Liubov PopovaRussia, 1889–1924Портрет
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- Ultimo cambio di stato
- Fonte
- Il museo
Sul dipinto
Con le parole del museo — in russo
Изображает цветные плоскости и половину цилиндра. Плоскости нагромождены друг на друга в беспорядке, нет даже подобия человеческого лица.
Perm Art Museum
Scheda
- Numero di inventario
- Ж-596
In catalogo
Fonti
- Il Catalogo statale del fondo museale della Russia
- Immagine: Perm Art Museum — © Пермская государственная художественная галерея · Госкаталог музейного фонда РФ
Nella vita di Liubov Popova
Tutta la vita1914
Travels in France and Italy
She travels in France and Italy during the development of Cubism and Futurism.
1914–1915
Her Moscow home becomes a meeting-place for artists and writers
From 1914 to 1915 her home in Moscow is a meeting-place for artists and writers.
1914–1916
Takes part in the avant-garde exhibitions
Together with Aleksandra Ekster, Nadezhda Udaltsova and Olga Rozanova she contributes to the “Knave of Diamonds” exhibitions, to “Tramway V” in Petrograd, to “0.10” and to “The Store”; at “0.10” she shows several figurative painted cardboard reliefs in a Cubist-derived style.
1916
Joins Malevich’s group “Supremus”
She joins Kazimir Malevich’s group Supremus; together with Aleksandra Ekster, Ivan Kliun, Nadezhda Udaltsova, Olga Rozanova, Ivan Puni, Nina Genke, Ksenia Boguslavskaya and others she works at the Verbovka village folk centre.
1918
Marries Boris von Eding
She marries the art historian Boris von Eding, author of a study, “Rostov Veliky, Uglich”, in the series “Monuments of Artistic Antiquity”; their son is born the same year.
1918
The Tenth State Exhibition
At the Tenth State Exhibition, “Non-Objective Creativity and Suprematism”, she shows her series of architectonic paintings.
