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  3. Three Nudes in the Forest
Three Nudes in the Forest, Max Pechstein, 1911
Max Pechstein, ritrattoMax PechsteinGermania, 1881–1955

Three Nudes in the Forest

1911 · Drawing and Watercolor

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Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
l’altro ieri
Ultimo cambio di stato
19 ago 2026
Fonte
I dati di collezione del museo stesso
Sulla mappaPagina del museo

Sull’opera

As a member of the Brücke (Bridge) artist’s society Max Pechstein often vacationed with the group in the German countryside. In the summer of 1911, he joined the group in the remote fishing village of Nida (in present-day Lithuania) on the Baltic Sea. Away from the confines of the city Brücke artists celebrated a return to nature by bathing in the nude outdoors. Here, three nude women are depicted in an idyllic setting. Pechstein’s pitched red tent is visible in the background.

Art Institute of Chicago · CC BY 4.0

Scheda

1911 · a 30 anni
18811955
Numero di inventario
2013.998

In catalogo

Disegni e acquerelliGuazzoModernismoXX secoloGermania

Fonti

  • Art Institute of Chicago: i dati aperti del museo · acquisita 8 giorni fa
  • Immagine: Art Institute of Chicago — © the artist or rights holder

Nel frattempo, nella vita di Max Pechstein

Tutta la vita
  1. 1910

    Founds the New Secession and chairs it

    He helps to found the New Secession and becomes its chairman. His decorative, colorful prints, inspired by the art of Van Gogh, Matisse and the Fauves, bring him recognition.

  2. 1910

    Refused a place in the Berlin Secession exhibition

    The Berlin Secession categorically refuses to let him exhibit. After this Pechstein helps to found the New Secession.

  3. 1911

    Married: Lotte Pechstein

  4. 1911

    Founds the MUIM Institute

    Together with Kirchner he founds the MUIM Institute (“Modern Instruction in Painting”).

  5. 1912

    Break with the Brücke

    After years of rising tension, Pechstein shows some of his work at the Berlin Secession on its own, without paintings by other Brücke members, and leaves the group; other accounts say he was expelled. His conservative style appealed to a wider audience, and recognition and awards far outpacing those of his peers bred animosity in the group.

  6. 1913–1914 · Luogo di lavoro

    German New Guinea

Altre opere di Max Pechstein

Tutte le opere
Hallowed be / Thy name (Geheiliget werde / Dein Name) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

Hallowed be / Thy name (Geheiliget werde / Dein Name) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

For ever / and ever / Amen (Von Ewigkeit / zu Ewigkeit / Amen) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

For ever / and ever / Amen (Von Ewigkeit / zu Ewigkeit / Amen) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

Thy kingdom come / Thy will be done / on earth as it is in heaven (Dein Reich komme / Dein Wille geschehe / Wie im Himmel also auch auf Erden) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

Thy kingdom come / Thy will be done / on earth as it is in heaven (Dein Reich komme / Dein Wille geschehe / Wie im Himmel also auch auf Erden) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

Give us this day / our daily bread (Unser täglich Brot / gieb uns heute) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

Give us this day / our daily bread (Unser täglich Brot / gieb uns heute) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

And the power / and / the glory (Und die Kraft / und / die Herrlichkeit) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

And the power / and / the glory (Und die Kraft / und / die Herrlichkeit) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

For Thine / is the kingdom (Denn Dein / ist das Reich) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

For Thine / is the kingdom (Denn Dein / ist das Reich) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

Our Father / which art / in heaven (Vaterunser / Der Du bist / im Himmel) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

Our Father / which art / in heaven (Vaterunser / Der Du bist / im Himmel) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

But deliver us from evil (Sondern erlöse uns von dem Übel) from The Lord's Prayer (Das Vater Unser), Max Pechstein, 1921

But deliver us from evil (Sondern erlöse uns von dem Übel) from The Lord's Prayer (Das Vater Unser)

1921 · Museum of Modern Art

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942