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Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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Penna

52.001 opere da 131 musei44 esposte oraAzzera tutto

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Tecnica
  • Tutte
  • Grafite135.028
  • Acquerello57.038
  • Penna52.001
  • Inchiostro50.846
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  • Carboncino8716
  • Pastello4145
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  • Tecnica mista297
Untitled, Sigmar Polke, 1964Sigmar PolkeUntitled1964Museum of Modern Art
Coastline with a Lighthouse, Paul Nash, c. 1933/1934Paul NashCoastline with a Lighthousec. 1933/1934National Gallery of Art
"Young Man Come Back Soon!" ("Junge komm bald wieder!"), Sigmar Polke, 1963Sigmar Polke"Young Man Come Back Soon!" ("Junge komm bald wieder!")1963Museum of Modern Art
Self-Portrait, Max Beerbohm, 1903Max BeerbohmSelf-Portrait1903Yale Center for British Art
Notes on Movement II (Body as Place), Vito Acconci, March 1972Vito AcconciNotes on Movement II (Body as Place)1972Museum of Modern Art
Kings Weston, Bristol: Basement Plan, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Basement Planca. 1710Yale Center for British Art
Log from July 29 / 10:00 a.m.–1:00 p.m. (Protokoll vom 29.7. / 10–13:00), Sigmar Polke, c. 1974Sigmar PolkeLog from July 29 / 10:00 a.m.–1:00 p.m. (Protokoll vom 29.7. / 10–13:00)c. 1974Museum of Modern Art
Room Situation (Proximity), Vito Acconci, 1970Vito AcconciRoom Situation (Proximity)1970Museum of Modern Art
Kings Weston, Bristol: Entrance Front Elevation, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Entrance Front Elevationca. 1710Yale Center for British Art
Study for "Great America", Kerry James Marshall, c. 1994Kerry James MarshallStudy for "Great America"c. 1994National Gallery of Art
Study for "Great America" (Under Water), Kerry James Marshall, c. 1994Kerry James MarshallStudy for "Great America" (Under Water)c. 1994National Gallery of Art
Untitled study for Untitled (Club Scene), Kerry James Marshall, c. 2013Kerry James MarshallUntitled study for Untitled (Club Scene)c. 2013Museum of Modern Art
The Crucifixion, Dame Elisabeth Frink, 1986Elisabeth FrinkThe Crucifixion1986National Gallery of Art
Sketch for "Building - Blocks for a Doorway", Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway"c. 1983/1985National Gallery of Art
Lady Granby in Paris, Max Beerbohm, undatedMax BeerbohmLady Granby in ParisundatedYale Center for British Art
Enlèvement d'Europe (Rape of Europa), Jules Pascin, c. 1925Jules PascinEnlèvement d'Europe (Rape of Europa)c. 1925National Gallery of Art
Untitled (Woman with Spray Can), Sigmar Polke, (1963)Sigmar PolkeUntitled (Woman with Spray Can)(1963)Museum of Modern Art
Notes on Movement, Vito Acconci, 1971Vito AcconciNotes on Movement1971Museum of Modern Art
Following Piece, Vito Acconci, 1969Vito AcconciFollowing Piece1969Museum of Modern Art
Kings Weston, Bristol: Ground Floor Plan, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Ground Floor Planca. 1710Yale Center for British Art
Study for "Great America", Kerry James Marshall, c. 1994Kerry James MarshallStudy for "Great America"c. 1994National Gallery of Art
Theme Song, Vito Acconci, 1973Vito AcconciTheme Song1973Museum of Modern Art
Mid Tables. Study for Untitled (Club Scene), Kerry James Marshall, 2013Kerry James MarshallMid Tables. Study for Untitled (Club Scene)2013Museum of Modern Art
Untitled study for Untitled (policeman), Kerry James Marshall, c. 2015Kerry James MarshallUntitled study for Untitled (policeman)c. 2015Museum of Modern Art
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985National Gallery of Art
Messrs. Carfax, Max Beerbohm, undatedMax BeerbohmMessrs. CarfaxundatedYale Center for British Art
Design for a bookplate for Kenneth Fitzpatrick Mackenzie, Paul Nash, ca. 1909Paul NashDesign for a bookplate for Kenneth Fitzpatrick Mackenzieca. 1909Yale Center for British Art
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985National Gallery of Art
Paris-Juno-Minerve-Venus, Jules Pascin, n.d.Jules PascinParis-Juno-Minerve-Venusn.d.Yale University Art Gallery
Untitled (Proposal for a Museum of Modern Art Project), Gordon Matta-Clark, (1978)Gordon Matta-ClarkUntitled (Proposal for a Museum of Modern Art Project)(1978)Museum of Modern Art
Untitled (Proposal for a Museum of Modern Art Project), Gordon Matta-Clark, (1978)Gordon Matta-ClarkUntitled (Proposal for a Museum of Modern Art Project)(1978)Museum of Modern Art
Unknown (Eifle), Gordon Matta-Clark, 1970Gordon Matta-ClarkUnknown (Eifle)1970Museum of Modern Art
Energy Tree, Gordon Matta-Clark, 1972-73Gordon Matta-ClarkEnergy Tree1972-73Museum of Modern Art
Maquette for Splitting, Gordon Matta-Clark, 1974Gordon Matta-ClarkMaquette for Splitting1974Museum of Modern Art
Untitled study for Untitled (policeman)), Kerry James Marshall, c. 2015Kerry James MarshallUntitled study for Untitled (policeman))c. 2015Museum of Modern Art
Untitled study for Untitled (Club Scene), Kerry James Marshall, c. 2013Kerry James MarshallUntitled study for Untitled (Club Scene)c. 2013Museum of Modern Art
Trees: Set design for A Midsummer Night's Dream, Jim Dine, 1966Jim DineTrees: Set design for A Midsummer Night's Dream1966Museum of Modern Art
Untitled ("Witz"), Sigmar Polke, 1965Sigmar PolkeUntitled ("Witz")1965Museum of Modern Art
Sketch for "Building - Blocks for a Doorway" (B), Vito Acconci, c. 1983/1985Vito AcconciSketch for "Building - Blocks for a Doorway" (B)c. 1983/1985National Gallery of Art
Untitled, Sigmar Polke, 1966Sigmar PolkeUntitled1966Museum of Modern Art
Kings Weston, Bristol: Side Elevation, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Side Elevationca. 1710Yale Center for British Art
Free of Dizziness, Sigmar Polke, (1964)Sigmar PolkeFree of Dizziness(1964)Museum of Modern Art
Kings Weston, Bristol: Garden Front Elevation, John Vanbrugh, ca. 1710John VanbrughKings Weston, Bristol: Garden Front Elevationca. 1710Yale Center for British Art
Rice, Sigmar Polke, (1963-64)Sigmar PolkeRice(1963-64)Museum of Modern Art
Room Piece, Vito Acconci, 1970Vito AcconciRoom Piece1970Museum of Modern Art
Untitled (Proposal for a Museum of Modern Art Project), Gordon Matta-Clark, (1978)Gordon Matta-ClarkUntitled (Proposal for a Museum of Modern Art Project)(1978)Museum of Modern Art
Foreground Tables. Study for Untitled (Club Scene), Kerry James Marshall, 2013Kerry James MarshallForeground Tables. Study for Untitled (Club Scene)2013Museum of Modern Art
1st Row Tables for 2. Study for Untitled (Club Scene), Kerry James Marshall, 2013Kerry James Marshall1st Row Tables for 2. Study for Untitled (Club Scene)2013Museum of Modern Art
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