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Dove vedere arte e quando apre il museo.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museo Smithsoniano del Design Cooper Hewitt, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (44 musei), Paris Musées (12 musei), Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei) e il Catalogo generale dei Beni Culturali del Ministero della Cultura (25 musei). Le immagini appartengono ai titolari dei diritti.

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60.822 opere da 131 musei44 esposte oraAzzera tutto

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Tecnica
  • Tutte
  • Grafite137.439
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Don Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDon Pedro: "Will you have me, lady?", illustration for Act II, Scene i, Much Ado About Nothing1890Yale University Art Gallery
Men in rowboat fleeing Indians on shore - unidentified illustration (Columbus discovering New World?) - explorers landing in the New World, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMen in rowboat fleeing Indians on shore - unidentified illustration (Columbus discovering New World?) - explorers landing in the New Worldn.d.Yale University Art Gallery
Sketch for "The Reconciliation of the Merhcant Taylors' with the Skinners' Company, in the time of Richard the Third" one of a series of paintings executed for the Royal Exchange, London, 1896, Edwin Austin Abbey, 1896Edwin Austin AbbeySketch for "The Reconciliation of the Merhcant Taylors' with the Skinners' Company, in the time of Richard the Third" one of a series of paintings executed for the Royal Exchange, London, 18961896Yale University Art Gallery
Studies of an artist, sketching, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudies of an artist, sketchingn.d.Yale University Art Gallery
Two figures in a churchyard, Edwin Austin Abbey, 1880Edwin Austin AbbeyTwo figures in a churchyard1880Yale University Art Gallery
The Landlord and Tony Lumpkin (I), illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyThe Landlord and Tony Lumpkin (I), illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Marriage Morning of Theseus and Hippolyta (study for .1036) - Enter Theseus, from A Midsummer Night's Dream, Edwin Austin Abbey, ca. 1893Edwin Austin AbbeyMarriage Morning of Theseus and Hippolyta (study for .1036) - Enter Theseus, from A Midsummer Night's Dreamca. 1893Yale University Art Gallery
Anthony (preliminary drawing for .3138) - Julius Caesar, Edwin Austin Abbey, ca. 1906Edwin Austin AbbeyAnthony (preliminary drawing for .3138) - Julius Caesarca. 1906Yale University Art Gallery
Launcelot: "Turn up your right hand, at the next turning," from Act II, Scene ii, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyLauncelot: "Turn up your right hand, at the next turning," from Act II, Scene ii, Merchant of Venice1888Yale University Art Gallery
Sheet of studies: heads and musicians, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of studies: heads and musiciansn.d.Yale University Art Gallery
Sketch of a woman - unidentified illustration, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a woman - unidentified illustrationn.d.Yale University Art Gallery
Lady Anne Nevill, from King Richard III, Edwin Austin Abbey, 1903Edwin Austin AbbeyLady Anne Nevill, from King Richard III1903Yale University Art Gallery
Rebecca and Rowena, illustration for Ivanhoe, Edwin Austin Abbey, 1896Edwin Austin AbbeyRebecca and Rowena, illustration for Ivanhoe1896Yale University Art Gallery
Study for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJ, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Louis Comfort Tiffany's center window for "Children's Window", St. Peter's Church, Morristown, NJn.d.Yale University Art Gallery
Sketch of a knight in armor, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketch of a knight in armorn.d.Yale University Art Gallery
The torn letter, from Act I, Scene ii, Two Gentlemen of Verona, Edwin Austin Abbey, ca. 1891Edwin Austin AbbeyThe torn letter, from Act I, Scene ii, Two Gentlemen of Veronaca. 1891Yale University Art Gallery
To Meddowes, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTo Meddowesn.d.Yale University Art Gallery
Sketch for King John, from King John, Edwin Austin Abbey, 1902Edwin Austin AbbeySketch for King John, from King John1902Yale University Art Gallery
Study of an unidentified young woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of an unidentified young womann.d.Yale University Art Gallery
Man Walking with Two Boys, Edwin Austin Abbey, n.d.Edwin Austin AbbeyMan Walking with Two Boysn.d.Yale University Art Gallery
Two studies for a woman with tennis racket - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo studies for a woman with tennis racket - (unidentified illustration)n.d.Yale University Art Gallery
Sheet of figure studies, Edwin Austin Abbey, n.d.Edwin Austin AbbeySheet of figure studiesn.d.Yale University Art Gallery
Boyet - Act V, Scene II, Love's Labour's Lost, Edwin Austin Abbey, 1891Edwin Austin AbbeyBoyet - Act V, Scene II, Love's Labour's Lost1891Yale University Art Gallery
