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  3. Two Lines, One Job
Two Lines, One Job, Joseph Friebert, 1939

Two Lines, One Job

1939 · Painting

Sul dipinto

Joseph Friebert used muted tones and a loose, sketchy style to portray two lines of men seen from behind, leaving them faceless and anonymous. During the Great Depression, the Milwaukee artist was determined to depict the hardships and harsh conditions that workers faced, including unemployment. Here the rhythmic pairs of figures merge and blur in the distance, suggesting that their shared fate was to endure a lengthy and perhaps futile wait for a lone job. The painting thus conveys the hopelessness felt by job seekers during the Depression, a sense accentuated by the rough texture of the painted surface.

Art Institute of Chicago · CC BY 4.0

Scheda

1939 · a 31 anni
19082002
Numero di inventario
2022.244

Altre opere di Joseph Friebert

Tutte le opere

Nella stessa sala · Gallery 263, Art Institute of Chicago

Pagina del museo

Sullo stesso tema · Work

Tutte le opere sul tema
Joseph Friebert, ritrattoJoseph FriebertStati Uniti, 1908–2002

Si può ammirare?

Sì, riceve visite

Art Institute of Chicago

Chicago, Stati Uniti

Sala263

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

WorkLaborPoverty

In catalogo

DipintiOlioPittura americanaModernismoXX secoloSocialist realistStati Uniti

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — © the artist or rights holder
War, Joseph Friebert, 1939

War

1939 · Non esposta · Art Institute of Chicago

State Street Sadie, Joseph Friebert, 1939

State Street Sadie

1939 · Non esposta · Art Institute of Chicago

Two Lines, One Job, Joseph Friebert, 1939

Two Lines, One Job

1939 · Non esposta · Art Institute of Chicago

Street Workers, Joseph Friebert, 1940

Street Workers

1940 · Non esposta · Art Institute of Chicago

Refugees, Joseph Friebert, 1943

Refugees

1943 · Non esposta · Art Institute of Chicago

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Picture of Dorian Gray, Ivan Albright, 1943–44

Ivan Albright

Picture of Dorian Gray, 1943–44

The Room No. VI, Eldzier Cortor, 1948

Eldzier Cortor

The Room No. VI, 1948

The Wedding, Jacob Lawrence, 1948

Jacob Lawrence

The Wedding, 1948

Cotton Pickers, Thomas Hart Benton, 1945

Thomas Hart Benton

Cotton Pickers, 1945

Nightlife, Archibald John Motley Jr., 1943

Archibald J. Motley, Jr.

Nightlife, 1943

Weaving, Diego Rivera, 1936

Diego Rivera

Weaving, 1936

Train Station, Walter Ellison, 1935

Walter Ellison

Train Station, 1935

The Beach at Sainte-Adresse, Claude Monet, 1867

Claude Monet

The Beach at Sainte-Adresse, 1867

Art Institute of Chicago

Hudson River, Logging, Winslow Homer, 1891-1892

Winslow Homer

Hudson River, Logging, 1891-1892

Non esposta · National Gallery of Art

The Millinery Shop, Edgar Degas, 1879-86

Edgar Degas

Nel negozio di cappelli, 1879-86

Art Institute of Chicago

Work, Pierre Puvis de Chavannes, c. 1863

Pierre Puvis de Chavannes

Work, c. 1863

Non esposta · National Gallery of Art

Equestrienne (At the Cirque Fernando), Henri de Toulouse-Lautrec, 1887/88

Henri de Toulouse-Lautrec

Equestrienne (At the Cirque Fernando), 1887/88

Art Institute of Chicago

Self-Portrait, Lee Friedlander, c.1970

Ernest J. Bellocq

Self-Portrait, c.1970

Non esposta · National Gallery of Art

Shine, Washington Square, John Sloan, 1923

John Sloan

Shine, Washington Square, 1923

Non esposta · National Gallery of Art

G.S.P. Reidsville, Winfred Rembert, 2013

Winfred Rembert

G.S.P. Reidsville, 2013

Non esposta · National Gallery of Art