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  1. Collezione/
  2. Victoria and Albert Museum/
  3. The Entombment
The Entombment, Pedro Moreto, ca. 1555

The Entombment

ca. 1555 · Relief · 19.7 × 23.8 cm

Sulla scultura

Alabaster and Solnhofen stone are relatively soft materials, which can be easily carved with a knife. Marble, on the other hand, is a hard, fine-grained, crystalline stone, which has to be carved with chisels and a mallet. All can be polished with fine abrasive powders, with marble, in particular, taking a high polish. In Spain sculptors used alabaster from about 1300 onwards. The material came mainly from regional quarries.

The composition is based on an etching by the Italian artist Parmigianino (1503-1540). Italian sources were used relatively frequently in Spanish sculpture, particularly in the sixteenth and seventeenth century. This relief could have been part of a predella of a small altarpiece, or it may have been a small devotional piece in its own right.

Victoria and Albert Museum

Scheda

Numero di inventario
A.2-1965

Nella stessa sala · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Jesus Christ

Tutte le opere sul tema
PPedro Moreto

Si può ammirare?

Sì, riceve visite

Victoria and Albert Museum

Londra, Regno Unito

SalaSculpture, Room 111, The Gilbert Bayes Gallery

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

Jesus ChristMary Magdalene (Saint)John (Saint John the Evangelist)The Entombment

In catalogo

SculturaPietraRinascimentoXVI secoloZaragoza

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
Echoes of Amphora: Column Vessel I/20, Eleanor Lakelin, 2020

Eleanor Lakelin

Echoes of Amphora: Column Vessel I/20, 2020

Gladiators: Hector and Ajax (Combat), Leon Underwood, 1963

Leon Underwood

Gladiators: Hector and Ajax (Combat), 1963

Plaque, René Jules Lalique, 1937

René Lalique

Plaque, 1937

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

The Lure of the Pan Pipes, Gilbert Bayes, 1932

Gilbert Bayes

The Lure of the Pan Pipes, 1932

Emmeline Pankhurst, Arthur George Walker, ca. 1929

Arthur George Walker

Emmeline Pankhurst, ca. 1929

The Duchesse de Choiseul, Auguste Rodin, 1908

Auguste Rodin

The Duchesse de Choiseul, 1908

St Elizabeth, George James Frampton, 1902

George James Frampton

St Elizabeth, 1902

The Last Supper, Raphael Morghen, after Leonardo da Vinci, 1800

Leonardo da Vinci

The Last Supper, 1800

Non esposta · National Gallery of Art

Untitled, Jasper Johns, 1999

Jasper Johns

Untitled, 1999

Non esposta · National Gallery of Art

Soapbox Orator, Harlem, New York, Gordon Parks, 1952

Gordon Parks

Soapbox Orator, Harlem, New York, 1952

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Last Supper, New York, André Kertész, 1978, printed 1981

André Kertész

Last Supper, New York, 1978, printed 1981

Non esposta · National Gallery of Art

Cristo, Tlacochahuaya, Oaxaca, Paul Strand, 1933, printed 1940

Paul Strand

Cristo, Tlacochahuaya, Oaxaca, 1933, printed 1940

Non esposta · National Gallery of Art

Cristo with Thorns, Huexotla, Paul Strand, 1933, printed 1940

Paul Strand

Cristo with Thorns, Huexotla, 1933, printed 1940

Non esposta · National Gallery of Art

Calvario, Patzcuaro, Paul Strand, 1933, printed 1940

Paul Strand

Calvario, Patzcuaro, 1933, printed 1940

Non esposta · National Gallery of Art

Cristo, Oaxaca, Paul Strand, 1933, printed 1940

Paul Strand

Cristo, Oaxaca, 1933, printed 1940

Non esposta · National Gallery of Art