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  3. What Do I Want, John Henry?
What Do I Want, John Henry?, Alexander Gardner, November 1862
Alexander Gardner, ritrattoAlexander GardnerStati Uniti, 1821–1882

What Do I Want, John Henry?

November 1862 · Photograph

Si può ammirare?

Al momento non riceve

Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

At the start of the Civil War, Alexander Gardner was granted unlimited access to photograph the Union troops. The images Gardner produced over the next four years—documenting the aftermath of battles and the life of soldiers in camp—were seen primarily in exhibitions and circulated in smaller form as cartes de visite. He published Gardner’s Photographic Sketch Book of the War in 1865, at the war’s end. With two volumes of 50 albumen prints each, the album retailed for $150—the equivalent of several months of an average worker’s wages—making it a luxury item. According to the photographer, “What do I want, John Henry?” was a question this Union captain frequently asked his servant (ex-slaves most often served the Northern army as cooks and laborers). On the page accompanying this photograph, Gardner patronizingly described John Henry as an “affectionate creature” of “untutored nature,” who was grateful for his newfound freedom at the war’s end.

Art Institute of Chicago · CC BY 4.0

Scheda

November 1862 · a 41 anni
18211882
Numero di inventario
1967.330.27

Che cosa raffigura

Collected by Hugh EdwardsGardner's Photographic Sketch Book

In catalogo

FotografieStampa all’albuminaRealismoImpressionismoXIX secoloStati Uniti

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — CC0

Altre opere di Alexander Gardner

Tutte le opere
Portret van Adelaide Ristori met een spiegel, reclame voor diverse bedrijven in Washington D.C., Alexander Gardner, 1858 - 1882

Portret van Adelaide Ristori met een spiegel, reclame voor diverse bedrijven in Washington D.C.

1858 - 1882 · Rijksmuseum

Refugees, Alexander Gardner, James F. Gibson, May 14, 1862

Refugees

May 14, 1862 · Non esposta · National Gallery of Art

Pontoon Bridge Across the Potomac, at Berlin., Alexander Gardner, November 1862

Pontoon Bridge Across the Potomac, at Berlin.

November 1862 · Non esposta · Museum of Modern Art

Fortifications on heights of Centreville, Virginia, Alexander Gardner, March 1862

Fortifications on heights of Centreville, Virginia

March 1862 · Non esposta · Museum of Modern Art

Moore House, Yorktown, Virginia, Alexander Gardner, May, 1862

Moore House, Yorktown, Virginia

May, 1862 · Non esposta · Museum of Modern Art

Scouts and Guides to the Army of the Potomac, Alexander Gardner, October, 1862

Scouts and Guides to the Army of the Potomac

October, 1862 · Non esposta · Museum of Modern Art

Signal Tower on Elk Mountain, Maryland, Alexander Gardner, Timothy O'Sullivan, September, 1862

Signal Tower on Elk Mountain, Maryland

September, 1862 · Non esposta · Museum of Modern Art

Inspection of Troops at Cumberlanding, Pamunkey, Virginia., Alexander Gardner, James F. Gibson, John Wood, May 1862

Inspection of Troops at Cumberlanding, Pamunkey, Virginia.

May 1862 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942

Sullo stesso tema · Collected by Hugh Edwards

Tutte le opere sul tema
Alabama Cotton Tenant Farmer's Wife, Walker Evans, 1936, printed c. 1962

Walker Evans

Alabama Cotton Tenant Farmer's Wife, 1936, printed c. 1962

Non esposta · Art Institute of Chicago

Fourth of July, Jay, New York, Robert Frank, 1954

Robert Frank

Fourth of July, Jay, New York, 1954

Non esposta · Art Institute of Chicago

Portrait of Annette Rosenshine, Ansel Adams, 1932

Ansel Adams

Portrait of Annette Rosenshine, 1932

Non esposta · Art Institute of Chicago

Train Interior, Oaxaca, Mexico, Elizabeth Timberman, 1940/59

Elizabeth Timberman

Train Interior, Oaxaca, Mexico, 1940/59

Non esposta · Art Institute of Chicago

Ruined Mosque Near Philæ, Francis Frith, 1857

Francis Frith

Ruined Mosque Near Philæ, 1857

Non esposta · Art Institute of Chicago

City Wall and Mosque of Omar, Jerusalem, Francis Frith, 1857

Francis Frith

City Wall and Mosque of Omar, Jerusalem, 1857

Non esposta · Art Institute of Chicago

Late Afternoon Shadows, Johan Hagemeyer, 1922

Johan Hagemeyer

Late Afternoon Shadows, 1922

Non esposta · Art Institute of Chicago

Interior Court of Medinet Habbo, Thebes, Francis Frith, 1857

Francis Frith

Interior Court of Medinet Habbo, Thebes, 1857

Non esposta · Art Institute of Chicago