Jacques-Louis DavidFrancia, 1748–1825Round Pitcher
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National Gallery of Art
Washington, Stati Uniti
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- Verificato
- l’altro ieri
- Ultimo cambio di stato
- 19 ago 2026
- Fonte
- I dati di collezione del museo stesso
Scheda
- Numero di inventario
- 1998.105.1.yyy
In catalogo
Fonti
- National Gallery of Art: the museum's own open data · acquisita 5 giorni fa
- Immagine: National Gallery of Art — Museum open access
Nel frattempo, nella vita di Jacques-Louis David
Tutta la vita1771–1773
Three failed attempts at the Prix de Rome
He competed three years running — with “Minerva Fighting Mars,” “Diana and Apollo Killing Niobe’s Children” and “The Death of Seneca” — and lost each time; after the 1772 defeat he went on a hunger strike that lasted two and a half days, until Michel-Jean Sedaine and Gabriel-François Doyen urged him to keep drawing.
1775–1780
Meets Mengs and encounters Winckelmann’s ideas
In Italy he met Anton Raphael Mengs, an advocate of the careful study of classical sources, who also introduced him to the theoretical writings of his friend Winckelmann; Mengs shaped David’s pre-revolutionary paintings, such as “The Vestal Virgin.”
October 1775 – July 1780
Pensionnaire at the French Academy in Rome
In October 1775 he left for Italy with his mentor Vien, who had just been appointed director of the French Academy in Rome; he studied Poussin, Caravaggio and the Carracci, filled twelve sketchbooks, and in July 1780, after his stay was extended by a year, returned to Paris.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
