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  3. Objects from a Dyer's Shop
Objects from a Dyer's Shop, Liubov Popova, 1914
Liubov Popova, ritrattoLiubov PopovaRussia, 1889–1924

Objects from a Dyer's Shop

1914 · Painting

Si può ammirare?

Sì, riceve visite

Museum of Modern Art

New York, Stati Uniti

SalaMoMA, Floor 5, 503

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
8 giorni fa
Fonte
Il museo
Sulla mappaPagina del museo

Scheda

1914 · a 25 anni
18891924
Numero di inventario
1059.1983

In catalogo

DipintiOlioPittura russaPittura sovieticaModernismoXX secolo

Fonti

  • Museum of Modern Art
  • Immagine: Museum of Modern Art — © the artist or rights holder

Nel frattempo, nella vita di Liubov Popova

Tutta la vita
  1. 1912

    Works in the “Tower” studio

    She works in a Moscow studio known as “The Tower” with Ivan Aksenov and Vladimir Tatlin, and visits Sergei Shchukin’s collection of modern French paintings.

  2. 1912–1913

    Studies in Paris under Le Fauconnier and Metzinger

    She attends the studios of the Cubist painters Henri Le Fauconnier and Jean Metzinger at the Académie de La Palette in Paris, studying alongside Nadezhda Udaltsova.

  3. 1912–1913

    Meets Archipenko and Zadkine

    In Paris she meets Alexander Archipenko and, in 1913, Ossip Zadkine.

  4. 1913

    Returns to Russia and works with Tatlin

    After returning to Russia that same year she works with Tatlin, Udaltsova and the Vesnin brothers.

  5. 1914–1916

    Takes part in the avant-garde exhibitions

    Together with Aleksandra Ekster, Nadezhda Udaltsova and Olga Rozanova she contributes to the “Knave of Diamonds” exhibitions, to “Tramway V” in Petrograd, to “0.10” and to “The Store”; at “0.10” she shows several figurative painted cardboard reliefs in a Cubist-derived style.

  6. 1916

    Joins Malevich’s group “Supremus”

    She joins Kazimir Malevich’s group Supremus; together with Aleksandra Ekster, Ivan Kliun, Nadezhda Udaltsova, Olga Rozanova, Ivan Puni, Nina Genke, Ksenia Boguslavskaya and others she works at the Verbovka village folk centre.

Altre opere di Liubov Popova

Tutte le opere
Человек + воздух + пространство, Liubov Popova, 1913

Человек + воздух + пространство

1913 · Museo russo

Портрет философа, Liubov Popova, 1915

Портрет философа

1915 · Museo russo

Self-Portrait, Lyubov Popova, 1910s

Self-Portrait

1910s · Non esposta · National Gallery of Art

Предметы, Liubov Popova, 1915

Предметы

1915 · Museo russo

Untitled from Six Prints, Liubov Popova, c. 1917–19

Untitled from Six Prints

c. 1917–19 · Non esposta · Museum of Modern Art

Title page from Six Prints, Liubov Popova, c. 1917–19

Title page from Six Prints

c. 1917–19 · Non esposta · Museum of Modern Art

Untitled from Six Prints, Liubov Popova, c. 1917–19

Untitled from Six Prints

c. 1917–19 · Non esposta · Museum of Modern Art

Painterly Architectonic, Liubov Popova, 1917

Painterly Architectonic

1917 · Non esposta · Museum of Modern Art

Sotto lo stesso tetto: Museum of Modern Art

Pagina del museo
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

Notte stellata, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950