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Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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60.822 opere da 131 musei44 esposte oraAzzera tutto

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Tecnica
  • Tutte
  • Grafite137.439
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Sheet of sketches of country figures, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of sketches of country figuresn.d.Yale University Art Gallery
Anatomical Studies, Domenico BeccafumiDomenico BeccafumiAnatomical StudiesNational Gallery of Art
A Standing Saint, Domenico BeccafumiDomenico BeccafumiA Standing SaintNational Gallery of Art
Illustration for "Love Song," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "Love Song," from Old Songs1887Yale University Art Gallery
San Silvestro battezza l'imperatore Costantino, Giovanni Stradano, fine sec. XVIStradanusSan Silvestro battezza l'imperatore Costantinofine sec. XVIGallerie dell'Accademia
Cosimo I Medici studia la presa di Siena, Giovanni Stradano, secc. XVI/ XVIIStradanusCosimo I Medici studia la presa di Sienasecc. XVI/ XVIIGallerie dell'Accademia
The Six Prophets of the Coming of Christ, Jan van der Straet, called Stradanus, mid-16th–early 17th centuryStradanusThe Six Prophets of the Coming of Christmid-16th–early 17th centuryMetropolitan Museum of Art
Allegory of the Course of Human Life (Choosing Virtue), Jan van der Straet, called Stradanus, 1570 or beforeStradanusAllegory of the Course of Human Life (Choosing Virtue)1570 or beforeMetropolitan Museum of Art
The Adoration of the Magi, Bernard van Orley, early 16th–mid 16th centuryBernard van OrleyThe Adoration of the Magiearly 16th–mid 16th centuryMetropolitan Museum of Art
The Resurrection, Bernard van Orley, early 16th centuryBernard van OrleyThe Resurrectionearly 16th centuryMetropolitan Museum of Art
The Death of General Warren, George Caleb BinghamGeorge Caleb BinghamThe Death of General WarrenNational Gallery of Art
Standing Virgin Holding the Christ Child, Gaudenzio Ferrari, 1475–1546Gaudenzio FerrariStanding Virgin Holding the Christ Child1475–1546Metropolitan Museum of Art
First Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus, Edwin Austin Abbey, 1909Edwin Austin AbbeyFirst Servingman: "What would you have friend, whence are you?" - Act IV, Scene V, Coriolanus1909Yale University Art Gallery
K+L+32+H+4. Mon père et moi (My Father and I), Charles Hossein Zenderoudi, 1962Charles Hossein ZenderoudiK+L+32+H+4. Mon père et moi (My Father and I)1962Museum of Modern Art
Illustration inside a factory, Edwin Austin Abbey, n.d.Edwin Austin AbbeyIllustration inside a factoryn.d.Yale University Art Gallery
Study for the Figure of Abraham, Domenico Beccafumi, 1547Domenico BeccafumiStudy for the Figure of Abraham1547Getty Museum
Dull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyDull, Sir Nathaniel, Holofernes, from Act IV, Scene ii, Love's Labour's Lost1891Yale University Art Gallery
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Metropolitan Museum of Art
Rosalind in boys clothing, Edwin Austin Abbey, ca. 1890Edwin Austin AbbeyRosalind in boys clothingca. 1890Yale University Art Gallery
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Metropolitan Museum of Art
Beatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing, Edwin Austin Abbey, 1891Edwin Austin AbbeyBeatrice: "Against my will, I am sent to bid you come in to dinner," illustration for Act II, Scene iii, Much Ado About Nothing1891Yale University Art Gallery
Landscape with Catacombs, Domenico Beccafumi, 1530–40Domenico BeccafumiLandscape with Catacombs1530–40Metropolitan Museum of Art
Hercules, Standing with a Club, Domenico Beccafumi, 1530–40Domenico BeccafumiHercules, Standing with a Club1530–40Metropolitan Museum of Art
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Metropolitan Museum of Art
A Basket of Fruit, Jan van Huysum, n.d.Jan van HuysumA Basket of Fruitn.d.Metropolitan Museum of Art
