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  3. The Human Liberty Bell
The Human Liberty Bell, Mole & Thomas, 1918
MMole & ThomasStati Uniti

The Human Liberty Bell

1918 · Photograph

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Al momento non riceve

Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato
3 giorni fa
Ultimo cambio di stato
19 ago 2026
Fonte
Il museo
Sulla mappaPagina del museo

Sull’opera

During World War I, commercial photographer Arthur Mole partnered with John Thomas to make a series of "living photographs," arranging thousands of soldiers into designs that created optical illusions of patriotic themes such as the American flag, a profile of Woodrow Wilson, and the Statue of Liberty. Completing these massive spectacles required a week or more of preparation. Mole and Thomas spent hours positioning the troops and constructed an enormous tower from which to photograph the arrangement. The "top" of these creations could be as far as a quarter mile from the camera, and the final composition only made sense from the camera's pseudo-aerial point of view. To make The Human Liberty Bell, the photographers employed 25,000 military personnel at Camp Dix, New Jersey, a training ground for the 78th Division of the National Army. The composition made each posing soldier into a piece of the patriotic message.

Art Institute of Chicago · CC BY 4.0

Scheda

Numero di inventario
2008.204

In catalogo

FotografieStampa ai sali d’argentoModernismoXX secoloStati Uniti

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — © the artist or rights holder

Altre opere di Mole & Thomas

Tutte le opere
U.S.N., Anchored to Democracy, Mole & Thomas, c. 1915

U.S.N., Anchored to Democracy

c. 1915 · Non esposta · Art Institute of Chicago

Machine Gun Insignia. 22,500 Officers & Men; 600 Machine Guns; Machine Gun Training Centre; Camp Hancock, Augusta, GA.; Brig. Gen. Oliver Edwards Com'd'g; Lt. Col. E.P. Pierson Direction., Mole & Thomas, about 1918

Machine Gun Insignia. 22,500 Officers & Men; 600 Machine Guns; Machine Gun Training Centre; Camp Hancock, Augusta, GA.; Brig. Gen. Oliver Edwards Com'd'g; Lt. Col. E.P. Pierson Direction.

about 1918 · Non esposta · Getty Museum

Human Statue of Liberty. 18,000 Officers and Men at Camp Dodge, Des Moines, Ia. Col. Wm. Newman Commanding. Col. Rush S. Wells, Directing., Mole & Thomas, about 1918

Human Statue of Liberty. 18,000 Officers and Men at Camp Dodge, Des Moines, Ia. Col. Wm. Newman Commanding. Col. Rush S. Wells, Directing.

about 1918 · Non esposta · Getty Museum

The Living Uncle Sam. 19,000 Officers and Men. Camp Lee, VA. Major General, Omar Bundy, Com'd'g., Mole & Thomas, January 13, 1919

The Living Uncle Sam. 19,000 Officers and Men. Camp Lee, VA. Major General, Omar Bundy, Com'd'g.

January 13, 1919 · Non esposta · Getty Museum

Sotto lo stesso tetto: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942