Rivers and Mountains in Late Spring

To Li, Chinese painting is not stagnant, but a continually evolving tradition and his interest in the past, like most literati artists, is to find a model or lineage that best suits his own aesthetic temperament. His study of old paintings is enriched through direct encounters with nature and literature. The traditional Chinese view sees nature as a powerful, but benevolent force in constant flux. This mood is certainly captured in this towering landscape. It's monumentality and massing of forms is certainly reminiscent of 12th century ink landscapes, but his disciplined brushwork, crystalline rock formations, and rhythmic interplay of solid and void are personal reflections of the artist's inner vision rather than historical interpretations.