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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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60.822 opere da 131 musei44 esposte oraAzzera tutto

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Tecnica
  • Tutte
  • Grafite137.439
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  • Tecnica mista297
A Gardener and a Gentleman, Jean-Claude-Richard, Abbé de Saint-Non, c.1745Jean-Claude Richard de Saint-NonA Gardener and a Gentlemanc.1745National Gallery of Art
View of the Castle Sant'Angelo and the Ospedale di Santo Spirito [recto], Attributed to Étienne Dupérac, c. 1552/1566Etienne DupéracView of the Castle Sant'Angelo and the Ospedale di Santo Spirito [recto]c. 1552/1566National Gallery of Art
The Meet, John Wootton, undatedJohn WoottonThe MeetundatedYale Center for British Art
Foxhunting: The Kill, John Wootton, undatedJohn WoottonFoxhunting: The KillundatedYale Center for British Art
Martyr with an Angel, Jacob MathamJacob MathamMartyr with an AngelNational Gallery of Art
The Four Castles of Neckarsteinach, Carl Philipp Fohr, 1800–1818Karl Philipp FohrThe Four Castles of Neckarsteinach1800–1818Metropolitan Museum of Art
Study for Saratoga Springs, NY, Post Office Mural [recto], Guy Pène du Bois, c. 1937Guy Pène Du BoisStudy for Saratoga Springs, NY, Post Office Mural [recto]c. 1937National Gallery of Art
Terrace, Paris Café, Guy Pène du Bois, 1931Guy Pène Du BoisTerrace, Paris Café1931National Gallery of Art
Emblem Drawing ("I rule everything"), Jacob Matham, early 17th centuryJacob MathamEmblem Drawing ("I rule everything")early 17th centuryMetropolitan Museum of Art
Elevation and Section for a Catafalque for the Dauphin of France, d. 1711, Giuseppe Galli Bibiena, ca. 1711Giuseppe Galli da BibbienaElevation and Section for a Catafalque for the Dauphin of France, d. 1711ca. 1711Metropolitan Museum of Art
Ground Plan for Catafalque for Johann Wilhelm, Count Palatine of the Rhine (d. 1716), Giuseppe Galli Bibiena, ca. 1716Giuseppe Galli da BibbienaGround Plan for Catafalque for Johann Wilhelm, Count Palatine of the Rhine (d. 1716)ca. 1716Metropolitan Museum of Art
Ground Plan for the Catafalque for Louis XIV (d. 1715), Giuseppe Galli Bibiena, ca. 1715Giuseppe Galli da BibbienaGround Plan for the Catafalque for Louis XIV (d. 1715)ca. 1715Metropolitan Museum of Art
Half Plan and Half Elevation for a Catafalque with Royal Crown Surmounting the Casket, Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaHalf Plan and Half Elevation for a Catafalque with Royal Crown Surmounting the Casket1696–1756Metropolitan Museum of Art
L'Impératrice Joséphine accompagnée du baron Dominique-Vivant Denon visitant le Salon de 1808, Monsiau, Nicolas André, 1808Nicolas-André MonsiauL'Impératrice Joséphine accompagnée du baron Dominique-Vivant Denon visitant le Salon de 18081808Museo del Louvre
The Adoration of the Shepherds, Agostino MasucciAgostino MasucciThe Adoration of the ShepherdsNational Gallery of Art
Studies for the Education of the Virgin, Agostino Masucci, 1692–1758Agostino MasucciStudies for the Education of the Virgin1692–1758Metropolitan Museum of Art
A Lady Painting, Sir Francis Grant, 1837Francis GrantA Lady Painting1837Yale Center for British Art
The Discovery of the True Cross, Moncalvo, 1568–1625Guglielmo CacciaThe Discovery of the True Cross1568–1625Metropolitan Museum of Art
The Baptism of Christ, Moncalvo, 16th centuryGuglielmo CacciaThe Baptism of Christ16th centuryMetropolitan Museum of Art
Designs for Ornamental Motifs and for a Herm Supporting a Chimney Piece, Moncalvo, 1568–1625Guglielmo CacciaDesigns for Ornamental Motifs and for a Herm Supporting a Chimney Piece1568–1625Metropolitan Museum of Art
Designs for Components of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain, Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaDesigns for Components of Stage Sets: at Bottom: Spiral and Wreathed-Colonnaded Pavillion with Central Arch Surmounted by Military Trophy and Another Hanging Inside Arch; at Top: Centralized Pavillion Decorated by Pediment Surmounted by Fountain1696–1756Metropolitan Museum of Art
Half Elevation and Half Ground Plan for a Catafalque for an Electress Palatine, Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaHalf Elevation and Half Ground Plan for a Catafalque for an Electress Palatine1696–1756Metropolitan Museum of Art
Design for a Theatrum Sacrum, Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaDesign for a Theatrum Sacrum1696–1756Metropolitan Museum of Art
Design for Stage Set: Centralized Villa with Cupola ("Villa rotunda" Style) and Colonnaded Wings, Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaDesign for Stage Set: Centralized Villa with Cupola ("Villa rotunda" Style) and Colonnaded Wings1696–1756Metropolitan Museum of Art
