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Nigeria FESTAC 77, Marilyn Nance, 1977
Marilyn Nance, ritrattoMarilyn NanceStati Uniti, 1953

Nigeria FESTAC 77

1977 · Photograph

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Dove si trova «Nigeria FESTAC 77» oggi? Collezione: Art Institute of Chicago, Chicago. Non esposta al momento. Verificato 29 settembre 2026.

Art Institute of Chicago

Chicago, Stati Uniti

Appartiene alla collezione, ma al momento non è esposta.

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Il museo
Sulla mappaPagina del museo

Scheda

Numero di inventario
2021.285

Che cosa raffigura

African AmericanAfricanBlack cultureCritical HistoryPeoplePortraits of African people

In catalogo

FotografieStampa ai sali d’argentoArte contemporaneaXX secolo

Fonti

Altre opere di Marilyn Nance

Tutte le opere
Sun Ra Rehearsing in FESTAC Village, Marilyn Nance, February 1977

Sun Ra Rehearsing in FESTAC Village

1977 · Museum of Modern Art

Nigeria FESTAC 77, Marilyn Nance, January 15, 1977

Nigeria FESTAC 77

1977 · Museum of Modern Art

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 2019

Nigeria FESTAC 77

1977, printed 2019 · Non esposta · Art Institute of Chicago

Senegalese Contingent, Closing Ceremony, Marilyn Nance, 1977, printed later

Senegalese Contingent, Closing Ceremony

1977, printed later · Non esposta · Art Institute of Chicago

National Stadium Crowd, Marilyn Nance, 1977, printed later

National Stadium Crowd

1977, printed later · Non esposta · Art Institute of Chicago

USA Contingent, Closing Ceremony, National Stadium, Marilyn Nance, 1977, printed later

USA Contingent, Closing Ceremony, National Stadium

1977, printed later · Non esposta · Art Institute of Chicago

Nigeria FESTAC 77, Marilyn Nance, 1977, printed 1978

Nigeria FESTAC 77

1977, printed 1978 · Non esposta · Art Institute of Chicago

Sun Ra Arkestra Dancer Engages Rehearsal Onlookers, Marilyn Nance, 1977

Sun Ra Arkestra Dancer Engages Rehearsal Onlookers

1977 · Non esposta · Art Institute of Chicago

Anche in sala: Art Institute of Chicago

Pagina del museo
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Una domenica pomeriggio sull'isola della Grande-Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Strada di Parigi in un giorno di pioggia, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Sulla terrazza, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

il cesto di mele, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

I nottambuli, 1942

Sullo stesso tema · African American

Tutte le opere sul tema
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Non esposta · National Gallery of Art

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Non esposta · National Gallery of Art

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Non esposta · National Gallery of Art

Boys, Shady Grove, Alabama, Gordon Parks, 1956, printed later

Gordon Parks

Boys, Shady Grove, Alabama, 1956, printed later

Non esposta · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Non esposta · National Gallery of Art

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Non esposta · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Non esposta · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Non esposta · National Gallery of Art