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Londra, Regno Unito
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This painting represents an exploration of Indian concept of 'Sringara Rasa'. This concept broadly refers to the love occurring between a man and woman and the consequences that ensue from this encounter. The artist has developed this theme by depicting two lovers dancing in a forest. He has set the figures against a flat red background and stylised green trees. Keyt has used a pictorial vocabulary that is reminiscent of cubism and Kalighat art. The influence of Kalighat art can be seen in the minimal use of lines, large eyes and the curves of the bodies, whereas that of cubism can be detected in the use of abstract and angular figures.
George Keyt (1901–1993) was born in Sri Lanka (Ceylon) and educated at Trinity College (Kandy), an elite colonial school in the British public school tradition. Keyt gave much time to drawing and the study of art and developed a keen interest in Indian and Western literature. From a very early stage, the ancient hill capital and its Buddhist temples came to exercise a powerful and lasting influence on him, providing both a literary and artistic stimuli to his work. This interest spurred the young painter to reject the Western cultural values he had been brought up with and explored both Hindu mythology and Indian literary works. Towards the end of his career, the artist assimilated Western elements into his visual vocabulary such as Picasso’s cubism and Henri Matisse’s painterly flatness to paint Hindu mythological figures.
Victoria and Albert Museum