's Magazine, 1894
Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life
Edwin Austin AbbeyWoman and serpent on beach, sketch for The Lay of the Lobster
Edwin Austin AbbeySketch for The Daffodil Song
Edwin Austin AbbeyCivil war sketch (recto); Man viewing a painting (verso)
Edwin Austin AbbeyStudy of a maid
Edwin Austin AbbeySheet of figure studies
Edwin Austin AbbeySketch for Mr. Hardcastle, illustration for Oliver Goldsmith's She Stoops to Conquer