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  3. Narcissus
Narcissus, Valerio Cioli, ca. 1560

Narcissus

ca. 1560 · Statue · 99.9 × 67.8 cm

Sulla scultura

Narcissus is shown as a youth returning from a hunt. He stops to look into a pool of water and is mesmerised by his reflection, which he has never seen before. He falls in love with the beautiful image he sees and then cannot stop looking. This may have originally been the centrepiece for a fountain, and therefore shown the figure gazing into an actual pool of water.

Continua a leggere

When discovered in Florence this statue was identified as a statue of Cupid carved by Michelangelo which was thought to be lost. For many years after its acquisition by the V&A it was one of the most celebrated works in the Museum because of this attribution. It has since been identified as an ancient Roman copy of a classical model. It was extensively recut in the sixteenth century, with the head being added at this time, and is thought to be the work of the Florentine sculptor Valerio Cioli (ca. 1529 - 1599), who was a restorer of classical sculptures. The raised left arm dates from the nineteenth century.

Victoria and Albert Museum

Scheda

ca. 1560

Altre opere di Valerio Cioli

Tutte le opere

Nella stessa sala · Medieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery, Victoria and Albert Museum

Pagina del museo

Sullo stesso tema · Classicism

Tutte le opere sul tema
1529
1599
Numero di inventario
7560-1861

Fonti

  • Victoria and Albert Museum
  • Immagine: Victoria and Albert Museum — © Victoria and Albert Museum, London
Valerio Cioli, ritrattoValerio Cioli1529–1599

Si può ammirare?

Sì, riceve visite

Victoria and Albert Museum

Londra, Regno Unito

SalaMedieval & Renaissance, Room 50a, The Paul and Jill Ruddock Gallery

Esposta al pubblico. Chi lo garantisce è indicato qui sotto.

Verificato
12 giorni fa
Ultimo cambio di stato
25 set 2026
Fonte
Il museo
Sulla mappaPagina del museo
Bärtiger Mann auf einem Faß, Valerio Cioli

Bärtiger Mann auf einem Faß

Museum Kunstpalast

Samson Slaying a Philistine, Giovanni Bologna, 1560-1562

Giambologna

Samson Slaying a Philistine, 1560-1562

Roundel depicting Julia (?) Augustus & Agrippa, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

Roundel depicting Julia (?) Augustus & Agrippa, ca. 1520 - ca. 1525

The Blind Homer, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

The Blind Homer, ca. 1520 - ca. 1525

Relief, workshop of Della Robbia, 1520-1540

workshop of della Robbia

Relief, 1520-1540

Classical female head, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

Classical female head, ca. 1520 - ca. 1525

The Blind Homer, workshop of Giovanni della Robbia, ca. 1520 - ca. 1525

workshop of Giovanni della Robbia

The Blind Homer, ca. 1520 - ca. 1525

Sepulchral Effigy of a Lady, 1500-1530

Sepulchral Effigy of a Lady, 1500-1530

Saint George and the Dragon with two armorial reliefs, ca. 1500

Saint George and the Dragon with two armorial reliefs, ca. 1500

View of Delphi with a Procession, Claude Lorrain, 1673

Claude Lorrain

View of Delphi with a Procession, 1673

Art Institute of Chicago

Abduction of the Sabines, Giuseppe Angeli, c. 1760

Giuseppe Angeli

Abduction of the Sabines, c. 1760

Non esposta · Art Institute of Chicago

A Shepherdess, Charles-Gabriel Lemire, ca. 1780s

Charles-Gabriel Lemire

A Shepherdess, ca. 1780s

Victoria and Albert Museum

Cupid and Psyche, Clodion, ca. 1797-1800

Claude Michel

Cupid and Psyche, ca. 1797-1800

Victoria and Albert Museum

A Nymph and Cupid, Locré and Russinger's porcelain factory, ca. 1785

Locré and Russinger's porcelain factory

A Nymph and Cupid, ca. 1785

Victoria and Albert Museum

Design for the Broadmoor Stage Drop-Curtain, Richard Dadd, 1873

Richard Dadd

Design for the Broadmoor Stage Drop-Curtain, 1873

Victoria and Albert Museum

The Apotheosis of Henry VIII, Robert Pyte, ca. 1546

Robert Pyte

The Apotheosis of Henry VIII, ca. 1546

Non esposta · Victoria and Albert Museum

Design for St Mary's Church, St Marylebone, Chambers, early 1770s

Chambers

Design for St Mary's Church, St Marylebone, early 1770s

Non esposta · Victoria and Albert Museum

Che cosa raffigura

ClassicismVanityQuiversNarcissus

In catalogo

SculturaMarmoRinascimentoXVI secoloItalia