The Convalescent (La convalescente)

1876/1878 · Print

Si può vedere?

Non esposta al momento

Dove si trova «The Convalescent (La convalescente)» oggi? Collezione: National Gallery of Art, Washington. Non esposta al momento. Verificato 29 settembre 2026.

National Gallery of Art

Washington, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

Verificato: 12 giorni fa
Ultimo cambio di stato: 19 ago 2026
Fonte: Il museo

Sulla mappa Pagina del museo

Scheda

Numero di inventario: 1985.15.1

Che cosa raffigura

Donna Seated figure

In catalogo

Stampe Acquaforte Realismo Impressionismo XIX secolo French

Fonti

National Gallery of Art
Immagine: National Gallery of Art — Museum open access

Nella vita di Édouard Manet

Tutta la vita

1870s
Refuses to exhibit with the Impressionists
Although his own work influenced and anticipated the Impressionist style, Manet resisted involvement in Impressionist exhibitions: he did not wish to be seen as the representative of a group identity and held that modern artists should seek to exhibit at the Salon.
1874
“The Railway”: ridicule at the Salon of 1874
“The Railway”, painted in 1873, puzzled visitors and critics at the Salon of 1874: its subject seemed baffling, its composition incoherent and its execution sketchy; caricaturists ridiculed it, and only later was it recognised as a symbol of modernity. The model was Victorine Meurent, for the last time.
1879 · Residenza
8th arrondissement of Paris
1879
The Salon warmly receives “In the Conservatory” and “In the Boat”
Only in 1879 did the Salon appreciate Manet's perseverance: his canvases “In the Conservatory” and “In the Boat” were received very warmly.
1879
The first attack of rheumatism and ataxia
In September 1879 Manet suffered his first acute attack of rheumatism; it soon turned out that he had ataxia, a disorder of movement coordination. The illness progressed rapidly and limited his creative possibilities.
1879
“The Execution of Maximilian” first shown in New York
In December 1879 the singer Émilie Ambre and her lover Gaston de Beauplan organised in New York the first exhibition of “The Execution of Emperor Maximilian”.