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  1. Collezione/
  2. Smithsonian American Art Museum/
  3. The Advance Guard
The Advance Guard, Frederic Remington, ca. 1888

The Advance Guard

ca. 1888 · Painting · 58.1 × 53 cm

Scheda

ca. 1888
18611909
Numero di inventario
2005.23.3

Nel frattempo, nella vita di Frederic Remington

Tutta la vita
  1. 1886

    To Arizona after Geronimo as an artist-correspondent

    Harper's Weekly sends him to Arizona as an artist-correspondent to cover the government's war against Geronimo. He never catches up with Geronimo, but acquires many authentic artifacts for use as props later and makes photographs and sketches valuable for later paintings; to supplement the black-and-white photos he notes the true colours of the West, such as shadows of horses being a cool carmine and blue. Critics later called his palette “primitive and unnatural”, even though it was based on actual observation.

  2. 9 January 1886

    His first cover under his own name in Harper's Weekly

    At twenty-five he gets his first full-page cover under his own name in Harper's Weekly. Financial backing from his Uncle Bill allows him to pursue his art career and support his wife.

  3. 1887

    Eighty-three illustrations for Theodore Roosevelt's book

    He receives a commission to do eighty-three illustrations for Theodore Roosevelt's book Ranch Life and the Hunting Trail, to be serialized in The Century Magazine. The 29-year-old Roosevelt had a Western adventure similar to Remington's, losing money on a ranch in North Dakota the previous year. The assignment gives Remington's career a big boost and forges a lifelong connection with Roosevelt.

  4. 1889

    A second-class medal at the Paris Exposition

    He wins a second-class medal at the Paris Exposition: the American committee chose him to represent American painting over Albert Bierstadt, whose majestic large-scale landscapes with tiny figures of pioneers and Indians were by then considered passé. His status as the new trendsetter in Western art is solidified.

Altre opere di Frederic Remington

Tutte le opere

Sotto lo stesso tetto: Smithsonian American Art Museum

Pagina del museo

Sullo stesso tema · Path

Tutte le opere sul tema
  • 1890

    At the scene of the Wounded Knee massacre

    He arrives on the scene just after the massacre at Wounded Knee on the Pine Ridge Indian Reservation in South Dakota, in which about 150 Sioux, mostly women and children, were killed. In his report, “The Sioux Outbreak in South Dakota”, he hails the Army's “heroic” actions toward the Indians.

  • 1890

    First solo show at the American Art Galleries

    Remington's first one-man show, twenty-one paintings at the American Art Galleries, is very well received. With success all but assured, he becomes established in society: his personality, his “pseudo-cowboy” manner of speaking and his “Wild West” reputation are strong social attractions. His biography falsely promoted some of the myths he encouraged about his Western experiences.

  • Frederic Remington, ritrattoFrederic RemingtonStati Uniti, 1861–1909

    Si può ammirare?

    Non si sa

    Smithsonian American Art Museum

    Washington, Stati Uniti

    Il proprietario è noto; non si sa se oggi sia esposta.

    Ultimo cambio di stato
    25 set 2026
    Fonte
    Il museo
    Sulla mappaPagina del museo

    Che cosa raffigura

    PathLandscapeAnimaleRoadsWeaponsOccupationsEquus ferus caballusFigure male

    In catalogo

    DipintiAcquerelloPittura americanaImpressionismoXIX secolo

    Fonti

    • Smithsonian American Art Museum
    • Immagine: Smithsonian American Art Museum — CC0
    The Broncho Buster, Frederic Remington, 1895, revised 1909, cast by November 1910

    The Broncho Buster

    1895, revised 1909, cast by November 1910 · Metropolitan Museum of Art

    A Reconnaissance, Frederic Remington, 1902

    A Reconnaissance

    1902 · Metropolitan Museum of Art

    The Mountain Man, Frederic Remington, 1903, cast by March 1907

    The Mountain Man

    1903, cast by March 1907 · Metropolitan Museum of Art

    On the Southern Plains, Frederic Remington, 1907

    On the Southern Plains

    1907 · Metropolitan Museum of Art

    The Bronco Buster, Frederic Remington, Modeled 1895, cast 1899

    The Bronco Buster

    Modeled 1895, cast 1899 · Art Institute of Chicago

    Bronco Buster, Frederic Remington, 1895 (cast 1918 or later)

    Bronco Buster

    1895 (cast 1918 or later) · Minneapolis Institute of Art

    On the Bridle Path, Central Park, New York, Frederic Remington, 1889

    On the Bridle Path, Central Park, New York

    1889 · Non esposta · National Gallery of Art

    Off the Range (Coming Through the Rye), Frederic Remington, model 1902, cast 1903

    Off the Range (Coming Through the Rye)

    model 1902, cast 1903 · Non esposta · National Gallery of Art

    Muskrat, Unidentified, before 1997

    Unidentified

    Muskrat, before 1997

    Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

    Unidentified

    Cane with Boot-Shaped Handle, late 19th-early 20th century

    San Jose, Arce group, late 19th-early 20th century

    Arce group

    San Jose, late 19th-early 20th century

    Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

    Rivera group

    Nuestra Senora del Carmen, ca. late 19th-early 20th century

    San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

    Genaro Rivera Aviles

    San Rafael, late 19th-early 20th century

    Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

    Unidentified

    Worrying Mother Pig Toy, 20th century (pre-1960s)

    Bright Light at Russell's Corners, George Ault, 1946

    George Ault

    Bright Light at Russell's Corners, 1946

    Fish Decoy, Unidentified, ca. 1940s

    Unidentified

    Fish Decoy, ca. 1940s

    Drawing, Pieter Molyn, 17th century

    Pieter Molyn

    Drawing, 17th century

    Non esposta · Victoria and Albert Museum

    Path in the Snow, William B. Post, ca. 1897

    William B. Post

    Path in the Snow, ca. 1897

    Smithsonian American Art Museum

    Le Berger Indécis, Nicolas Lancret, 2nd quarter 18th century

    Nicolas Lancret

    Le Berger Indécis, 2nd quarter 18th century

    Victoria and Albert Museum

    Untitled, Howard Russell Butler

    Howard Russell Butler

    Untitled

    Smithsonian American Art Museum

    Pathway on Main Street, from the album Views of Charlestown, New Hampshire, Gotthelf Pach, 1888

    Gotthelf Pach

    Pathway on Main Street, from the album Views of Charlestown, New Hampshire, 1888

    Smithsonian American Art Museum

    Cabin in Wilderness, Bertha E. Jaques, n.d.

    Bertha Evelyn Jacques

    Cabin in Wilderness, n.d.

    Smithsonian American Art Museum

    A country road leading towards a church, Samuel Palmer, ca.1828

    Samuel Palmer

    A country road leading towards a church, ca.1828

    Victoria and Albert Museum

    Watercolour, Beatrix Potter, 28/07/1903

    Beatrix Potter

    Watercolour, 28/07/1903

    Non esposta · Victoria and Albert Museum