ART WIKI32.963 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Victoria and Albert Museum/
  3. Watercolour
Watercolour, Beatrix Potter, circa 1880

Watercolour

circa 1880 · Watercolour · 31.5 × 23.5 cm

Scheda

circa 1880
18661943
Numero di inventario
BP.896

Nel frattempo, nella vita di Beatrix Potter

Tutta la vita
  1. childhood

    A schoolroom turned menagerie

    The schoolroom of Beatrix and Bertram housed mice, rabbits, a hedgehog, bats, frogs and a newt named Isaac Newton, alongside collections of butterflies and other insects; the animals even went on long holidays, and the children watched them closely and drew them endlessly. Among the favourites were two rabbits — one of them, Peter, Beatrix walked on a lead, took with her on trains and dressed in a blue jacket, and later wrote her first tale about him.

  2. 1866–1881

    Summers at Dalguise

    For most of the first fifteen summers of her life Beatrix stayed at Dalguise, an estate on the River Tay in Perthshire, Scotland, where she and her brother enjoyed great freedom to sketch and explore. Her first sketchbook from those holidays, kept at the age of eight and dated 1875, is held by the Victoria & Albert Museum.

  3. in youth

    The Royal Academy and John Everett Millais

    In her teens Beatrix was a regular visitor to London’s art galleries, especially enjoying the Royal Academy’s summer and winter exhibitions; her journal shows the growth of her taste and critical eye. She was also influenced by her father’s friend, the painter Sir John Everett Millais, who recognised her gift of observation.

  4. 1881–1897

    A journal in a cipher of her own

    From 1881 Beatrix kept a journal in a simple substitution cipher of her own devising — in tiny handwriting, serving as both sketchbook and literary experiment, in which she described society, her impressions of art and the life around her. The entries stop in 1897, when her energies were absorbed in scientific study and in efforts to publish her drawings.

Altre opere di Beatrix Potter

Tutte le opere

Sotto lo stesso tetto: Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Jug

Tutte le opere sul tema
  • 1882

    The Lake District and Hardwicke Rawnsley

    When Dalguise was no longer available, the Potters spent their first summer in the Lake District in 1882, at Wray Castle near Lake Windermere; sixteen-year-old Beatrix fell in love with its beauty and resolved to live there one day. There she met Hardwicke Rawnsley, the vicar of Wray and later founding secretary of the National Trust, whose views on the countryside left a lasting mark on her.

  • Beatrix Potter, ritrattoBeatrix Potter1866–1943

    Si può ammirare?

    Al momento non riceve

    Victoria and Albert Museum

    Londra, Regno Unito

    Appartiene alla collezione, ma al momento non è esposta.

    Verificato
    12 giorni fa
    Ultimo cambio di stato
    25 set 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    JugNatura morta

    In catalogo

    Disegni e acquerelliAcquerelloImpressionismoXIX secoloGran Bretagna

    Fonti

    • Victoria and Albert Museum
    • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
    Drawing, Beatrix Potter, late 19th century

    Drawing

    late 19th century · Non esposta · Victoria and Albert Museum

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca. 1890s

    Cinderella's coach drawn by three pairs of rabbits

    ca. 1890s · Non esposta · Victoria and Albert Museum

    Pumpkin carriage drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Pumpkin carriage drawn by three pairs of rabbits

    ca.1890s · Non esposta · Victoria and Albert Museum

    Cinderella's coach drawn by three pairs of rabbits, Beatrix Potter, ca.1890s

    Cinderella's coach drawn by three pairs of rabbits

    ca.1890s · Non esposta · Victoria and Albert Museum

    Cecily Parsley’s Nursery Rhymes, Beatrix Potter, early 20th century

    Cecily Parsley’s Nursery Rhymes

    early 20th century · Non esposta · Victoria and Albert Museum

    Drawing, Beatrix Potter, late 19th century

    Drawing

    late 19th century · Non esposta · Victoria and Albert Museum

    drawing, Beatrix Potter, late 19th century - early 20th century

    drawing

    late 19th century - early 20th century · Non esposta · Victoria and Albert Museum

    Pink and white tulips, Beatrix Potter, late 19th century-early 20th century

    Pink and white tulips

    late 19th century-early 20th century · Non esposta · Victoria and Albert Museum

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    Study for "The Danaïdes", John Singer Sargent, 1922-1925

    John Singer Sargent

    Study for "The Danaïdes", 1922-1925

    Non esposta · National Gallery of Art

    Fruit, Jug, and a Glass, Jean Siméon Chardin, c. 1726/1728

    Jean-Baptiste-Siméon Chardin

    Fruit, Jug, and a Glass, c. 1726/1728

    National Gallery of Art

    Marigolds and Tangerines, Félix Vallotton, 1924

    Félix Edouard Vallotton

    Marigolds and Tangerines, 1924

    Non esposta · National Gallery of Art

    Kitchen Scene, Diego Velázquez, 1618/20

    Diego Velázquez

    Kitchen Scene, 1618/20

    Art Institute of Chicago

    My Gems, William Michael Harnett, 1888

    William Michael Harnett

    My Gems, 1888

    Non esposta · National Gallery of Art

    Still Life with Fruit and Wine Jug, Adolphe Joseph Thomas Monticelli, 1874

    Adolphe Joseph Thomas Monticelli

    Still Life with Fruit and Wine Jug, 1874

    Non esposta · Art Institute of Chicago

    At the Fountain, Cesare Agostino Detti, 1887

    Cesare Agostino Detti

    At the Fountain, 1887

    Non esposta · Art Institute of Chicago

    A Mother Feeding her Child (The Happy Mother), Willem van Mieris, 1707

    Willem van Mieris

    A Mother Feeding her Child (The Happy Mother), 1707

    Non esposta · Art Institute of Chicago