St Elizabeth

Frampton was once described as being ‘obsessed with dream and mysticism’. His evocation of the medieval queen, St Elizabeth of Hungary, is modelled with morose elegance in dark coloured wax. This was intended as a finished wax rather than as a model. The headdress is related to those on Frampton's figures on the facade of Lloyd's Registry of Fishing in London.

Sulla scultura

Scheda

Nella stessa sala · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Sullo stesso tema · Elizabeth (Saint)

Sì, riceve visite

Che cosa raffigura

In catalogo

Fonti

Victory

Mother and Child

Agriculture

Commerce

Literature, Art and Science

Mask, probably for Lamia

Head of Peter Pan

Female head blindfold, perhaps the Old Testament (former title)

Echoes of Amphora: Column Vessel I/20, 2020

Gladiators: Hector and Ajax (Combat), 1963

Plaque, 1937

The Lure of the Pan Pipes, 1932

The Lure of the Pan Pipes, 1932

Emmeline Pankhurst, ca. 1929

The Duchesse de Choiseul, 1908

Workman with a Shovel, ca. 1894

Drawing, ca. 1500-1530

Virgin and Child, ca. 1550-1585

The Visitation, ca. 1595

The Birth of St John the Baptist, ca. 1477

St Elizabeth

Sulla scultura

Scheda

Altre opere di George James Frampton

Nella stessa sala · Sculpture, Room 111, The Gilbert Bayes Gallery, Victoria and Albert Museum

Sullo stesso tema · Elizabeth (Saint)

Sì, riceve visite

Che cosa raffigura

In catalogo

Fonti

Victory

Mother and Child

Agriculture

Commerce

Literature, Art and Science

Mask, probably for Lamia

Head of Peter Pan

Female head blindfold, perhaps the Old Testament (former title)

Echoes of Amphora: Column Vessel I/20, 2020

Gladiators: Hector and Ajax (Combat), 1963

Plaque, 1937

The Lure of the Pan Pipes, 1932

The Lure of the Pan Pipes, 1932

Emmeline Pankhurst, ca. 1929

The Duchesse de Choiseul, 1908

Workman with a Shovel, ca. 1894

Drawing, ca. 1500-1530

Virgin and Child, ca. 1550-1585

The Visitation, ca. 1595

The Birth of St John the Baptist, ca. 1477