
Plate five, from The Never Projected (Lo Nunca Proyectado)
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Chicago, Stati Uniti
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Sull’opera
Throughout her career, Gego produced work that located meaning in oppositions: symmetry and asymmetry, stasis and dynamism, light and shadow, visibility and invisibility. These inkless intaglio prints, sheets of paper embossed without pigment to produce barely discernible impressions, resulted from a brief collaboration between the artist and the poet Alfredo Silva Estrada. The imagery Estrada conjures in the poem—shadows, movement, light, and rhythm—are also at the core of Gego’s practice.
Art Institute of ChicagoCC BY 4.0
Scheda
- Numero di inventario
- 1967.270.6
In catalogo
Fonti
- Art Institute of Chicago
- Immagine: Art Institute of Chicago — © the artist or rights holder










