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  3. Storyteller Figure
Storyteller Figure, Jalisco, 100–800 CE

Storyteller Figure

100–800 CE · Sculpture

Sulla scultura

Ceramic figures in energetic poses and with lively expressions were made in the Ameca Valley, Jalisco. Like other West Mexican works of art, they were intended as offerings in tombs. The range of subjects depicted by these sculptures includes gesturing individuals whose hand positions communicated well-established meanings. This sign language has yet to be described and interpreted, but such excited figures may well be recounting legends or myths.

Art Institute of Chicago · CC BY 4.0

Scheda

Numero di inventario
1989.83

Altre opere di Jalisco

Tutte le opere

Nella stessa sala · Gallery 161, Art Institute of Chicago

Pagina del museo

Sullo stesso tema · People

Tutte le opere sul tema
JJalisco

Si può ammirare?

Sì, riceve visite

Art Institute of Chicago

Chicago, Stati Uniti

Sala161

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
3 giorni fa
Ultimo cambio di stato
28 set 2026
Fonte
Il museo
Sulla mappaPagina del museo

Che cosa raffigura

PeopleAncestorsGesturalLeaders

In catalogo

SculturaTerracotta e ceramicaJaliscoAmeca-zacoalcoMesoamericanPre-ColumbianAmericasWest mexicoAmecaArts of the AmericasJalisco state

Andirivieni

  1. Esposta · Sala 161

    Art Institute of Chicago · 28 set 2026 — oggi · Verificato

  2. Esposta · Sala 136

    Art Institute of Chicago · 19 ago 2026 — 28 set 2026 · Verificato

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — CC0
Standing Male Figure Holding a Ball, Jalisco, 100 BCE–300 CE

Standing Male Figure Holding a Ball

100 BCE–300 CE · Non esposta · Art Institute of Chicago

Seated Female Figurine with Elongated Head, Jalisco, 300 BCE–300 CE

Seated Female Figurine with Elongated Head

300 BCE–300 CE · Non esposta · Art Institute of Chicago

Standing Figure of a Mother and Child, Jalisco, 100 BCE–250 CE

Standing Figure of a Mother and Child

100 BCE–250 CE · Non esposta · Art Institute of Chicago

Seated Figure with an Elongated Head and Chin Placed on Knee, Jalisco, 300 BCE–300 CE

Seated Figure with an Elongated Head and Chin Placed on Knee

300 BCE–300 CE · Non esposta · Art Institute of Chicago

Seated Maternity Figure, Jalisco, 100 BCE–300 CE

Seated Maternity Figure

100 BCE–300 CE · Non esposta · Art Institute of Chicago

The Herring Net, Winslow Homer, 1885

Winslow Homer

The Herring Net, 1885

Still Life—Strawberries, Nuts, &c., Raphaelle Peale, 1822

Raphaelle Peale

Still Life—Strawberries, Nuts, &c., 1822

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, Joshua Johnson, c. 1805

Joshua Johnson

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805

View of Cotopaxi, Frederic Edwin Church, 1857

Frederic Edwin Church

View of Cotopaxi, 1857

Distant View of Niagara Falls, Thomas Cole, 1830

Thomas Cole

Distant View of Niagara Falls, 1830

Black Cross, New Mexico, Georgia O'Keeffe, 1929

Georgia O'Keeffe

Black Cross, New Mexico, 1929

The Bronco Buster, Frederic Remington, Modeled 1895, cast 1899

Frederic Remington

The Bronco Buster, Modeled 1895, cast 1899

Early Morning, Tarpon Springs, George Inness, 1892

George Inness

Early Morning, Tarpon Springs, 1892

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Art Institute of Chicago

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942

Art Institute of Chicago

Figure with Meat, Francis Bacon, 1954

Francis Bacon

Figure with Meat, 1954

Art Institute of Chicago

The Child's Bath, Mary Cassatt, 1893

Mary Cassatt

The Child's Bath, 1893

Art Institute of Chicago

American Collectors (Fred and Marcia Weisman), David Hockney, 1968

David Hockney

American Collectors (Fred and Marcia Weisman), 1968

Art Institute of Chicago

The Advance-Guard, or The Military Sacrifice (The Ambush), Frederic Remington, 1890

Frederic Remington

The Advance-Guard, or The Military Sacrifice (The Ambush), 1890

Non esposta · Art Institute of Chicago

The Fountain, Villa Torlonia, Frascati, Italy, John Singer Sargent, 1907

John Singer Sargent

The Fountain, Villa Torlonia, Frascati, Italy, 1907

Art Institute of Chicago

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, James McNeill Whistler, 1894

James Abbott McNeill Whistler

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894

Non esposta · Art Institute of Chicago