White #19

1994 · Painting

Si può ammirare?

Al momento non riceve

Museum of Modern Art

New York, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato: 13 giorni fa
Fonte: I dati di collezione del museo stesso

Sulla mappa Pagina del museo

Scheda

Numero di inventario: 2.1996

Fonti

Museum of Modern Art: the museum's own open data · acquisita 13 giorni fa
Immagine: Museum of Modern Art — © the artist or rights holder

Tutte le opere

Untitled: Four Etchings [A]

1992 · Minneapolis Institute of Art

Untitled: Four Etchings [C]

1992 · Minneapolis Institute of Art

Untitled: Four Etchings [B]

1992 · Minneapolis Institute of Art

Untitled: Four Etchings [D]

1992 · Minneapolis Institute of Art

Rückenfigur

2009 · Whitney Museum of American Art

Untitled (I Am a Man)

1988 · Non esposta · National Gallery of Art

Untitled (There is a consciousness we all have...)

1988 · Non esposta · Museum of Modern Art

Untitled (Well, I am one who doesn't believe in deluding myself. [Malcolm X])

1989 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

Pablo Picasso

White #19

Al momento non riceve

Scheda

Fonti

Altre opere di Glenn Ligon

Untitled: Four Etchings [A]

Untitled: Four Etchings [C]

Untitled: Four Etchings [B]

Untitled: Four Etchings [D]

Rückenfigur

Untitled (I Am a Man)

Untitled (There is a consciousness we all have...)

Untitled (Well, I am one who doesn't believe in deluding myself. [Malcolm X])

Sotto lo stesso tetto: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950

White #19

Al momento non riceve

Scheda

Fonti

Altre opere di Glenn Ligon

Untitled: Four Etchings [A]

Untitled: Four Etchings [C]

Untitled: Four Etchings [B]

Untitled: Four Etchings [D]

Rückenfigur

Untitled (I Am a Man)

Untitled (There is a consciousness we all have...)

Untitled (Well, I am one who doesn't believe in deluding myself. [Malcolm X])

Sotto lo stesso tetto: Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Saint Rémy, June-July 1889

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950