Odilon RedonFrancia, 1840–1916Evocation of Roussel
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- Verificato
- Ultimo cambio di stato
- Fonte
- I dati di collezione del museo stesso
Scheda
- Numero di inventario
- 1963.10.203
What it shows
In catalogo
Fonti
- National Gallery of Art: the museum's own open data · acquisita 6 giorni fa
- Immagine: National Gallery of Art — Museum open access
Nel frattempo, nella vita di Odilon Redon
Tutta la vita1867–1915
Begins the journal “To Myself”
From 1867 Redon kept a journal, “À soi-même” (“To Myself”), setting out his views on art and creation; the last entries date from 1915.
last decade of life
A calm view of the end of life
In the last decade of his life Redon wrote that he was content with his life and was calmly going to meet his fate.
1913
The largest single display at the New York show
At the groundbreaking International Exhibition of Modern Art (the Armory Show), in New York, Chicago and Boston, Redon was given the largest single representation.
1913
Mellerio’s catalogue of his etchings and lithographs
In 1913 André Mellerio published a catalogue of Redon’s etchings and lithographs, which added to his popularity.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
