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ART WIKI

Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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52.001 opere da 131 musei44 esposte oraAzzera tutto

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Tecnica
  • Tutte
  • Grafite135.028
  • Acquerello57.038
  • Penna52.001
  • Inchiostro50.846
  • Gessetto37.739
  • Guazzo9089
  • Carboncino8716
  • Pastello4145
  • Olio2355
  • Punta d’argento375
  • Tecnica mista297
Self-Portrait, John SloanJohn SloanSelf-PortraitNational Gallery of Art
A Happy New Year, Edwin Austin Abbey, c. 1900-1910Edwin Austin AbbeyA Happy New Yearc. 1900-1910National Gallery of Art
A Padlock, Sir David WilkieSir David WilkieA PadlockNational Gallery of Art
An Antique Scene of Sacrifice, Francesco Salviati, 1540–42Francesco SalviatiAn Antique Scene of Sacrifice1540–42Yale University Art Gallery
Battle Scene, Sir David Wilkie, 1840Sir David WilkieBattle Scene1840National Gallery of Art
Study for "The Bride at Her Toilet on the Day of Her Wedding", Sir David Wilkie, ca. 1838Sir David WilkieStudy for "The Bride at Her Toilet on the Day of Her Wedding"ca. 1838Sala 99Metropolitan Museum of Art
Studies of Heads, David Wilkie, undatedSir David WilkieStudies of HeadsundatedYale Center for British Art
First Apparition: Macbeth! Macbeth! Macbeth! beware Macduff., Act IV, Scene 1, Macbeth, Edwin Austin Abbey, 1903Edwin Austin AbbeyFirst Apparition: Macbeth! Macbeth! Macbeth! beware Macduff., Act IV, Scene 1, Macbeth1903Yale University Art Gallery
Man in Renaissance costume - (unidentified illustration for a Shakespeare play?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyMan in Renaissance costume - (unidentified illustration for a Shakespeare play?)n.d.Yale University Art Gallery
Study of Puck, for Midsummer Night's Dream, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Puck, for Midsummer Night's Dreamn.d.Yale University Art Gallery
Illustration for The Quiet Life, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration for The Quiet Lifen.d.Yale University Art Gallery
Design for an Altar, Francesco SalviatiFrancesco SalviatiDesign for an AltarNational Gallery of Art
Study of a Mother and Child [verso], Sir David WilkieSir David WilkieStudy of a Mother and Child [verso]National Gallery of Art
A Roman Triumph, Maarten de VosMaerten de VosA Roman TriumphNational Gallery of Art
Prophet, Francesco Salviati, ca. 1550–55Francesco SalviatiProphetca. 1550–55Yale University Art Gallery
Illustration for "Little Robert Reed", Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration for "Little Robert Reed"n.d.Yale University Art Gallery
Study of Titania, for Midsummer Night's Dream, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Titania, for Midsummer Night's Dreamn.d.Yale University Art Gallery
Two Riders Seen from Behind, Oct. 10, 1822, David Wilkie, 1822Sir David WilkieTwo Riders Seen from Behind, Oct. 10, 18221822Yale Center for British Art
Sketch for "Reading the Will", David Wilkie, before 1820Sir David WilkieSketch for "Reading the Will"before 1820Yale Center for British Art
Study for Nelson Sealing the Copenhagen Letter, David Wilkie, ca. 1835Sir David WilkieStudy for Nelson Sealing the Copenhagen Letterca. 1835Yale Center for British Art
Gloster: "So dear I lov'd the man, that I must weep. I took him for the plainest harmless creature..." - The Tower Wall - Act III, Scene V, King Richard III, Edwin Austin Abbey, 1903Edwin Austin AbbeyGloster: "So dear I lov'd the man, that I must weep. I took him for the plainest harmless creature..." - The Tower Wall - Act III, Scene V, King Richard III1903Yale University Art Gallery
Court scene (Act II, Scene II, King Lear?), Edwin Austin Abbey, n.d.Edwin Austin AbbeyCourt scene (Act II, Scene II, King Lear?)n.d.Yale University Art Gallery
Study of a country woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a country womann.d.Yale University Art Gallery