View of the Tiber; Copy of a Roman Sculpture of a Bacchante [verso], Attributed to Étienne Dupérac, c. 1552/1566Etienne DupéracView of the Tiber; Copy of a Roman Sculpture of a Bacchante [verso]c. 1552/1566National Gallery of Art
Dante Meditating on the "Divine Comedy", Jean-Jacques Feuchère, 1843Jean-Jacques FeuchèreDante Meditating on the "Divine Comedy"1843National Gallery of Art
Half-Section of the Model of the Attic and Dome of Saint Peter's Basilica as Conceived by Michelangelo (recto); Detail Studies Relating to the Plan, Section, and Elevation of the Dome of Saint Peter's Basilica (verso)., Etienne DuPérac, 1551, 1558–69Etienne DupéracHalf-Section of the Model of the Attic and Dome of Saint Peter's Basilica as Conceived by Michelangelo (recto); Detail Studies Relating to the Plan, Section, and Elevation of the Dome of Saint Peter's Basilica (verso).1551, 1558–69Metropolitan Museum of Art
St. Peter's, dome and drum, interior section and elevation, and labeled details (recto); St. Peter's, moulding profiles, details  (verso), Etienne DuPérac, early to mid-16th centuryEtienne DupéracSt. Peter's, dome and drum, interior section and elevation, and labeled details (recto); St. Peter's, moulding profiles, details (verso)early to mid-16th centuryMetropolitan Museum of Art
A Grey Horse Trotting Out of a Wood, Sir Francis Grant, undatedFrancis GrantA Grey Horse Trotting Out of a WoodundatedYale Center for British Art
Study of a Hound, Running, Sir Francis Grant, undatedFrancis GrantStudy of a Hound, RunningundatedYale Center for British Art
Christ Led Captive from a Palace, Giuseppe Galli Bibiena, 1740/1745Giuseppe Galli da BibbienaChrist Led Captive from a Palace1740/1745National Gallery of Art
A Stage Design for an Opera with Actors, Workshop of Giuseppe Galli Bibiena, 18th centuryGiuseppe Galli da BibbienaA Stage Design for an Opera with Actors18th centuryNational Gallery of Art
The Jury, Guy Pène du Bois, c. 1940Guy Pène Du BoisThe Juryc. 1940National Gallery of Art
Ground Plan for a Catafalque for a Duke de Berri, probably Charles, Duke de Berri, Grandson of Louis XIV, and 3rd son of Louis, the Dauphin (1685–1714), Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaGround Plan for a Catafalque for a Duke de Berri, probably Charles, Duke de Berri, Grandson of Louis XIV, and 3rd son of Louis, the Dauphin (1685–1714)1696–1756Metropolitan Museum of Art
Half Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721), Giuseppe Galli Bibiena, ca. 1721Giuseppe Galli da BibbienaHalf Plan and Half Elevation for a Catafalque for Margarita Louisa, Gran Duchess of Tuscany (d. 1721)ca. 1721Metropolitan Museum of Art
Half Elevation and Half Ground Plan for a Catafalque: Columns Supporting a Steeped Dome with two Obelisks Surmounted by Figure of Fame, Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaHalf Elevation and Half Ground Plan for a Catafalque: Columns Supporting a Steeped Dome with two Obelisks Surmounted by Figure of Fame1696–1756Metropolitan Museum of Art
Ground Plan for a Catafalque for Louis I, King of Spain (reigned only a few months, died 1724), Giuseppe Galli Bibiena, ca. 1724Giuseppe Galli da BibbienaGround Plan for a Catafalque for Louis I, King of Spain (reigned only a few months, died 1724)ca. 1724Metropolitan Museum of Art
Untitled, Scott Burton, ca. 1978–79Scott BurtonUntitledca. 1978–79Yale University Art Gallery
Madonna and Child with Saints John and Luke, Jean Cousin the YoungerJean Cousin the YoungerMadonna and Child with Saints John and LukeNational Gallery of Art
The Adoration of the Shepherds, Jean Cousin the Younger, n.d.Jean Cousin the YoungerThe Adoration of the Shepherdsn.d.Metropolitan Museum of Art
Hounds in a Landscape, John Wootton, undatedJohn WoottonHounds in a LandscapeundatedYale Center for British Art
Allegory of Age, Jacob MathamJacob MathamAllegory of AgeNational Gallery of Art
Head of Christ, Jacob Matham, late 16th–early 17th centuryJacob MathamHead of Christlate 16th–early 17th centuryMetropolitan Museum of Art
Emblem Drawing ("Hope sustains me"), Jacob Matham, early 17th centuryJacob MathamEmblem Drawing ("Hope sustains me")early 17th centuryMetropolitan Museum of Art
Young Man and Old Woman, Jacob Matham, n.d.Jacob MathamYoung Man and Old Womann.d.Metropolitan Museum of Art
Half Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662–1726), Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaHalf Elevation and Half Plan for a Catafalque for Maximilian, Elector of Bavaria, probably Maximilian II Emanuel (1662–1726)1696–1756Metropolitan Museum of Art
Perspective Sketch for a Palace Interior, Giuseppe Galli Bibiena, 18th centuryGiuseppe Galli da BibbienaPerspective Sketch for a Palace Interior18th centuryMetropolitan Museum of Art
Details of Theatre Interior: Interior Elevation of Corridor and Sections, Giuseppe Galli Bibiena, 1696–1756Giuseppe Galli da BibbienaDetails of Theatre Interior: Interior Elevation of Corridor and Sections1696–1756Metropolitan Museum of Art
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