John Alden, Edwin Austin Abbey, n.d.Edwin Austin AbbeyJohn Aldenn.d.Yale University Art Gallery
Study of Lady Anne, for Richard III, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of Lady Anne, for Richard IIIn.d.Yale University Art Gallery
Prince of Morocco: "Mislike me not for my complexion," from Act II, Scene i, Merchant of Venice, Edwin Austin Abbey, 1888Edwin Austin AbbeyPrince of Morocco: "Mislike me not for my complexion," from Act II, Scene i, Merchant of Venice1888Yale University Art Gallery
Figures under an arbor - (unidentified illustration), Edwin Austin Abbey, n.d.Edwin Austin AbbeyFigures under an arbor - (unidentified illustration)n.d.Yale University Art Gallery
Study of a seated woman, Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy of a seated womann.d.Yale University Art Gallery
Sketch for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1885Edwin Austin AbbeySketch for "Sally in our Alley," from Old Songs1885Yale University Art Gallery
Study for Crusaders Sighting Jerusalem (oil painting), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for Crusaders Sighting Jerusalem (oil painting)n.d.Yale University Art Gallery
Two sketches of a bust, Edwin Austin Abbey, n.d.Edwin Austin AbbeyTwo sketches of a bustn.d.Yale University Art Gallery
An Ale House Room - "Tony sings the Three Pigeons," illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyAn Ale House Room - "Tony sings the Three Pigeons," illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Sketch for an invitation to an exhibition of illustrations by Alfred Parsons and Edwin A. Abbey at Earlhard and Co., 226 Fifth Avenue, Edwin Austin Abbey, ca. 1890–1891Edwin Austin AbbeySketch for an invitation to an exhibition of illustrations by Alfred Parsons and Edwin A. Abbey at Earlhard and Co., 226 Fifth Avenueca. 1890–1891Yale University Art Gallery
Study for Columbus in the New World (oil painting), Edwin Austin Abbey, ca. 1906Edwin Austin AbbeyStudy for Columbus in the New World (oil painting)ca. 1906Yale University Art Gallery
Sketches of hands holding wine glasses, Edwin Austin Abbey, n.d.Edwin Austin AbbeySketches of hands holding wine glassesn.d.Yale University Art Gallery
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, ca. 1883Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Lifeca. 1883Yale University Art Gallery
Bottom: "Why do they run away?", illustration for Act III, Scene i, A Midsummer Night's Dream, Edwin Austin Abbey, 1893Edwin Austin AbbeyBottom: "Why do they run away?", illustration for Act III, Scene i, A Midsummer Night's Dream1893Yale University Art Gallery
Enter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, ca. 1886Edwin Austin AbbeyEnter Mrs. Hardcastle & Maid, study for Oliver Goldsmith's She Stoops to Conquerca. 1886Yale University Art Gallery
Sketch for "Ode to Solitude," from The Quiet Life, Edwin Austin Abbey, 1883Edwin Austin AbbeySketch for "Ode to Solitude," from The Quiet Life1883Yale University Art Gallery
Dogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing, Edwin Austin Abbey, 1890Edwin Austin AbbeyDogberry: "Dost thou not suspect my place? Dost thou not suspect my years? -O that he were here to write me down an ass!", illustration for Act IV, Scene ii, Much Ado About Nothing1890Yale University Art Gallery
Enter servant with candles, showing in Marlowe and Hastings, illustration for Oliver Goldsmith's She Stoops to Conquer, Edwin Austin Abbey, 1884Edwin Austin AbbeyEnter servant with candles, showing in Marlowe and Hastings, illustration for Oliver Goldsmith's She Stoops to Conquer1884Yale University Art Gallery
Illustration for "Sally in our Alley," from Old Songs, Edwin Austin Abbey, 1886Edwin Austin AbbeyIllustration for "Sally in our Alley," from Old Songs1886Yale University Art Gallery
Study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyStudy for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Galahad at Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901), Edwin Austin Abbey, n.d.Edwin Austin AbbeyGalahad at Castle, study for The Quest of the Holy Grail (series of fifteen paintings for the Boston Public Library, completed in 1901)n.d.Yale University Art Gallery
Polixenes and Perdita - Act IV, Scene III, The Winter's Tale, Edwin Austin Abbey, 1891Edwin Austin AbbeyPolixenes and Perdita - Act IV, Scene III, The Winter's Tale1891Yale University Art Gallery
Early study for Herrick's "A. Bucolick, or Discourse of Neatherds.", Edwin Austin Abbey, n.d.Edwin Austin AbbeyEarly study for Herrick's "A. Bucolick, or Discourse of Neatherds."n.d.Yale University Art Gallery
Fenton: "And tells me, 'tis a thing impossible I should love thee, but as a property" - Act III, Scene IV, Merry Wives of Windsor, Edwin Austin Abbey, 1889Edwin Austin AbbeyFenton: "And tells me, 'tis a thing impossible I should love thee, but as a property" - Act III, Scene IV, Merry Wives of Windsor1889Yale University Art Gallery
Illustration for "Sweet Nell - My Heart's Delight," from Old Songs, Edwin Austin Abbey, 1887Edwin Austin AbbeyIllustration for "Sweet Nell - My Heart's Delight," from Old Songs1887Yale University Art Gallery
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