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  1. Collezione/
  2. Herzog Anton Ulrich-Museum/
  3. Mutter und Kind
Mutter und Kind, Angelica Kauffmann, 1761–1807
Angelica Kauffmann, ritrattoAngelica KauffmannSvizzera, 1741–1807

Mutter und Kind

1761–1807 · Print

Si può ammirare?

Non si sa: il museo mantiene il riserbo

Herzog Anton Ulrich-Museum

Braunschweig, Germania

Il proprietario è noto. Se oggi sia esposta, il museo non lo dice, e a indovinare non ci hanno insegnato.

Ultimo cambio di stato
27 set 2026
Fonte
I dati di collezione del museo stesso
Sulla mappaPagina del museo

Scheda

1761–1807
17411807

Che cosa raffigura

Mutter mit Baby oder kleinem KindApfelBambinoMutter

In catalogo

StampeRococòNeoclassicismoXVIII secolo

Fonti

  • Herzog Anton Ulrich-Museum: i dati aperti del museo · acquisita 8 giorni fa
  • Immagine: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Nel frattempo, nella vita di Angelica Kauffmann

Tutta la vita
  1. January 1763

    Meets the English community in Rome

    Moving to Rome in January 1763, Kauffman was introduced to the British community there; as she learned more English and continued with portraiture, she became a popular portraitist for British visitors to Rome.

  2. 1764

    Her portrait of Winckelmann

    In Rome Kauffman painted a half-length portrait of the art historian Johann Joachim Winckelmann and also made an etching of it; in August 1764 Winckelmann wrote to a friend about her popularity: she spoke Italian and German, handled French and English with ease, could be called beautiful, and in singing could vie with the best virtuosi.

  3. 1766

    Friendship with Joshua Reynolds

    Reynolds became Kauffman’s firmest friend: in his pocketbooks she often appears as “Miss Angelica” or “Miss Angel”; in 1766 he painted her portrait, and she answered with her portrait of Reynolds.

  4. December 1768

    Founding member of the Royal Academy of Arts

    In December 1768 Kauffman became one of the founding members of the Royal Academy of Arts in London, one of only two women among them.

  5. 1781

    Returns to Rome

    Disappointed by the relative apathy of the British towards history painting, Kauffman left London, where she had lived for fifteen years, in 1781, after her marriage to Antonio Zucchi, and returned to Rome, where that genre was better known and enjoyed the patronage of patrons and collectors.

  6. 5 novembre 1807

    Died

Altre opere di Angelica Kauffmann

Tutte le opere
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Ermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Metropolitan Museum of Art

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Metropolitan Museum of Art

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Metropolitan Museum of Art

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Metropolitan Museum of Art

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Metropolitan Museum of Art

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Metropolitan Museum of Art

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Victoria and Albert Museum