Odilon RedonFrancia, 1840–1916Vrouw en dobbelstenen
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Rijksmuseum
Amsterdam, Paesi Bassi
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- Fonte
- Il museo
Sull’opera
Con le parole del museo — in olandese
Een vrouw, en profil, met een muts in de vorm van een nar. In de lucht en op de tafel naast haar een dobbelsteen.
Rijksmuseum
Scheda
- Numero di inventario
- RP-P-1971-48
Che cosa raffigura
In catalogo
Fonti
- Rijksmuseum
- Immagine: Rijksmuseum — public domain
Nel frattempo, nella vita di Odilon Redon
Tutta la vita1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
1899
The exhibition “In Honour of Redon” at Durand-Ruel’s
Paul Durand-Ruel organised an exhibition of young artists called “In Honour of Redon” which included Redon’s own pastels. The master’s finances nonetheless stayed difficult: his works did not sell.
1899
Maurice Denis introduces him to the Nabis
In 1899 Maurice Denis introduced Redon to the Nabis group.
1900
Denis paints him in “Homage to Cézanne”
In 1900 Maurice Denis painted Redon in “Homage to Cézanne”, standing before a Cézanne painting among Bonnard, Vuillard, Roussel, Sérusier, Mellerio and Vollard.
