ART WIKI33.040 in sala
MappaCollezioneArtistiMuseiMostreRivista
Accedi

ART WIKI

Dove è appeso il capolavoro, e quando si può entrare.

Collezioni: Art Institute of Chicago, Cleveland Museum of Art, Ermitage, Galleria Tret'jakov, Getty Museum, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, Metropolitan Museum of Art, Minneapolis Institute of Art, Museo del Louvre, Museo Puškin delle belle arti, Museo russo, Museum of Modern Art, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Rijksmuseum, Smithsonian American Art Museum, Statens Museum for Kunst, Victoria and Albert Museum, Villa Getty, Whitney Museum of American Art, Catalogo statale del fondo museale russo (274 musei), Europeana (19 musei), Wikidata (6 musei), Paris Musées (12 musei) e Joconde, la banca dati dei musei del Ministero della Cultura francese (495 musei). Le immagini appartengono ai titolari dei diritti.

Sezioni

  • Mappa
  • Ricerca
  • Collezione
  • Capolavori
  • Esposte ora
  • Artisti

Altro

  • Musei e gallerie
  • Mostre
  • Rivista
  • Da dove vengono i dati
  • Privacy e cookie
HomeMappaCatalogo
  1. Collezione/
  2. Art Institute of Chicago/
  3. Unite (AfriCOBRA)
Unite (AfriCOBRA), Barbara Jones, 1971
Barbara Jones, ritrattoBarbara JonesStati Uniti, 1912–1978

Unite (AfriCOBRA)

1971 · Print

Si può ammirare?

Al momento non riceve

Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
9 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

Barbara Jones was a founding member of AfriCOBRA (African Commune of Bad Relevant Artists), a Chicago-based organization of black artists started in 1968. Unite is a consummate example of the AfriCOBRA ethos because it embodies all of the group’s visual and theoretical ideals. It shows a group of Black Americans making the recognizable Black Power salute, thus communicating an expressive humanism while depicting a fight for cultural liberation. Layered on top of the strong verticals of the raised arms, the word UNITE appears repeatedly in striking block letters that fit together like syncopated pieces of a puzzle. The words alternate in both size and color, creating an effect of symmetry and luminosity.

Continua a leggere

Many of the artists in AfriCOBRA had previously belonged to the Visual Workshop of OBAC (Organization of Black American Culture), which had created the Wall of Respect in Chicago in 1967. The AfriCOBRA group focused on creating a Black art movement that would positively impact the cultural lives of Black people around the world. They believed that the identity of the group was more important than that of the individual. Their work was specific and functional, and expressed statements about the artists’ existence as Black people, often integrating pointed text with their images.

Art Institute of Chicago · CC BY 4.0

Scheda

1971 · a 59 anni
19121978
Numero di inventario
2005.588

Che cosa raffigura

Chicago

In catalogo

StampeSerigrafiaArte del dopoguerraXX secoloStati Uniti

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — © the artist or rights holder

Altre opere di Barbara Jones

Tutte le opere
Toll House, Trewalchmai, Anglesey, Barbara Jones, 1939

Toll House, Trewalchmai, Anglesey

1939 · Non esposta · Victoria and Albert Museum

The Bank House, Kings Staithes Quay, Kings Lynn, Barbara Jones, ca. 1940

The Bank House, Kings Staithes Quay, Kings Lynn

ca. 1940 · Non esposta · Victoria and Albert Museum

The Hop Castle, Chieveley, Berkshire, Barbara Jones, 1940

The Hop Castle, Chieveley, Berkshire

1940 · Non esposta · Victoria and Albert Museum

Mereworth Castle; one of the porticoes from the Orangery, Barbara Jones, 1941

Mereworth Castle; one of the porticoes from the Orangery

1941 · Non esposta · Victoria and Albert Museum

Farm carts, Near Wisbech, Barbara Jones, 1942

Farm carts, Near Wisbech

1942 · Non esposta · Victoria and Albert Museum

The Black Bear, Wareham, Dorset, Barbara Jones, 1942

The Black Bear, Wareham, Dorset

1942 · Non esposta · Victoria and Albert Museum

The Greyhound Hotel, Blandford, Barbara Jones, 1942

The Greyhound Hotel, Blandford

1942 · Non esposta · Victoria and Albert Museum

Crystal Palace Gardens, Sydenham, Kent, Barbara Jones, 06/1942

Crystal Palace Gardens, Sydenham, Kent

06/1942 · Non esposta · Victoria and Albert Museum

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942

Sullo stesso tema · Chicago

Tutte le opere sul tema
American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Art Institute of Chicago

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Non esposta · National Gallery of Art

Political rally—Chicago, Robert Frank, 1956

Robert Frank

Political rally—Chicago, 1956

Non esposta · National Gallery of Art

View of Chicago in 1837, George Catlin, 1861/1869

George Catlin

View of Chicago in 1837, 1861/1869

Non esposta · National Gallery of Art

Gezicht op het administratiegebouw vanaf een prieel in de tuin van Sears, Robuck & Co. in Chicago, anonymous, c. 1906

anonymous

Gezicht op het administratiegebouw vanaf een prieel in de tuin van Sears, Robuck & Co. in Chicago, c. 1906

Rijksmuseum

Gezicht op werkneemsters die dagelijks het geld tellen van Sears Roebuck & Co., anonymous, c. 1906

anonymous

Gezicht op werkneemsters die dagelijks het geld tellen van Sears Roebuck & Co., c. 1906

Rijksmuseum

Gezicht op het landbouwgebouw, ontworpen door Charles McKim op de World's Columbian Exposition in Chicago in 1893, anonymous, 1893

anonymous

Gezicht op het landbouwgebouw, ontworpen door Charles McKim op de World's Columbian Exposition in Chicago in 1893, 1893

Rijksmuseum

Gezicht op Randolph Street in Chicago, anonymous, 1893

anonymous

Gezicht op Randolph Street in Chicago, 1893

Rijksmuseum