
Paulus PotterPaesi Bassi, 1625–1654Orpheus and the Animals
Si può ammirare?
Sì, riceve visite
Esposta al pubblico.
- Verificato
- Ultimo cambio di stato
- Fonte
- Il museo
Sul dipinto
The Classical poet Ovid described how Orpheus en-chanted nature with his wonderful lyre music. This theme was popular among 17th-century animal painters because it gave them a chance to depict many different sorts of animals. Here Potter demonstrates that his repertoire encompassed more than the usual farm animals. He painted dozens of native and exotic beasts. In the middle Orpheus is strumming his harp.
Rijksmuseum
Scheda
- Numero di inventario
- SK-A-317
Che cosa raffigura
In catalogo
Andirivieni
Esposta · Room 2.28 · Painting
Rijksmuseum · 29 set 2026 — oggi · Verificato
Non si sa se fosse esposta
Rijksmuseum · Non confermato
Fonti
- Rijksmuseum
- Immagine: Rijksmuseum — public domain
Nel frattempo, nella vita di Paulus Potter
Tutta la vita1649
Moves to The Hague: a house from van Goyen
Potter rents a house in The Hague from the painter Jan van Goyen and joins the local painters' guild; for several years he lives next door to van Goyen.
1649–1652 · Luogo di lavoro
The Hague
3 July 1650
Marries Adriana van Balckeneynde
Potter marries Adriana van Balckeneynde, daughter of the Hague master carpenter and building contractor Claes Dircksz, who lived nearby; his father-in-law introduces him to the Dutch elite. None of their children will reach adulthood.
1 May 1652
Moves to Amsterdam at Tulp's invitation
At the invitation of the physician Nicolaes Tulp, who already owned a number of his paintings, Potter goes to Amsterdam. Impressed by the artist's civilized behaviour and politeness, Tulp has him paint his son Dirck as a noble equestrian, life-size, with the head painted on a portrait originally intended for someone else.
1652–1654 · Luogo di lavoro
Amsterdam
