Study of two men, woman, and a dog, from Love's Labour's Lost (?), Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyStudy of two men, woman, and a dog, from Love's Labour's Lost (?)ca. 1891Yale University Art Gallery
A Candelabra, Giuseppe Valadier, ca. 1810Giuseppe ValadierA Candelabraca. 1810Yale University Art Gallery
Fortitude, Maarten de VosMaerten de VosFortitudeNational Gallery of Art
The Resurrection, Francesco Salviati, 1545/1548Francesco SalviatiThe Resurrection1545/1548National Gallery of Art
Illustration for The Tile Club, studies of figures in Dutch costume, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration for The Tile Club, studies of figures in Dutch costumen.d.Yale University Art Gallery
An Ornate Ewer [recto], Sir David WilkieSir David WilkieAn Ornate Ewer [recto]National Gallery of Art
Jonah Thrown Overboard, Maarten de Vos, 1580sMaerten de VosJonah Thrown Overboard1580sYale University Art Gallery
Captain Locker Seated at a Table with His Daughter; a Butler Standing Beside Him, David Wilkie, undatedSir David WilkieCaptain Locker Seated at a Table with His Daughter; a Butler Standing Beside HimundatedYale Center for British Art
The Manse, Cults, Fife: The Artist's Old Home, David Wilkie, undatedSir David WilkieThe Manse, Cults, Fife: The Artist's Old HomeundatedYale Center for British Art
The Manse, Cults, Fife: The Artist's Old Home, David Wilkie, undatedSir David WilkieThe Manse, Cults, Fife: The Artist's Old HomeundatedYale Center for British Art
Sheet of sketches of figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of figuresn.d.Yale University Art Gallery
Exeunt Hastings and Tony singing: "We're the Boys." (II), illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyExeunt Hastings and Tony singing: "We're the Boys." (II), illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Falstaff: "Bardolph, follow him; a tapster is a good trade" - Act I, Scene III, Merry Wives of Windsor, Edwin Austin Abbey, ca. 1889Edwin Austin AbbeyFalstaff: "Bardolph, follow him; a tapster is a good trade" - Act I, Scene III, Merry Wives of Windsorca. 1889Yale University Art Gallery
A Family Group, Sir David Wilkie, 1835Sir David WilkieA Family Group1835National Gallery of Art
Christ Falling under the Cross, Follower of Francesco SalviatiFrancesco SalviatiChrist Falling under the CrossNational Gallery of Art
Apollo, Diana, and Time with the Cyclic Vicissitudes of Human Life, Maarten de Vos, c. 1561Maerten de VosApollo, Diana, and Time with the Cyclic Vicissitudes of Human Lifec. 1561National Gallery of Art
Drawing for the poster publicizing the exhibition for and publication of the book of Abbey's Quest of the Holy Grail in New York City, Edwin Austin Abbey, 1895Edwin Austin AbbeyDrawing for the poster publicizing the exhibition for and publication of the book of Abbey's Quest of the Holy Grail in New York City1895Yale University Art Gallery
America, Maarten de Vos, c. 1585Maerten de VosAmericac. 1585National Gallery of Art
A Lock, Sir David WilkieSir David WilkieA LockNational Gallery of Art
Nan and Piano, illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyNan and Piano, illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Sheet of sketches, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketchesn.d.Yale University Art Gallery
The Manse, Cults, Fife: The Artist's Old Home, David Wilkie, undatedSir David WilkieThe Manse, Cults, Fife: The Artist's Old HomeundatedYale Center for British Art
Lady Macbeth, ActIII.scene iv, Macbeth, Edwin Austin Abbey, 1903Edwin Austin AbbeyLady Macbeth, ActIII.scene iv, Macbeth1903Yale University Art Gallery
Study for The Education of Isabella (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Education of Isabella (oil painting)n.d.Yale University Art Gallery
Two figures seated on a cart - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo figures seated on a cart - (unidentified illustration)n.d.Yale University Art Gallery
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