Queen Henrietta Maria (1609-69), Anthony van Dyck, 1632
Anthony van Dyck, ritrattoAnthony van DyckFiandre, 1599–1641

Queen Henrietta Maria (1609-69)

1632 · Painting · 109 × 86.2 cm

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National Gallery

Londra, Regno Unito

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Ultimo cambio di stato
Fonte
Il museo

Scheda

Numero di inventario
L1361

In catalogo

Fonti

  • Wikidata
  • Immagine: National Gallery — Anthony van Dyck · Public domain · Wikimedia Commons

Nella vita di Anthony van Dyck

Tutta la vita
  1. 1626–1632

    The Iconography Print Series

    After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.

  2. by 1630

    Court Painter to Archduchess Isabella

    From 1630 Van Dyck was court painter to Archduchess Isabella Clara Eugenia of Habsburg, regent of the Spanish Netherlands; for her portrait he received a gold chain.

  3. 1631

    Marie de' Medici Visits His Studio

    In September 1631 Van Dyck received in his studio the exiled Queen of France, Marie de' Medici, with her son Gaston d'Orléans, and painted their portraits; the queen noted in her memoirs his collection of works by Titian.

  4. 1632 · Luogo di lavoro

    London

  5. 1632

    Post: court painter

  6. 5 July 1632

    Principal Painter to King Charles I

    On 5 July 1632 Charles I officially appointed Van Dyck principal painter to the king, guaranteeing an annual income of two hundred pounds sterling; the king gave him a large house with a garden on the banks of the Thames.

Tutte le opere

Dalla collezione: National Gallery

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