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  3. Untitled (Distortion #144)
Untitled (Distortion #144), André Kertész, 1932/33

Untitled (Distortion #144)

1932/33 · Photograph

Scheda

1932/33 · a 38 anni
18941985
Numero di inventario
1986.3289

Nel frattempo, nella vita di André Kertész

Tutta la vita
  1. 1925–1936

    The circle of Hungarian émigrés and portraits of friends

    In Paris he is among numerous Hungarian artists, including François Kollar, Robert Capa, Emeric Fehér, Brassaï and Julia Bathory, as well as Man Ray, Germaine Krull and Lucien Aigner, who also emigrated there, and becomes involved with the Dada movement; visiting his sculptor friends, he is fascinated by Cubism. He makes photo portraits of the painters Piet Mondrian and Marc Chagall, the writer Colette and the film-maker Sergei Eisenstein.

  2. 1930

    A silver medal at the Exposition Coloniale

    At the Exposition Coloniale in Paris he is awarded a silver medal for services to photography.

  3. 1931

    Elizabeth joins him in Paris

    He had gone back to Hungary in 1930 to visit his family, and after his return to Paris Elizabeth follows him in 1931, despite opposition from her family; she had stayed behind until her future husband was well enough established in Paris for them to marry. Elizabeth and André remain together for the rest of their lives.

  4. 1932

    Exhibition at the Julien Levy Gallery in New York

    At the Julien Levy Gallery in New York the price of his proofs is set at US$20, a large sum of money during the Great Depression.

  5. 17 June 1933

    Marries Elizabeth

    Despite his mother’s death earlier that year, Kertész marries Elizabeth; he is said to have spent less time with his artist friends in favour of his new wife.

Altre opere di André Kertész

Tutte le opere

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo

Sullo stesso tema · Parigi

Tutte le opere sul tema
  • 1933–1937

    Books: “Enfants”, “Paris”, “Nos amies les bêtes”

    His first personal book of photographs, Enfants, is published in 1933, and he publishes regularly in the following years: Paris (1934), dedicated to his brothers Imre and Jenő, Nos Amies les bêtes (“Our Friends the Animals”, 1936) and Les Cathédrales du vin (“The Cathedrals of Wine”, 1937).

  • André Kertész, ritrattoAndré KertészStati Uniti, 1894–1985

    Si può ammirare?

    Al momento non riceve

    Art Institute of Chicago

    Chicago, Stati Uniti

    Appartiene alla collezione, ma al momento non è esposta.

    Verificato
    3 giorni fa
    Ultimo cambio di stato
    19 ago 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    Parigi

    In catalogo

    FotografieStampa ai sali d’argentoModernismoXX secoloStati Uniti

    Fonti

    • Art Institute of Chicago
    • Immagine: Art Institute of Chicago — © the artist or rights holder
    Promenade, André Kertész, 1962

    Promenade

    1962 · Museum of Modern Art

    Riverbank, André Kertész, 1920s

    Riverbank

    1920s · Non esposta · National Gallery of Art

    Street Scene, André Kertész, early 1920s

    Street Scene

    early 1920s · Non esposta · National Gallery of Art

    Self-Portrait as Woman with Unknown Man and Women, André Kertész, early 1920s

    Self-Portrait as Woman with Unknown Man and Women

    early 1920s · Non esposta · National Gallery of Art

    Self-Portrait as Woman, André Kertész, early 1920s

    Self-Portrait as Woman

    early 1920s · Non esposta · National Gallery of Art

    City Park, André Kertész, early 1920s

    City Park

    early 1920s · Non esposta · National Gallery of Art

    Sleeping Boy, André Kertész, 1912

    Sleeping Boy

    1912 · Non esposta · National Gallery of Art

    Bocskay-tér, Budapest, André Kertész, 1914

    Bocskay-tér, Budapest

    1914 · Non esposta · Museum of Modern Art

    The Bedroom, Vincent van Gogh, 1889

    Vincent van Gogh

    The Bedroom, 1889

    A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

    Georges Seurat

    Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Strada di Parigi in un giorno di pioggia, 1877

    Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

    Pierre-Auguste Renoir

    Sulla terrazza, 1881

    The Basket of Apples, Paul Cézanne, c. 1893

    Paul Cézanne

    il cesto di mele, c. 1893

    Stacks of Wheat (End of Summer), Claude Monet, 1890–91

    Claude Monet

    Stacks of Wheat (End of Summer), 1890–91

    American Gothic, Grant Wood, 1930

    Grant Wood

    American Gothic, 1930

    Nighthawks, Edward Hopper, 1942

    Edward Hopper

    I nottambuli, 1942

    Affiche voor de expositie van de serie Elles van Toulouse-Lautrec bij la Plume, Henri de Toulouse-Lautrec, 1896

    Henri de Toulouse-Lautrec

    Affiche voor de expositie van de serie Elles van Toulouse-Lautrec bij la Plume, 1896

    Rijksmuseum

    Landscape: The Parc Monceau, Claude Monet, 1876

    Claude Monet

    Landscape: The Parc Monceau, 1876

    Metropolitan Museum of Art

    The Parc Monceau, Claude Monet, 1878

    Claude Monet

    The Parc Monceau, 1878

    Metropolitan Museum of Art

    The Horse Fair, Rosa Bonheur, 1852–55

    Rosa Bonheur

    La fiera dei cavalli, 1852–55

    Metropolitan Museum of Art

    Paris Street; Rainy Day, Gustave Caillebotte, 1877

    Gustave Caillebotte

    Strada di Parigi in un giorno di pioggia, 1877

    Art Institute of Chicago

    Landscape near Paris, Paul Cezanne, c. 1876

    Paul Cézanne

    Landscape near Paris, c. 1876

    National Gallery of Art

    Titelprent voor een verzameling bladmuziek van Désiré Dihau bij gedichten van Jean Goudezki, Henri de Toulouse-Lautrec, 1893

    Henri de Toulouse-Lautrec

    Titelprent voor een verzameling bladmuziek van Désiré Dihau bij gedichten van Jean Goudezki, 1893

    Rijksmuseum

    ‘Aux Ambassadeurs’, Henri de Toulouse-Lautrec, 1894

    Henri de Toulouse-Lautrec

    ‘Aux Ambassadeurs’, 1894

    Rijksmuseum