Закат

1915

“Autumn Violins” at the Art Theatre, and nightmares

Kustodiev came to Moscow to design I. D. Surguchev's Autumn Violins at the Art Theatre already gravely ill: at night he screamed with pain, haunted by the same nightmare of black cats sinking their claws into his back and tearing his vertebrae.

1915

Settles on Vvedenskaya Street

After renting a flat on Yekateringofsky Prospekt in 1914, from 1915 until the end of his life Kustodiev lived in E. P. Mikhailov's apartment house at 7 Vvedenskaya Street.

1916

Surgery and paralysis: confined to a wheelchair

When the pain in his arm returned, Kustodiev underwent surgery in Petrograd: the arm was saved, but his legs began to fail. In his last years he was confined to a wheelchair and painted lying down — and it was then that he created his brightest, most joyful works.

summer 1917

A summer at the Konkala sanatorium in Vyborg

After his second operation Kustodiev spent the summer at the Konkala sanatorium in Vyborg, painting there portraits of Countess S. A. Grabowska against a pine park, of Lopatina and of Anita Budengof, the picture “On the Bridge” and the landscapes “Konkola (Finland)” and “Forest Lake at Konkola”.

1918

Decorates Petrograd for the first anniversary of October

After the Revolution Kustodiev helped decorate Petrograd for the first anniversary of the October Revolution, and drew posters, popular prints and pictures on revolutionary themes.

1918–1921

Opera designs: “The Snow Maiden”, “The Tsar's Bride”

His opera designs were a success: “The Snow Maiden” for the Bolshoi Theatre (1918, never staged), “The Tsar's Bride” at the Bolshoi Opera Theatre of the People's House (1920), and set and costume designs for Serov's “The Power of the Fiend” at the former Mariinsky Theatre (1921).