ART WIKI
[Seeschlacht], Antoine Lafréry, 1530–1535
Jacob Bos, published by Antonio LafreriItalia, 1512–1577

[Seeschlacht]

1530–1535 · Print

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Dove si trova «[Seeschlacht]» oggi? Collezione: Herzog Anton Ulrich-Museum, Braunschweig. Non si sa.

Herzog Anton Ulrich-Museum

Braunschweig, Germania

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Ultimo cambio di stato
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

Che cosa raffigura

SoldiersSoldiers' livesAngriff (in einer Schlacht)Partially nude menSeaRowboats and canoesSeeschlacht

In catalogo

StampeRinascimentoXVI secolo

Fonti

Altre opere di Jacob Bos, published by Antonio Lafreri

Tutte le opere
Dioscuren, van achteren gezien, Antonio Lafreri, 1550

Dioscuren, van achteren gezien

1550 · Rijksmuseum

The Farnese Hercules, Jacob Bos, published by Antonio Lafreri, 1562

The Farnese Hercules

1562 · Non esposta · National Gallery of Art

Monstra della Giostra [A Tournament in the Cortile Belvedere], Monogrammist HCB, published by Antonio Lafreri, c. 1565

Monstra della Giostra [A Tournament in the Cortile Belvedere]

c. 1565 · Non esposta · National Gallery of Art

Portret van Martín de Azpilcueta, Antonio Lafreri, 1566

Portret van Martín de Azpilcueta

1566 · Rijksmuseum

Het beleg van Haarlem, 1572-1573, Antonio Lafreri, 1573

Het beleg van Haarlem, 1572-1573

1573 · Rijksmuseum

Het beleg van Haarlem, 1572-1573, Antonio Lafreri, 1573

Het beleg van Haarlem, 1572-1573

1573 · Rijksmuseum

[La victoire de Scipio sur Syphax; The Victory of Scipio over Syphax; Der Sieg Scipios über Syphax], Antoine Lafréry, 1530–1535

[La victoire de Scipio sur Syphax; The Victory of Scipio over Syphax; Der Sieg Scipios über Syphax]

1530–1535 · Herzog Anton Ulrich-Museum

Sepulchrum C. Cesti Epulonis, Antoine Lafréry, 1532–1577

Sepulchrum C. Cesti Epulonis

1532–1577 · Herzog Anton Ulrich-Museum

Dalla collezione: Herzog Anton Ulrich-Museum

Pagina del museo
Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, Caravaggio, 1704–1755

Caravaggio

Portrait d'Adolphe de Vignacourt Grand Maître de Malthe, 1704–1755

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Heiliger Hieronymus, Caravaggio

Caravaggio

Heiliger Hieronymus

Bildnis eines Mannes, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis eines Mannes, 1839–1850

Bildnis einer Frau, Rembrandt, 1839–1850

Rembrandt van Rijn

Bildnis einer Frau, 1839–1850

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Tobias und seine Frau, Rembrandt, 1773

Rembrandt van Rijn

Tobias und seine Frau, 1773

Lot mit seinen Töchtern, Rembrandt, 1771

Rembrandt van Rijn

Lot mit seinen Töchtern, 1771

Sullo stesso tema · Soldiers

Tutte le opere sul tema
Washington Crossing the Delaware, Emanuel Leutze, 1851

Emanuel Gottlieb Leutze

Washington attraversa il fiume Delaware, 1851

Metropolitan Museum of Art

The Denial of Saint Peter, Caravaggio, 1610

Caravaggio

Negazione di san Pietro, 1610

Metropolitan Museum of Art

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Herzog Anton Ulrich-Museum

Christ before Pilate: Large Plate, Rembrandt van Rijn, 1636

Rembrandt van Rijn

Christ before Pilate: Large Plate, 1636

Non esposta · National Gallery of Art

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], Rembrandt, 1629

Rembrandt van Rijn

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], 1629

Herzog Anton Ulrich-Museum

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], Rembrandt, 1653

Rembrandt van Rijn

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], 1653

Herzog Anton Ulrich-Museum

Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816

Francisco de Goya

Disparate de miedo (Folly of Fear), in or after 1816

Non esposta · National Gallery of Art

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], c. 1780/1785

Non esposta · National Gallery of Art