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  3. The Herring Net
The Herring Net, Winslow Homer, 1885

The Herring Net

1885 · Painting

Sul dipinto

In 1883 Winslow Homer moved to the small coastal village of Prouts Neck, Maine, where he created a series of paintings of the sea unparalleled in American art. Long inspired by the subject, Homer had spent summers visiting New England fishing villages during the 1870s, and in 1881–82 he made a trip to a fishing community in Cullercoats, England, that fundamentally changed his work and his life. The paintings he created after 1882 focus almost exclusively on humankind’s age-old contest with nature. Here Homer depicted the heroic efforts of fishermen at their daily work, hauling in an abundant catch of herring. In a small dory, two figures loom large against the mist on the horizon, through which the sails of the mother schooners are dimly visible. While one fisherman hauls in the netted and glistening herring, the other unloads the catch.

Continua a leggere

Utilizing the teamwork so necessary for survival, both strive to steady the precarious boat as it rides the incoming swells. Homer’s isolation of these two figures underscores the monumentality of their task: the elemental struggle against a sea that both nurtures and deprives.

Art Institute of Chicago · CC BY 4.0

Scheda

Nel frattempo, nella vita di Winslow Homer

Tutta la vita
  1. summer 1883

    Moves to Prouts Neck

    In the summer of 1883 Homer moved from New York to Prouts Neck, a peninsula ten miles south of Portland, Maine, and lived there for the rest of his life, using solitude to work. He settled on the family estate, in a remodelled carriage house seventy-five feet from the ocean.

  2. 1884

    Death of his mother

    In 1884 Homer's mother died: his first teacher and the strongest influence on him. After her death he became a “parent” to his ageing but domineering father, and his sister-in-law Martha (“Mattie”) became his closest female intimate.

  3. winter 1884 – 1885

    Florida, Cuba and the Bahamas

    In the winter of 1884–1885 Homer travelled to Florida, Cuba and the Bahamas, painting a series of watercolours commissioned by Century Magazine: the storm-tossed green sea of Prouts Neck gave way to the sparkling blue skies of the Caribbean, and for Edith Blake, wife of the governor of the Bahamas, he painted “Children Under a Palm Tree”. “A Garden in Nassau” (1885) is one of the best of these watercolours, but they proved too advanced for traditional buyers.

Altre opere di Winslow Homer

Tutte le opere

Nella stessa sala · Gallery 161, Art Institute of Chicago

Pagina del museo

Sullo stesso tema · People

Tutte le opere sul tema
1885 · a 49 anni
18361910
Numero di inventario
1937.1039
Winslow Homer, ritrattoWinslow HomerStati Uniti, 1836–1910

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Art Institute of Chicago

Chicago, Stati Uniti

Sala161

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
9 giorni fa
Ultimo cambio di stato
28 set 2026
Fonte
Il museo
Sulla mappaPagina del museo
The Veteran in a New Field, Winslow Homer, 1865

The Veteran in a New Field

1865 · Metropolitan Museum of Art

The Gulf Stream, Winslow Homer, 1899; reworked by 1906

The Gulf Stream

1899; reworked by 1906 · Metropolitan Museum of Art

Home, Sweet Home, Winslow Homer, c. 1863

Home, Sweet Home

c. 1863 · National Gallery of Art

Prisoners from the Front, Winslow Homer, 1866

Prisoners from the Front

1866 · Metropolitan Museum of Art

The Studio, Winslow Homer, 1867

The Studio

1867 · Metropolitan Museum of Art

Coming through the Rye, Winslow Homer, 1867

Coming through the Rye

1867 · Metropolitan Museum of Art

The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

The Dinner Horn (Blowing the Horn at Seaside)

1870 · National Gallery of Art

Rainy Day in Camp, Winslow Homer, 1871

Rainy Day in Camp

1871 · Metropolitan Museum of Art

Still Life—Strawberries, Nuts, &c., Raphaelle Peale, 1822

Raphaelle Peale

Still Life—Strawberries, Nuts, &c., 1822

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, Joshua Johnson, c. 1805

Joshua Johnson

Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805

View of Cotopaxi, Frederic Edwin Church, 1857

Frederic Edwin Church

View of Cotopaxi, 1857

Distant View of Niagara Falls, Thomas Cole, 1830

Thomas Cole

Distant View of Niagara Falls, 1830

Black Cross, New Mexico, Georgia O'Keeffe, 1929

Georgia O'Keeffe

Black Cross, New Mexico, 1929

The Bronco Buster, Frederic Remington, Modeled 1895, cast 1899

Frederic Remington

The Bronco Buster, Modeled 1895, cast 1899

Early Morning, Tarpon Springs, George Inness, 1892

George Inness

Early Morning, Tarpon Springs, 1892

A City Park, William Merritt Chase, c. 1887

William Merritt Chase

A City Park, c. 1887

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Art Institute of Chicago

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942

Art Institute of Chicago

Figure with Meat, Francis Bacon, 1954

Francis Bacon

Figure with Meat, 1954

Art Institute of Chicago

The Child's Bath, Mary Cassatt, 1893

Mary Cassatt

The Child's Bath, 1893

Art Institute of Chicago

American Collectors (Fred and Marcia Weisman), David Hockney, 1968

David Hockney

American Collectors (Fred and Marcia Weisman), 1968

Art Institute of Chicago

The Advance-Guard, or The Military Sacrifice (The Ambush), Frederic Remington, 1890

Frederic Remington

The Advance-Guard, or The Military Sacrifice (The Ambush), 1890

Non esposta · Art Institute of Chicago

The Fountain, Villa Torlonia, Frascati, Italy, John Singer Sargent, 1907

John Singer Sargent

The Fountain, Villa Torlonia, Frascati, Italy, 1907

Art Institute of Chicago

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, James McNeill Whistler, 1894

James Abbott McNeill Whistler

Arrangement in Flesh Color and Brown: Portrait of Arthur Jerome Eddy, 1894

Non esposta · Art Institute of Chicago

Che cosa raffigura

PeopleWorkWeather/seasonsFoodAcquaUomoFishingBoatsCentury of ProgressWorld's fairsChicago World's FairsAnimaleLandscapeRitratto

In catalogo

DipintiOlioPittura americanaImpressionismoXIX secoloRealismoModernismoNew England

Andirivieni

  1. Esposta · Sala 161

    Art Institute of Chicago · 28 set 2026 — oggi · Verificato

  2. Esposta · Sala 171

    Art Institute of Chicago · 19 ago 2026 — 28 set 2026 · Verificato

Fonti

  • Art Institute of Chicago
  • Immagine: Art Institute of Chicago — CC0