Parisian Omnibus

Salem Cove

c. 1915/1918 · National Gallery of Art

Summer, New England

1912 · Smithsonian American Art Museum

On the Beach, No. 3

c. 1915–18 · Cleveland Museum of Art

In the Park, Paris

1891 · Non esposta · National Gallery of Art

Skipping Rope

1892/1895 · Non esposta · National Gallery of Art

Revere Beach

c. 1896 · Non esposta · National Gallery of Art

Piazza San Marco

1898 · Non esposta · National Gallery of Art

Caffè Florian in Venice

1898/1899 · Non esposta · National Gallery of Art

Leonardo da Vinci

Ritratto di Ginevra de' Benci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Vincent van Gogh

Girl in White, 1890

Vincent van Gogh

Roses, 1890

Vincent van Gogh

Self-Portrait, 1889

Vincent van Gogh

Farmhouse in Provence, 1888

Vincent van Gogh

La Mousmé seduta, 1888

Paul Gauguin

"Neige" (Snow); Itinerary [recto], 1884-1888

Non esposta · National Gallery of Art

Henri de Toulouse-Lautrec

Country Outing (Partie de campagne), 1897

Non esposta · National Gallery of Art

Allen Ginsberg

Lorenzo & Larry Ferlinghetti, stopover in Fiji on way to Adelaide Arts Festival, Australia March 72, 1972, printed later

Non esposta · National Gallery of Art

Allen Ginsberg

Joe Richey and New York ladies on Roland Leggiardi-Laura's film crew, waiting at Ministerio de Cultura door, outside Managua, January 23, 1986, 1986

Non esposta · National Gallery of Art

Allen Ginsberg

Allen Ginsberg, utility man S.S. John Blair first back from Galveston-Dakar Doldrums trip, I handed my camera to the radio-man on the ship's fantail, smoking what? In New York harbor, circa October 30, 1947., 1947, printed 1990

Non esposta · National Gallery of Art

Allen Ginsberg

Korean War Vet Ken Babbs, Captain of Ken Kesey's "Trips Festival" bus, co piloting Neal Cassady on Amphetamine at wheel rolling up highway to Millbrook estate near Poughkeepsie N.Y. where Dr. Tim O'Leary's Castalia Foundation was then experimenting with D.M.T. on half hour psychedelic trip useful for psychiatric sessions. Burglar Gordon Liddy, then assistant D.A. in Poughkeepsie raided the Foundation a number of times illegally lacking search warrants during that season, so Castalia folk were jittery on arrival of honking Day-Glo graffit'd "Merry Prankster" Further bus which'd been driven cross-country S.F to N.Y. via Texas before Fall 1964 Presidentiad, "A Vote for Goldwater is a Vote for Fun" logo painted above bus side windows, L.S.D. Kool-Aid in pitcher in icebox. Kesey & Pranksters had met with Jack Kerouac a day before . . ., 1964, printed 1995

Non esposta · National Gallery of Art

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Non esposta · National Gallery of Art

Allen Ginsberg

Ken Kesey—Merry Pranksters’ day-glo painted “Further” cross-country bus Neal Cassady’d driven S.F. to Manhattan, L.S.D. cool-aid pitcher in icebox for local hitchhikers and Police, here stopped for gas lunch upstate on trip to Timothy Leary’s Millbrook n.y. psychedelic research commune just before election time, “A Vote For Barry Is A Vote for Fun” logo painted large across bustop side, Goldwater the libertarian Republican would-be Presidential candidate Hawk during Vietnam War, summer 1964., 1964, printed 1995

Non esposta · National Gallery of Art