
Ilya RepinUcraina, 1844–1930Портрет Анатолия Лемана
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San Pietroburgo, Russia
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- Ultimo cambio di stato
- Fonte
- Il museo
Sull’opera
Con le parole del museo — in russo
Леман Анатолий Иванович (1859–1913) — писатель.
Museo russo
Scheda
- Numero di inventario
- Р-7967
Che cosa raffigura
In catalogo
Fonti
- Museo russo
- Immagine: Museo russo — © State Russian Museum
Nella vita di Ilya Repin
Tutta la vita1887
Razvod s Veroy Alekseyevnoy
При разводе поделили детей: старшие остались у отца, младшие — у матери. Стасов беспокоился о душевном самочувствии друга.
1887
Garshin’s portrait at the 15th Wanderers’ exhibition
From their first meeting Repin wanted to paint the writer, struck by “Garshin’s eyes, full of serious bashfulness”; Garshin would enter the studio noiselessly, like a bodiless angel. Shown in 1887, the portrait split the reviewers — some thought Repin had painted Garshin mad, others had never seen finer eyes and a brighter brow; today it is in the United States, in the Metropolitan Museum.
1888
Second trip for the “Zaporozhians” — with his son Yuri
Eight years after the first trip Repin again set off for Little Russia, this time with his son Yuri, drawing everything the canvas might need — huts, utensils, costumes, weapons. He called his state “a creative binge” and the future characters “a merry folk”.
1890
Meets Natalia Nordman
He met Natalia Nordman (1863–1914), the daughter of an admiral, a writer, feminist and campaigner for better working conditions who advocated a simple life close to nature; she became his common-law wife.

