Madonna and Child with Saints Martin and Maurice (?), Gaudenzio Ferrari, ca. 1530Gaudenzio FerrariMadonna and Child with Saints Martin and Maurice (?)ca. 1530Metropolitan Museum of Art
Sketch for "Sweet Nelly,...My Heart's Delight" from Old Songs, Edwin Austin Abbey, 1889Edwin Austin AbbeySketch for "Sweet Nelly,...My Heart's Delight" from Old Songs1889Yale University Art Gallery
Three Goddesses: Minerva, Juno and Venus, Jan van der Straet, c. 1587StradanusThree Goddesses: Minerva, Juno and Venusc. 1587National Gallery of Art
Standing Female Nude, Max Weber, 1912Max WeberStanding Female Nude1912National Gallery of Art
Two Figures, Max Weber, 1943Max WeberTwo Figures1943National Gallery of Art
Copy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral, Domenico Beccafumi, October 15, 1596Domenico BeccafumiCopy in Reverse Design Orientation: Based on the Group of Reclining Figures at Left in Domenico Beccafumi's Scene of Moses Striking the Rock in the Pavement of Siena Cathedral1596Metropolitan Museum of Art
People in medieval dress, outside - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeyPeople in medieval dress, outside - unidentified illustrationn.d.Yale University Art Gallery
The Hunts of Maximilian: The Stag Hunt (August), Bernard van Orley, 1528/1530Bernard van OrleyThe Hunts of Maximilian: The Stag Hunt (August)1528/1530National Gallery of Art
Vanitas, Jan van der Straet, called Stradanus, mid-16th–early 17th centuryStradanusVanitasmid-16th–early 17th centuryMetropolitan Museum of Art
Lazarus, Jan van der Straet, called Stradanus, before 1605StradanusLazarusbefore 1605Metropolitan Museum of Art
Design for a Frontispiece with the Medici Arms, Jan van der Straet, called Stradanus, 16th centuryStradanusDesign for a Frontispiece with the Medici Arms16th centuryMetropolitan Museum of Art
Study for "The Four Doctors of the Church", Domenico BeccafumiDomenico BeccafumiStudy for "The Four Doctors of the Church"National Gallery of Art
Arcadian Landscape with Figures Making Music, Jan van Huysum, early 18th centuryJan van HuysumArcadian Landscape with Figures Making Musicearly 18th centuryMetropolitan Museum of Art
Jeune homme drapé, debout, de profil vers la droite, Rosselli, CosimoCosimo RosselliJeune homme drapé, debout, de profil vers la droiteMuseo del Louvre
Studies for Lithographs, Allen Jones, (1966)Allen JonesStudies for Lithographs(1966)Museum of Modern Art
The Arno with Fishermen, Stradanus, between 1580 and 1596StradanusThe Arno with Fishermenbetween 1580 and 1596Getty Museum
Page from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso), Domenico Beccafumi, 1520sDomenico BeccafumiPage from a Sketchbook Depicting a City under Siege and a Scene of Homage(?) (recto); standing figures and a horseman; male and female figures; a battle scene (verso)1520sMetropolitan Museum of Art
Angelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measure, Edwin Austin Abbey, n.d.Edwin Austin AbbeyAngelo and Isabella (study for .1104) - Act II, Scene IV, Measure for Measuren.d.Yale University Art Gallery
Sheet of Caricatures, Max Weber, 1908Max WeberSheet of Caricatures1908Yale University Art Gallery
Unfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple., Lorenzo Monaco, 1408–11Lorenzo MonacoUnfinished Design for a Choir Book: Initial with Scene of Christ Entering the Temple.1408–11Metropolitan Museum of Art
Procession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral), Domenico Beccafumi, 1520–50Domenico BeccafumiProcession (left-hand portion of border below Sacrifice of Isaac, inlaid-marble pavement, Siena Cathedral)1520–50Metropolitan Museum of Art
"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99, Edwin Austin Abbey, ca. 1890sEdwin Austin Abbey"Downward they move, a melancholy band Pass from the shore, and darken all the land" - illustration for Oliver Goldsmith's The Deserted Village (London and New York: 1902), p. 99ca. 1890sYale University Art Gallery
Unidentified illustration, Edwin Austin Abbey, 1878Edwin Austin AbbeyUnidentified illustration1878Yale University Art Gallery
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